Knowing when to stop is the hardest lesson to learn for those new to retouching. In this tutorial we will look at how to recover lost texture and over smoothed skin tones, even when your file has been flattened. In this image the texture has been over retouched resulting in a significant loss in the skin texture. The transitions between skin tones have also been slightly overdone. Frequency Separation is a term we see in retouching all the time its also a technique I'm working on using less and less and bring in as a last resort. By using frequency separation here we can borrow texture and...
We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
Another question I get asked quite a lot, and I am only happy to answer on my channel. Achieving glamour skin tones starts on set, of course, with your subject, and how you go about shooting your image, but post work to enhance it is a must as well. I created a 20 min video reviewing exactly what it is I often do, using Capture One for RAW processing and Photoshop CC14 for further color work in regards to skin tones.
A lot of times, what appears to be light effects in my work is actually done in post production, using Photoshop, to enhance or exaggerate existing light sources in an image. I actually get asked a lot about this, and decided I would do a "blind video" on the subject. That is, I would add atmospheric type of effects to an image that I hadn't practiced on, thus showing the full process I go through as I figure out what I want to do with it.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
I get a lot of questions about retouching. More specifically, what I do in retouching. But if there is one consistent theme in the questions I get, it's "Do you ever have any information or lessons for total beginners?" For years now, the answer has been "Not yet" but starting today, and going over the next few weeks, I will be uploading a free YouTube series on Photoshop Beginner's Basics: Retouching. These 10 videos will get you off the ground using Photoshop because, as they say, you can't run until you've learned to walk.
Anyone who is interested in portrait, fashion or/and beauty retouching knows how wonderful the Dodge & Burn technique is for skin retouching. We have talked about various methods and the fundamental knowledge of light and shadow rendering in 2-dimensional art before, and I would like to offer you yet another important piece of the D&B puzzle - the brush settings in Photoshop, which will help you achieve greater results when using this technique.
Vanity Fair is taking to Instagram to show off Mark Seliger’s celebrity portraits from the Oscars last night. While you may not have watched the award show in its entirety, or at all, the shots are worth taking a peek at. Vanity Fair has been uploading a bunch of images from the likes of Steve Martin to Lady Gaga since last night, there is even a neat time-lapse of the team building the studio for Seliger.
When working with models, photographers often expect someone with perfect skin and a great physique. In reality, this is not always the case. Some models have no idea how to get ready for a shoot, and that can be really annoying -- especially in post production, as it might add a lot of retouching time!
We often hear how much makeup can impact the final result of a photo shoot. It can either make or break a picture depending on its quality. A great makeup artist can save you tons of time in post while a bad one will add many hours to your job. However, working with a great makeup artist doesn't necessarily mean you will get what you need. If you cannot communicate properly, his work might not suit you, and neither will the resulting pictures. Educating yourself on some of the makeup basics can save you from this kind of situation.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.