Cinema5D founder Sebastian Wöber's latest three-part tutorial on drone shooting starts off with quite the introduction in Part I. Wöber could honestly be saying anything to accompany his to-die-for footage, but what makes it so fantastic is how great the information in this video is. From safety to beginner tips on getting started and how to get that cinematic shot you have in your head (don't worry, Wöber has plenty examples if you don't), Part I has you covered. And there's more to come...very soon.
A few weeks ago, I shared the second episode of the video series "Off the Beaten Track," where photographer Chris Schmid visited the land of the Maasai people, photographing their culture and the wild animals of the National Reserve in Kenya. Chris recently released the third episode where he explores a much cooler climate. Svalbard is one of the most remote places in the Northern Hemisphere. This episode is beautifully shot with the DJI Inspire 1 and DJI Zenmuse X5, giving you a new look into the quickly melting ice and the polar bears who live there.
When DJI announced the Inspire 1 drone, I didn't get it. It was a much larger and more expensive quadcopter that had only a slightly better camera attached to it. I had no interest in the Inspire 1 until they announced the new Zenmuse X5 Micro 4/3 camera/gimbal system. I currently have one and I can tell you, it's pretty amazing.
Designed to combat flights over private property by paparazzi photographers looking to get glimpses of celebrities in their "natural elements," a new bill, AB 856, signed by California Governor Jerry Brown Tuesday, broadens the definition of a "physical invasion of privacy" to include flying a drone to record images or video over private property. While countless issues surrounding invasion of privacy and drone usage have appeared on the Internet over the years (including one instance of a father shooting down a drone recording his daughter sunbathing in their backyard), this expansion could pose more danger to well-intentioned videographers.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!
New Horizons left Florida's Cape Canaveral launch pad on January 19, 2006, arrived over Pluto more than nine years later on July 14, 2015, and finally gave scientists its first images over Labor Day weekend, when its year-long, tediously slow data dump first began. Coming in at 2,000 bits per second (1/28th the speed of dial-up), these images - many of which are composited in various ways to form a final image - finally shed some light on what secrets Pluto's surface, atmosphere, and core might hold. All told, the results give sci-fi fanatics a run for their money.
In case you missed it, ‘Rocket Wars’ is a five minute film that has changed the game. It's breaking new ground and heralds in a beautiful new era in filmmaking. 150,000+ views and a Vimeo ‘Staff Pick’ are pretty amazing, but what’s ground breaking isn’t that the film is just a beautiful cacophony of visual and aural eye and ear candy. What’s fascinating is the fertile new ground it thrusts us headlong in to, and how it engages us. How did the filmmakers pull this off – and importantly – what can we learn from them to apply to our own projects?