My friend Richard Thopmson just finished the post work on a shoot in the Southern California desert featuring a very rare Ford GT40 Mark IV using only natural light and a Phase One IQ250. He chose an incredible location in the desert and tried out two Schneider Kreuznach zoom lenses including the new 40-80mm LS f/4.0-5.6.
Lauri Laukkanen, photographer and editor over at SLR Lounge, recently posted an image to the Fstoppers Facebook group that's been getting a lot of buzz. The popular image came out of a personal project that he developed and shot over the course of just two days. The behind-the-scenes video shows Lauri and his team on location at Yyteri, Pori (Finland), their extremely minimal setup, as well as the final images.
Cosmopolitan Magazine has released its July issues and they all have one thing in common; Katy Perry. She will be gracing the covers of all 62 international editions of the magazine making her the magazine's first ever global cover star. No doubt that this is a landmark achievement for Katy Perry but is it also a clever strategy to further cut costs by the magazine industry?
When it comes to camera memory cards, most of us gravitate towards Sandisk and Lexar. Maybe PNY or Sony too. Samsung has been making memory cards for other companies for quite some time, but only recently have they decided to branch out and brand them as Samsung. So how do they perform? Surprisingly, or maybe unsurprisingly, quite well.
Israeli photojournalist Ziv Koren is one of the most successful photojournalists in the world and mostly known for his unique/striking Arab-Israeli conflict images. In the past 25 years he won multiple prestigious international awards and captured some iconic news photos we all know and appreciate. Recently Jared Polin sat down with him in his studio in Israel for a very interesting 45-minute video interview that you won't want to miss. [Interview starts at 1:16:30]
Newborn photography is one of the hottest genres of photography today. And with more and more babies being born everyday, the demand for talented newborn shooters has never been higher. Here are ten reasons from Stephanie Cotta on why you should be photographing newborns.
It was something I’d been thinking about for a while. Casually admiring others and how they went about it so naturally. Watching from afar, admiring the differences between them and me and wondering if there every was going to be a day when I was comfortable enough to do it myself. The more I watched, the more interested I became. Soon, I began visiting websites, looking at the photos and day dreaming what it would be like when I had the nerve to do it myself.
If you're like me (and basically every photographer I know), you're a little bit paranoid. Your heart skips a beat when you hit "Format" on your memory cards. You don't trust a source unless it's backed up. ioSafe was not originally built for photographers, but it certainly caters to them with a fireproof, water proof and basically life proof design. With the addition of specialized apps, ioSafe looks to be a the way to store and monitor your precious images and video.
If you’ve made the transition, or are planning on making the transition from photography as a hobby to photography as a job, you’ll invariably come to a point where you’ll just want to throw your hands in the air and give up. These bouts of self-doubt and frustration will likely occur many times and seem to appear not only during your lows but even at the highs. These feelings are normal, and it is those that rise above them time and again that end up successful.
It all started with a conversation between filmmaker Justin Gustavision and I this past Friday. Justin works for Nadus Films who just released a brilliant award-winning documentary “BBoy For Life” which shows how break dancing has provided teenagers a way out of Guatemalan gang life. The film has been picked up by Starz and Discovery Channel, yet their social media presence could be considered dry, when it should be arousing a well-deserved tornado of hype.
You might someday find yourself working within the overall vision of someone else – like an editor, an art director or, in this case, a director of photography – when shooting on assignment for publications as big as Sports Illustrated. Limited time with your subject and being asked for simple lighting against a simple background isn’t uncommon in this industry. So how would you go about getting the type of photographs your employer wants plus creating a dramatically lit and colored set for yourself?
What does nostalgia for broken things say about us? Over the last year or so, we’ve undoubtedly seen an exponential increase of the intentional “glitch” used in visual arts. The glitch – defined as a short-term fault in a system – has gained tremendous popularity as a visual style. My theory is that a person’s predilection toward a preference for random events can be explained as both a desire for nostalgia and perhaps even a loss of control – and that very act of self-awareness can aid in becoming a better thinker and artist.
“Make me look skinnier” is one of the more frequent requests I get from my clients. Although those kinds of requests are usually accompanied by some laughter as more of a joke than anything, there is some bashful truth there that we, as photographers, need to be aware of. Of course, you have probably heard the old adage “the camera adds ten pounds,” but do you know why and how to combat it?
A few weeks ago I released a video featuring my friend and fellow photographer Blair Bunting in the backseat of an F16. The video blew up on Reddit (#1 in r/Videos making it to the top 5 of the front page), was featured on Gizmodo, Jalopnik, Daily Mail, Telegraph, CNN, ABC World News with Dianne Sawyer, hundreds of other blogs and even was officially recognized by YouTube. But for reasons still unexplained to me, it has been removed from YouTube and there is nothing I can do about it.
During an initial meeting with local publication NFocus Magazine, the Editor-In-Chief asked for a unique aesthetic on Louisville's theater and arts community and wanted a massive group shot, but not your traditional group shot. I threw out the idea to shoot actors and their "characters" from directly overhead on a theater floor, as if they were action figures laid out and organized. Two seconds after I uttered the idea, I realized I had no clue how I would pull it all off.