Editorial Photography

A few minutes ago I received an email that contained some big red flags and alerted me of a dangerous situation that all photographers and models should be aware is happening. Recently here on Fstoppers we reported on models that went missing after accepting jobs on these modeling sites. Well now I have discovered that someone is actually representing themselves as me on one of these sites and trying to setup various shoots with models.

Okay, the post title is a little bit harsh, but hear me out. It will never be the social network it wants to be unless it redesigns the user interface. I love Google products maybe twice as much as the next guy and I have tried very hard, over and over again, to force myself to use Google+ and to like it, but it's just not happening. Since I'm all about user experience, Google+ design doesn't really do it for me. Even though many have said that Google+ has become a photographer's playground, I'd like beg to differ.

Personal feeling: we don’t give our websites enough attention. It’s usually a “good enough” situation. It shows our photos, gets our name on Google and it serves as a place for us to send clients and prospects. That attitude tends to result in an attitude of “settling.” We settle for what we find and it is, again, good enough. Or is it? I wasn't ready to just be happy with "good enough" on my website.

An assignment to capture images of trophy canines at the Westminster Dog Show yielded a striking New Yorker magazine portfolio by photographer Landon Nordeman. An award-winning imagemaker who frequently shoots for Saveur, ESPN The Magazine, and The New Yorker, Nordeman is no stranger to visual storytelling at the greatest dog show on earth.

Whether you shoot video or stills, we’ve all been there. That point at which you lose all objectivity and the ability to discern thoughtful, evocative images that nail the concept on the head, from the ones that are “too artistic,” or simply don’t fit the story. Our eyes numb the part of our brain that lets us separate what works from what doesn't. Here are a few thoughts on how to approach critiques and kill your babies so that you end up with your best work.

Photoshelter recently released Pricing Your Work: Magazine Photography, with insights from Wonderful Machine's CEO Bill Cramer. The free guide provides photographers with tips on how to handle fees and expenses, terms and conditions photographers should have in their agreements and examples of contracts used in real situations.

In this guide, Bill Cramer touches base on some of the important highlights giving

The winners of the 2013 World Press Photo Contest have been announced, with the photo of the year going to Paul Hansen from the Swedish newspaper, Dagens Nyheter. His image was a haunting photo of a group of Palestinian men carrying the bodies of two small children, who were killed during fighting between Hamas and Israeli forces.

Early in February of 2013, Rovio announced a new side project called "Angry Birds Superstars," which juxtaposed athletes with the hugely popular Angry Birds imagery. Though there likely are more on the way, Rovio has started the project with NHL Stanley Cup champion Anže Kopitar and NBA All-Star Veteran Andrew Bynum, both photographed by Jere Hietala. The point? Because it’s fun and awesome.

I recently came across the work of Miller Mobley on Twitter on a random chance of browsing through a few recent tweets. I was linked directly to his blogwhich had a post about his recent shoot with Quentin Tarantino and Jamie Foxx. What I loved, more than his impeccable results, was how he was quite giving in regards to the details of the shoot. 

At Fstoppers, we do our best to stay away from topics that are strictly political in nature. Generally speaking, it's not our place. We are a blog for creative professionals, not any number of sites that poke at hot button issues for the sake of sensationalism. However, once in a while, a situation arises that directly affects photographers and their decisions. One such situation occurred when Weddings Unveiled Magazine rejected a photographer's paid advertisement.

When Adobe launched the Creative Cloud more than a year ago, it was not met with much fanfare from actual users of the software. Those around me heard about it, shrugged and moved on. I’m pretty sure many of us didn’t really fully understand what it exactly was. Fast-forward to today, and Creative Cloud has turned into something that is obviously Adobe's future, begging the question, "Is it good for Adobe, good for consumers or both?"

For reasons unknown, I receive many calls to photograph pseudo reality TV shows more than almost anything other than athletic campaigns. Like sports, I try not to watch the shows I photograph. It is not out of disrespect for what the celebs and athletes are doing, but rather I want to remain distant from the connotations put upon them from commentators or editors. As much as we’d all like to believe that everything about a reality TV show is real, it is often far from it.

PocketWizard is to radio transceivers what Kleenex is to tissues. PW's have become the industry standard and the benchmark which all other radio transceivers/transmitter & receiver combos are measured. This week PocketWizard introduced the G-Wiz Vault Storage Solution... What is it? To me it would appear to be the fancy name for a lunch box...

Is this really the hip thing to do these days? Why is it that I keep reading headlines like this of wedding photographers turning to their iPhone versus their camera gear? I get that it’s trendy, and within seconds (with no Photoshop needed) you can add a grunge effect with an Instagram filter and have it posted online. But seriously... *shakes head*

A month or so ago I was touring NBC's studios at 30 Rock with a friend of mind who works on Late Night With Jimmy Fallon and he introduced me to the show's photographer, Lloyd Bishop. After meeting Lloyd I checked out his work online and discovered that this guy has an impressive portfolio! I knew I had to catch up with him for an interview to share his work and his story with all of you. Enjoy!

