There’s something magical about watching a Polaroid coming to life in your hands. The little piece of instant film is a moment of captured time that is always a joy to have, but there is something about the scope of Ken Yu’s Polaroid Project that makes it truly special.

Have you ever gone to the see a romantic comedy and absolutely fallen in love? Have you ever gone to a romantic comedy and spent the majority of the film’s running time politely sneaking peeks at your watch? Have you ever realized that both movies were essentially the same story and wondered why you couldn’t get enough of the first, and got way too much of the second?

There is certainly quite a lot that you can accomplish with natural light, but you're at the mercy of the weather outside, and sometimes, adding a bit of flash can go a long way to augment the light at hand or to even reshape it entirely. This great video will show you some different ways to use a flash to create a variety of looks when you're shooting portraits outdoors.

In my last article, Adventures in Large Format: A Beginner's Perspective, I talked about some of the things I noticed upon purchasing and attempting to use my first 4x5 large format camera. As fun as fiddling with some knobs and taking a photo of a stool was, it was time for me to point my camera at some actual people. After lugging the camera upstairs and taking portraits of some of the awesome characters that work at the bar, it was time to see how I did.

Learning how to balance artificial light with ambient light is one of the most important and versatile skills for a portrait photographer to learn. If you are still working on that, check out this fantastic video tutorial that will show you a series of outdoor portraits shot using a combination of strobes and ambient light and how they were lit.

A simple question for you: do you find that from January to December, over the course of a given year, your photography changes along with the seasons and the environment? Kind of a loaded question though, right? The answer probably depends quite a bit on what exactly your brand of photography is. Of course, other factors play a major role like your location and whether your work is outdoors or in the studio too. When is the last time that you sat down and looked at your body of work? Aside from technical improvements, do you notice any trends that may coincide with various times of the year?

This is a series of videos that make up a fascinating 90-minute documentary about the great Richard Avedon. It's called "Richard Avedon: Darkness and Light," and first aired back in 1995 as part of the American Masters Series. If you're like me, you could spend hours watching things like this.

Working with models can open up a plethora of new creative outlets and professional opportunities for any photographer. But, the first shoot with a model can seem like a daunting task for some. This video aims to get you comfortable with choosing and communicating with any experienced model.

Adding props is a simple and effective way of adding production value to your photographs. Not only do they add additional points of interest, they also can add to the story you're trying to tell. In this video and article, I'll be walking through the creative process of how an image evolves to the final version. To do this, I'll begin with a basic "walk-up" shot. From there, I'll be walking through the step-by-step changes to the shot until we get to the final image using various props.

A couple weeks ago, I did a quick photo session with my Jiu Jitsu coach, Rafael Moreno, and I filmed the process from start to finish.

Back again, Benjamin Von Wong takes on family portraits this time in another one of his behind the scenes videos. See how he put together 4 different scenes to make typically mundane photography style come to life. Using a D800E and Photoshop, check out how Ben works his magic.

When you're retouching a portrait, I'm willing to bet that you spend the majority of your time working on the subject's face, because, well, it's a portrait. Nonetheless, your subject's face isn't the only part of them, and with a little extra work on their hair, you can really make the entire image pop. This great video will show you how to do exactly that.

A couple months ago, we posted images from a series of portraits shot by Tadao Cern that were described as "blow job portraits". Kai and crew over at Digital Rev TV put together a fun video trying to re-create this effect using some interesting tools on a handful of models, while "keeping stimulated" by trying a new technique. Can you keep a straight face while watching this?

When starting out with off-camera flash, especially in portraiture, we don't always have access to a lot of high-tech or expensive strobes and modifiers. Here's a simple setup that will help you create stunning low-key rim lit images with very little equipment required.

Boutiques, clothing brands, and some stores usually require catalog images for their business and e-commerce websites. Would you be able to deliver clean catalog images? Here's how you can do just that!

When you get to peek behind the curtain of Martin Schoeller's shoots, it's always worth stopping what you're doing, and taking that peek.

Even to the non-photographer, the look of light through a window is quite recognizable, and as such, it is an excellent way to give your portraits an elegant and timeless look. Of course, we do not always have the ability to just use a window with natural sunlight streaming through, and as such, knowing how to create it in studio is a useful skill. Thankfully, it is not that difficult, nor does it require a lot of equipment. This excellent video tutorial will show you how to do it with just a single speedlight.

Jeffrey Mckee is a Lawrence, KS-based photographer and a graphic designer for the Spencer Museum of Art at the University of Kansas. His colorful portraits, created with Polaroid instant film, evoke a sense of dreamy playfulness.

Like so many 20th century processes, Polaroid photography is a format far less common than its digital counterparts. However, equipment and film for instant photography have been made more accessible in recent years.

Consider for a moment, just what would your ten-year-old self do, if given the keys to an entire photo shoot.

A white backdrop is an incredibly versatile piece of equipment, and a must have for any studio photographer. But if you want to mix things up a bit, and you don't want to fork out for another background — like one of these beautiful hand-painted ones — or you just want to have some creative fun, making a gobo is a fantastically adaptable alternative.

Portrait photography demands a thoughtful approach to composition, not just for aesthetic appeal but also to ensure your images are technically sound and emotionally impactful. Whether you’re shooting headshots, full-body portraits, or mid-body images, understanding how to frame your subject is key.

Last spring, I got a dream call from one of the photo editors at Sports Illustrated to photograph the legendary Dan Gable, a wrestler from Iowa, and one of the most winning athletes of all time. From winning gold in Munich during the 1972 Olympics, to having coached other U.S. teams to gold after, this guy oozes excellence and passion in everything he does. I’m not one to be intimidated by people because of their status in life, but people who work as hard as he does definitely stand out to me.

Shooting creative portraits does not always require the biggest flashes and the best softboxes. All it takes is your imagination and a basic setup.

Every model is trained is posing, but dancers take it a step in a different direction with their ability to contort, control, and push their bodies in spectacular ways. This great video will show you five tips for getting better photos when you're working with dancers.

Here’s the story of how one photographer turned a huge symphony hall into potentially the world’s largest darkroom. From the stage, he took a tintype portrait and developed it in front of a 1,400-strong audience.

Have you tried taking film photographs and then scanning them in and performing post processing? Perhaps now is the time.

I've really been enjoying these episodes of Mark Seliger's discussion-based show called Capture. In this latest installment, you'll get to sit in with one of the most talented photographers around - Martin Schoeller. He tells the stories behind his photographs of Jack Nicholson, Lyle Lovett, Steve Carell, and the breastfeeding mother (that I'm sure you all remember).