Education

A Series To Remind Us "Why We Create"

A Series To Remind Us "Why We Create"

Why We Create, a series by director/cinematographer Andy Newman, features artists and what drives them. This video is the second installment with portrait photographer Nick Fancher but I highly recommend watching all that Andy has to offer as the series will remind you why we got into photography in the first place (An easy thing to forget when on the hustle for clients). Now if you'll excuse me I feel the need to get out and create something. Enjoy the video.

How I Overcame My Fear of Using Strobes

How I Overcame My Fear of Using Strobes

Every photographer, at some point in their career, will have an internal debate to accept or decline a job because they may feel insecure about having the right skill sets or gear to complete the job. Personally, I have found myself accepting certain jobs and a few hours later, I wonder if I made a mistake in accepting the job since I may muck up a huge opportunity. A few days ago, I was offered a job that, at first, I did not think I could execute. Luckily though, I talked myself down the ledge and remembered I was in fact prepared for it.

Fstoppers Exclusive – Vincent Laforet Reveals His Secrets To Directing Motion

Fstoppers Exclusive – Vincent Laforet Reveals His Secrets To Directing Motion

SPOILER WARNING. Listening to Vincent Laforet might leave you forever changed, never able to watch film or TV the same way again. The silver lining is he can also change the way you shoot, and engage, with your audience. With that disclaimer out of the way (you can't say I didn't warn you), join me as I talk to Vincent for this exclusive as we venture down the film and motion rabbit hole. How deep we go is really up to you...

Tips For Planning Your Next Commercial Photoshoot

Tips For Planning Your Next Commercial Photoshoot

Commercial shoots are often complex creatures that take a lot of planning and prep work. You'll need the help of your peers to pull off many of the concepts your clients demand and you will need to keep your wits about you as you try to squeeze the entire process into the fast paced deadlines of the business world. I'd like to offer you all some tips and insight on how I like to tackle this process.

Social Media Etiquette – The Do’s And Don’ts Of Online Interaction

Social Media Etiquette – The Do’s And Don’ts Of Online Interaction

Whether you’re a fan of social media or not, it’s definitely here to stay and constantly evolving at lightning speed. It’s completely changed the fabric of how we (photographers) do business: from publicizing images to marketing tactics and communication, our daily life is inundated with a constant barrage of notifications and a conditioned head-down-to-phone routine. Unfortunately, if you aren't using social media to its fullest, then you may be left behind.

Gh4, Gh3, 5d3, 7d, and C100 Shootout

Gh4, Gh3, 5d3, 7d, and C100 Shootout

Andrew Dean from HillBillyGripTruck.com posted his updated video shootout of the Gh4, Gh3, 5d3, 7d, and C100. The results were pretty cool and we were able to get a nice side by side view of quality from each of the cameras as they were all setup to be relatively close in settings. On top of making sure settings were close, all of the cameras shot at the same time in the same exact lighting situation to make sure they were all brought an equal scene to work with.

How To Put Together A Lifestyle Photo Shoot: Part II

How To Put Together A Lifestyle Photo Shoot: Part II

When it comes to putting together a photo shoot, if there is anything that I’ve learned (and continue to learn), is that the time spent working out the smallest details will save you from at best a tremendous amount of work after the fact, and at worst, the horror of having to scrap the shoot entirely. That’s why when you’re putting together a photo shoot, no detail should be overlooked, least of all the talent that you choose to work with.

How to Light Clothing Like a Product Photographer

How to Light Clothing Like a Product Photographer

A while ago I wrote an article summarizing some of the key tools which are required when shooting apparel for commercial clients. That article served it's purpose to demonstrate the vast number of supporting tools we use on a daily basis, but the magic really happens when we roll out the lights. Today I would like to show you some of the considerations you need to take when lighting clothing for your clients.

6 Lighting Tutorials from Joe McNally

6 Lighting Tutorials from Joe McNally

At the time of writing this post it is a gorgeous spring day and I have no doubt our readers are out shooting and enjoying it. If you have opted to stay in, these six videos provided by Lastolite and taught by the best-in-our-business Joe McNally are what you should be watching... no studying. Seriously. If you absorb every bit of information/advice in these videos you will be a better photographer than you are right now.

Phlearn Shows You How to Make Lens Flare

Phlearn Shows You How to Make Lens Flare

Aaron Nace recently made a video showing you a quick and easy way to make lens flare (in a blank layer) right in Photoshop. While it might not be quite as exciting as, say, removing a model's bra this is a really handy tip to add a little bit of interest to your images. This method lives the user more latitude when it comes to adjustment of color, intensity, rotation, blur, and scaling after the fact.

Reddit Answers Why You Should NOT Use Only The Center Auto Focus Point

Reddit Answers Why You Should NOT Use Only The Center Auto Focus Point

I am a regular Reddit user and am constantly browsing the subreddit /r/photography. Yesterday an awesome question was asked that got some great replies and I knew I had to share it. The user Lemonfighter asked "Is there anything wrong with just always using the center Auto Focus point?" At first I thought "Not really, just do what feels right." I went into the comment section and was surprised with some awesome replies instead.

Lighting A Lighthouse With A Strobe Attached To A Drone

Lighting A Lighthouse With A Strobe Attached To A Drone

As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.

Tips To Avoid Creative Burnout

Tips To Avoid Creative Burnout

It’s no secret that everyone can become burnt out on what they do. Whether we are photographers, athletes, truck drivers, or teachers. If we do something long enough, maybe unless you’re a fighter pilot, professional surfer, and/or an astronaut, almost everyone will experience a period of time in their career when they’re flat-out bored and/or they suddenly arrive at a place where they question both their work and if what they’re doing is really what they should be doing.