Ah the ProDot, tied for the win as recipient of the most baffled and confused responses from photographers along side Tiffen’s confusingly expensive flashlight. Many of you laughed aloud when you saw this product hit the market, and even more after you watched the launch video. But is it possible that you might actually like the ProDot? Actually, yes.

So much is done as computer graphics these days that I've grown to really respect photographers who still want to truly make an image. Last week Fstoppers twitter follower Patric Bergkvist asked us to take a look at an image he made, and I'm glad we did.

Now that the Superbowl is behind us we can all start talking about the best commercials we saw. All over social media it seems the one that got the big win for the night was the excellent commercial from Dodge truck with photos of farmers. Great commercial indeed... but did you know that it was inspired by an idea posted to YouTube back in 2011 by Farms.com. I have shared them both below.

Recently I was chatting in a photo forum and mentioned that I am loving my new Canon 5D MK2. Someone noticed and said, "do you mean the MK3?" When I told them no, I recently bought a new MK2 I got flamed with questions of, "WHY?!?!" Well let me explain...

Every Week Benjamin Von Wong releases new behind the scenes content for your viewing pleasure. This week Ben takes off for Paris and tackles the challenge of shooting a piece of fine art called the “WOM dog” by Cyril Anguelidis. Ben and his talented fire-wielding partner-in-crime,  Andrey DAS, took their time in pre-production. They sketched out what exact effects were to be used around the expensive sculpture for the most dramatic look, while still keeping the crew and subject safe.

Rokinon recently released a new offering in the 35mm lens range, and I was super excited to get my hands on it for a number of reasons. The great price, wide aperture, and popular focal length of 35mm makes for a great combo, but never having used a Rokinon product before I wasn't quite sure what to expect. After an extensive review covering nearly two months (thank you Rokinon, for lending it to me for that long!)

Whenever I talk to another photographer the topic of “personal work” always comes up. Usually in the casual form of, “hey, have you shot any personal work lately?” This standard artistic rendition of the workplace, “how’s the weather” is usually brushed off and more enjoyable conversations quickly replace it. However, for me, it is probably better that my “personal work” remains limited, for doing it usually leeds to bodily harm (or in this case recurring nightmares).

Telephoto lenses are a key part in nearly every photographer’s camera bag. Having a solid long telephoto lens in our arsenal lets us be prepared for numerous scenarios without having to switch out our primes and possibly miss the shot. Tamron’s latest lens revamp is the 70-200mm f/2.8 DI VC USD, and it’s a solid option for those looking at this focal length.

Photographing a Cirque Du Soleil show requires a bit of acrobatics from any photographer up to the challenge. Matt Beard is one of the few photographers, hand picked by Cirque, to bring his talent and experience into capturing both live action and beautifully staged shots. He has worked with Cirque for many years, under the wing of master photographer Veronique Vial (as a photographer’s assistant) and had gained first hand experience in the ways of a Cirque shoot.

Market testing happens all the time. It's not uncommon for brands to test identical products under different names in different markets or cultures. It is rare, however, to see one company brand three competing products against each other in the same industry in the same country/culture. That is what Samyang Optics appears to be doing in the United States with their Bower, Samyang and Rokinon brands.

If you have ever opened up a Vogue or Vanity Fair, you have seen some of Norman Jean Roy's work. He is truly a master of his craft and a well sought after photographer. In this interview with Nymag.com Norman discusses how he believes digitial photography is killing fashion photography.

Being a member of a lot of online photography communities, I see stuff like this all the time. A photographer just took a shot that I can tell they are really excited about, and want some feedback on it. They'll post it to a forum or a Facebook page with the typical "C&C please." line. And it drives me up a wall.

My Facebook news feed is being littered with photographers today announcing from their soap box that they won the 2012 Bride’s Choice Award thereby putting them in the Top 5% of their industry. Some may call it an award, I call it a deceptive marketing scheme.

I have never personally met Mike, however I can't seem to get away from him. He definitely has some amazing shots that stand out from the rest of the crowd. I know Mike through a Facebook group called CREATIVOS, which is a group for photographers looking to share tips, tricks, and images and grow within the industry. I keep seeing his work pop up and can't take my eyes away from it.

When we all first heard about the light field sensor in the Lytro camera, there was a considerable amount of excitement. Many of us really saw something great in the ability to focus our images after the fact. But when the tech actually made it to market, it turned out that though neat, it wasn't really practical yet. Now with Toshiba rumored to be developing a light field sensor for mobile phones, is it safe to say this is really catching on?

I have been following Noah's work for some time now and have fell in love with every shot he has ever put up. His work is absolutely incredible and I feel everyone should take a look at this. I decided to do a quick interview with him to get to know him a little bit more.

