Adobe was very clear that the 2014 updates were mainly focused on what they have seen to be a rapidly evolving market: Mobile. Adobe is seeing a rapid pace of change, explosion of mobile, and a world that is continually and incredibly connected. But their software, for real-work at least, is still tethered to a desk. Adobe thinks this is a problem, and sought to solve it.
So you've been working long hours at your desk or computer, rarely see your friends, when you're not working, you're thinking about work or shoots. Your portfolio and income may be improving (or trying to), but you feel like your personal life is falling apart in the process. Does this sound all too familiar? Well it all hits very close to home for me and it's what put me in the hospital last week.
Last week, Adobe teased one of the many new features they will be unveiling this week during their launch event in New York (and online). A question that I saw asked in the comments of that article, as well as again posed during a recent Adobe briefing I attended, asked that since we were promised fast and regular updates as a part of the Creative Cloud model, why then are we waiting for a major hyped release? Well, I have an answer for you.
I've been shooting professionally for just over four years now – “professional” as in starting a legitimate business where I charge money to take photographs of my clients. We could wax poetic on the distinctions between “amateur” and “professional” that don’t involve the exchange of money, but the area that I want to focus on has to do with the responsibilities and perceptions that come along with people hiring you as a business.
When you think of conceptual, high-fashion photo shoots, you imagine big budgets. Turns out, couture shoot concepts don’t have to cost more than $100. Professional photographer Amanda Diaz is demonstrating how to do just that right now during her CreativeLive class aimed to help photographers concept, style, and capture stunning images on a true DIY budget.
The music business is a brutal, cutthroat, dog-eat-dog world and I lived it for nearly 10 years. Since the age of 16, I struggled as a touring musician, surviving off nothing but cold Spaghettios and sleeping in a decade-old 8-passenger van. I was fortunate enough to explore the nation and see things that most will never see, but by the time I left the business I was completely burnt out.
We’re often told that we need to focus our photographic efforts on one genre and that you shouldn't try to be an expert at everything. While I agree that you need to target your marketing at a specific photographic field, many people take this advice far too literally. They disregard other genres and miss out on a tremendous amount of valuable knowledge that can be obtained through the exploration of genres outside of our comfort zone.
I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.
Released this past weekend, Britain's Sunday Times Magazine pays tribute to some of the most iconic and powerful photos from the last century in a short video they've entitled "Photojournalism." The simple two minute video creatively adds motion to the images, in an attempt to bring back the feelings and emotion the photographers were facing during the time these powerful images were captured.
My friend Richard Thopmson just finished the post work on a shoot in the Southern California desert featuring a very rare Ford GT40 Mark IV using only natural light and a Phase One IQ250. He chose an incredible location in the desert and tried out two Schneider Kreuznach zoom lenses including the new 40-80mm LS f/4.0-5.6.
Lauri Laukkanen, photographer and editor over at SLR Lounge, recently posted an image to the Fstoppers Facebook group that's been getting a lot of buzz. The popular image came out of a personal project that he developed and shot over the course of just two days. The behind-the-scenes video shows Lauri and his team on location at Yyteri, Pori (Finland), their extremely minimal setup, as well as the final images.
Cosmopolitan Magazine has released its July issues and they all have one thing in common; Katy Perry. She will be gracing the covers of all 62 international editions of the magazine making her the magazine's first ever global cover star. No doubt that this is a landmark achievement for Katy Perry but is it also a clever strategy to further cut costs by the magazine industry?
When it comes to camera memory cards, most of us gravitate towards Sandisk and Lexar. Maybe PNY or Sony too. Samsung has been making memory cards for other companies for quite some time, but only recently have they decided to branch out and brand them as Samsung. So how do they perform? Surprisingly, or maybe unsurprisingly, quite well.
Israeli photojournalist Ziv Koren is one of the most successful photojournalists in the world and mostly known for his unique/striking Arab-Israeli conflict images. In the past 25 years he won multiple prestigious international awards and captured some iconic news photos we all know and appreciate. Recently Jared Polin sat down with him in his studio in Israel for a very interesting 45-minute video interview that you won't want to miss. [Interview starts at 1:16:30]
Newborn photography is one of the hottest genres of photography today. And with more and more babies being born everyday, the demand for talented newborn shooters has never been higher. Here are ten reasons from Stephanie Cotta on why you should be photographing newborns.