As a fashion and catalog photographer moire is an issue I am all too familiar with. These days, as more and more cameras opt to do without the low pass filter, you might find yourself dealing with moire in some unfortunate places. Adorama has put together a wonderful video that explains moire, how to avoid it before taking a shot, and how to deal with it after the shot has already been captured.
Over the years, camera companies have been going head to head in the battle for the best camera sensor. This battle has always focused around the amount of megapixels a camera has to offer, and as of lately, how high the ISO can go. Because of this most consumers, including a significant amount of photography veterans, think that megapixel count is the end-all be-all of sensor technology, with ISO following up as a close second. At this point in the game though, I wish the sensor battle would switch gears and focus more on the dynamic range.
Facebook has recently made it easy for users to create Instagram ads through their platform. For some time, Instagram has been one of the best avenues for photographers to reach potential clients and vendors that they would like to work with. With the ability for anyone - small and large businesses alike - to create sponsored Instagram posts directly through Facebook, it is now easier to reach a wider scope of potential clients.
There is an innumerable amount of articles and tutorials teaching parts and pieces of retouching portraits. However, finding the ones with quality techniques and information can take days. Furthermore, there is no singular tutorial that teaches a complete set of methods to retouch portraits free of charge. Finding the right tutorials for each aspect of editing can become very time consuming. This article contains 5 years of research for achieving the greatest methods to retouch a portrait.
As creatives, we have to stay inspired, focused, and always be moving forward. Aside from focusing on creating beautiful, desirable work, if you want to survive doing what you love, you have to have a good business sense. For some of us, this comes naturally, for others it is a learning process. No matter what your experience with business is, you can always learn more. Between books, classes, and mentors, the options for learning are endless but between our personal lives, creating artwork, and what our budgets allow, the option aren't always as broad. Podcasts are an awesome, free way to learn about the business side of your craft. They can be informative, inspiring, and allow you to learn while you work. While there are tons of podcasts out there here are my top three favorite when it comes to the business side of photography.
When speaking of retouching, most people think of cleaning skin and altering the body shape. However, retouching goes further than that. Colors play such a significant role in an image, that forgetting about them would be a great mistake. Just like a good makeup artist shouldn't limit their job to the model's face, a good retoucher shouldn't stop the job with cleaning skin.
I love taking ring shots. I usually take them during a slow time on the wedding day when there isn’t a lot going on. I have full control of where I put the ring, how I light it, how I pose it, and how I frame it. This leaves a ton of options to really get creative. So it confuses me when people just place the ring on a bouquet of flowers and call it done. These shots are not bad, but they are average. I already did an article on how to get away from the average ring shot, but I didn’t explain how to take one of my favorite ring shots. The ring silhouette.
Once in a while, despite our due diligence and training, we all end up in circumstances where we must handle a difficult situation. As a model with a wide range of experience, I have a large network of professional photographer friends and have seen first-hand how unprofessional my fellow models can be. Here are a few ways to handle a variety of sticky situations without compromising your reputation as a respectable industry professional.
Film photography has made a comeback! Some would argue that just like Dre, its been here the whole time. But over the past few years, the aesthetic and cache of film photography has made a strong presence in the zeitgeist of contemporary digital photography. In this entertaining short film by Maison Carnot called "Disassembly," we see how to take an old non-functioning film camera and bring it back to life through a complete disassembly and repurposing of the old gear.
Vsauce is one of my favorite YouTube channels. Their quirky, engaging videos make understanding some tricky scientific ideas straightforward and fun. If you've ever wondered about rolling shutter or love learning about all the funky properties of light (which is the main ingredient of photography, after all), this is the video for you.
Ahhh…..rejection! Everyone has experienced rejection many times in their life, but it is especially prevalent in the fashion and photography industries. I’m sure you have been rejected as a photographer before, whether it was by a gallery, publication, or model you have wanted to work with. I can safely say that if I had a dollar for every time I experienced rejection as a model, well, you get the picture. I have been rejected by some of the sweetest photographers, who unintentionally made me feel like I should never have reached out. Similarly, some photographer’s rejection tactics needed some major fine tuning and left me feeling fed up with how some people in the industry tend to act. As a model, I 100% understand that I will be rejected 9 times out of 10. It is completely okay to say no! Saying no is healthy! But it should be done with professionalism, tact, and respect.
When I was younger, my dad took a class on photography at a local community college. To this day, he says that the biggest thing he learned from the class was that to take interesting pictures, you have to go to interesting places. I suppose that if you are a travel, landscape, or nature photographer, that is true. What a lot of people don’t realize is that interesting places are all around us. Having grown up in Ohio, I always thought that I was stuck in a dreary, featureless landscape of corn and soybeans.
First off, some Fstoppers readers who follow my articles may be confused right now because I am posting an automotive retouching tutorial. For those who don't know, I used to do quite a lot of automotive photography work from 2011-2013 or so, and these days I still take the occasional car job here and there. But what I was so grateful for in 2011, when I started in this direction of editing, was that I was already very familiar and comfortable with Photoshop's pen tool - the ultimate weapon in automotive retouching (and more).
Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?