I use my iPhone camera more than any other camera I own. It is on me all the time and is so convenient to quickly share photos from. Even on photo shoots I always find myself pulling out the iPhone for a couple BTS snaps or video. I have had the iPhone 4 since it came out and it has been showing it's age. I heard of a way to get an iPhone 5 for the cost of sales tax, and so I decided to give it a shot tonight.

Check out a BTS editorial shoot with Brandon Hill. When i first started watching this video I was not expecting a solid finished product, but i quickly ate my own words after seeing the final photos. From looking at the images on the camera to the final product it is evident that Brandon, or a retoucher, did an excellent job in post. It is interesting how adding a different BG color can make the image come alive. It's also apparent that Brandon knows his light ratios very well. These portraits only being done with 2 softboxes is quite impressive. That rim light has just enough kick to separate it, but still have plenty of detail in it, a very delicate ratio.

The New York Times just released an absolutely incredible piece of journalism titled 'Snow Fall: The Avalanche at Tunnel Creek,' which is a story told through the use of still images, video, computer animations and one hell of a piece of writing. I have to say that this looks like (I at least hope) the future of editorial journalism. It's been a long time since I've read, watched, or looked at a piece that captivated me like this one.

I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.

As photographers, we spend hours on fixing colors on our images every month. Some people might even spend hours on just one image before they will be satisfied with how the colors look (me included). This is why seeing this video, of someone who NEVER saw colors, is so interesting. Tommy Edison is blind since birth, and have never seen any color in his life. Something I cant even process. Not knowing what color is. Its too crazy for me to even imagine.

Fewer things get me as excited and enthusiastic about gear in my studio than something reliable. I just want it to work. Part of the reason I haven’t shot much on a Nikon is that it takes too much thinking for me. Having shot on Canon for 10 years, I just like using something that my hands just understand. The same goes for tripods, lights, and most definitely applies to lenses. For me, the Sigma 35mm f/1.4 lens just works, and might be have the best combination of speed and sharpness in and auto focus-enabled lens I have ever had the pleasure of shooting.

We look up to other people in all aspects of our lives. Most of us admire our parents or an older sibling. We desire to be like those who have "made it" like actors, musicians, or wealthy business owners. As photographers, we probably all have a list of our favorite people in the industry. I'm here to tell you that they are no better at photography than you are.

This morning our pals at PopPhoto tweeted, "The most popular photography story this morning is the Exif of Reuters' best images of the year. Not the pictures. Doing it wrong." I have to agree with them here. Instead of focusing on the images, the story is instead focused on what they were shot with. Is that what we are reduced to? Oogling over gear?

It could be the aftermath of a war, or the result of a strong Tsunami. It could be the destruction of a Hurricane, or the Devastation of a terror attack. The moment after something horrible happens, is also the moment people capture powerful images of (bad) historic events. We all remember few iconic shots of such events, photos we've seen for hundreds of times on TV, in newspapers or just online. This is why I chose to feature very powerful images you probably never saw before.

If you've been paying attention to Sigma over the past five months, you know that they have been producing better and higher quality lenses than ever before. I personally have been extremely impressed with the pro-level glass that Sigma is producing, with few complaints during testing. Recently, their new lens lineup has piqued a significant amount of interest from you readers, so we took a few minutes to sit down with Sigma and pose some of your burning questions regarding their new lenses, the business, and what we can expect in the future.

Over a week and a half passed since Hurricane Sandy hit the East Coast, and things are far from being back to normal. Many lost their homes and businesses, and many still have no electricity. In the past 11 days media outlets showed thousands of photos of the storm and the aftermath, and we also shared some of our own photos taken during that week. Now, its time to see the best Hurricane Sandy photos found on Flickr!

When Canon released the upgraded 24-70mm f/2.8 II lens earlier this year, it was met with a serious mix of emotions. Why was it so expensive, and where the HECK was the image stabilization? And sure, the lens performs magnificently, but it left a lot to be desired. Last night, Canon announced a new member to the lens family, and many of us are confused as to where a 24-70mm f/4 IS fits into the picture between the 24-105 f/4 IS and the 24-70mm f/2.8 II.

When I test products, I like to have a plan. I put together what I think the product should handle and then carefully execute and document the situation. It's the easiest and best way for me to give a fair assessment of the gear. A relatively straightforward and planned review was on my schedule for the C-Loop and Glide Strap but instead, I found myself in the midst of a natural disaster and the desire to capture the moment as best I could. This required the cooperation of this camera strap, and inadvertantly, resulted in this review.

I don't expect many of you have lived through a natural disaster, and that's a good thing. Up until this point, the worst I had ever experienced was a couple of earthquakes, the most damaging of which occurred when I was a toddler. But these past few days living in the heart of Manhattan (and Jerrit, Noam, and Jon as well, spread out across the city) have been a scary, eye-opening challenge.