Many boudoir photographers starting out may be green with envy on studio owners with larger square footage. In many cases the ability to move around furniture and props without tripping every step is a welcomed luxury. However, the grass is not always greener on the other side. Having a large studio also means having more issues on controlling light, especially when it is natural light.
The evolution of boudoir photography has changed drastically over the years however the core of what it stands for remains the same. It is a look into a clients insecurities and help regain the strength through the newly found confidence. While looking over some images of a fellow boudoir photographer during his Body Confidence Campaign, the final images where something no one saw coming.
Boudoir clients range not only in background but also shapes and sizes. She may be a model or the stay at home mom that wants to feel like a model. Knowing your client and how to pose for flattering looks as well as creating a lasting experience is what one boudoir photographer is about to explain.
Playing with shadows is not a new concept however in the boudoir community is has become a beautiful new trend. A recent group competition brought many boudoir photographers into the sight of this staff writer. One photographer in particular stopped the show with some moody light that won us over.
I am always on the hunt for new stock images to incorporate into my photography and find that stock enhances my photography business in several ways. Stock provides me with the ability to incorporate different locations and textures into my images that I am not able to easily shoot. As a result, I have not only seen improvements in my own work, I have also gained an eye for spotting opportunities to take extra images to sell.
Detail shots are one of the most neglected shots I see missing from boudoir photographers portfolios. Not only do they compliment another image when placed in an album, they can help to create larger sales in the end. Keeping a mental note of which detail shots to not forget can help you in your flow during the session as well as helping you see another angle you might not have thought about before.
Posing a client during a boudoir session can be tricky if you are not comfortable yet in your flow. Creating a set of images that you can move through without disturbing the energy in the room takes practice and a few simple tricks.
In case you have not been poking around the Fstoppers website enough, you may not realize there are groups specifically geared to each photography genre. These groups are designed to be your community outlet to show off your work, and here is your chance to get recognized.
Being behind the camera for a boudoir session can be just as exhilarating for the photographer as it is for the client. You are capturing the confidence being displayed right before your eyes. Add in another subject and the room becomes intoxicating when you think about the final images you will be editing. However, understanding how to gain that moody light or that intensity needed for a couples boudoir shoot is just what one photographer explains to us all.
I'm back today with another utility Action for you all to download, for free, and see how it works for you. It deals with luminosity mask level control of what I often call the Big Three of image control: highlights, mids, and shadows. It's the most common use of luminosity masks, so, why not streamline it into an Action?
This past summer I dove deep into an article on the long time debate: does a photographer's gender alter the way in which he or she photographs a subject. Is there really a difference in how one gender sees the final image, or is it just artistic preference? Two artists decided to test this theory during a creative shootout to see if all the variables stayed the same, would the image turn out differently. Does the gender of the photographer really influence the final image, or simply the approach in which is taken during the shoot?
There comes a time where you need to cut ties with other artists who are not blending well with your company. Makeup artists are very hard to come by in my small town and when one failed to show for more than one appointment it was time to say our goodbyes. But what happens to the session that was a no show? While your client is waiting in that chair, with her excitement starting to wane, it is time to take action. If you are prepared this will be a breeze.
Now that the holidays are over, there will be an influx of photographers on the scene testing out their new DSLRs hoping to put their own creativity out into the world. As seasoned photographers, we know that it cannot stop at the shutter click for our clients so that is where vendors and products come into play. There are many options in this industry to chose from, whether it be flash drives, custom packaging, or even financial software. So where do you begin?
Unless you have a stash of cash just waiting for that moment you start filling your studio with furniture, most likely you have been at the bottom of the budget. Pinteresting your way through DIYs on old furniture, Craigslist, or even flea market finds will be how the majority start their collection of studio furniture. So how can you take something that was left for trash and incorporate it into your high-end luxury vision?
About ten years ago I was buying a new vehicle. I went to three different dealerships. All three sales personnel had very different approaches in their technique for sealing the deal. While I was not a sales person myself at the time (life prior to being a photographer), I understood the behavior. This is the same in the photography business, and there is so much to learn from all three approaches as to why you may or may not be gaining clients from inquiries.
