I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
I get a lot of questions about retouching. More specifically, what I do in retouching. But if there is one consistent theme in the questions I get, it's "Do you ever have any information or lessons for total beginners?" For years now, the answer has been "Not yet" but starting today, and going over the next few weeks, I will be uploading a free YouTube series on Photoshop Beginner's Basics: Retouching. These 10 videos will get you off the ground using Photoshop because, as they say, you can't run until you've learned to walk.
Anyone who is interested in portrait, fashion or/and beauty retouching knows how wonderful the Dodge & Burn technique is for skin retouching. We have talked about various methods and the fundamental knowledge of light and shadow rendering in 2-dimensional art before, and I would like to offer you yet another important piece of the D&B puzzle - the brush settings in Photoshop, which will help you achieve greater results when using this technique.
Vanity Fair is taking to Instagram to show off Mark Seliger’s celebrity portraits from the Oscars last night. While you may not have watched the award show in its entirety, or at all, the shots are worth taking a peek at. Vanity Fair has been uploading a bunch of images from the likes of Steve Martin to Lady Gaga since last night, there is even a neat time-lapse of the team building the studio for Seliger.
When working with models, photographers often expect someone with perfect skin and a great physique. In reality, this is not always the case. Some models have no idea how to get ready for a shoot, and that can be really annoying -- especially in post production, as it might add a lot of retouching time!
We often hear how much makeup can impact the final result of a photo shoot. It can either make or break a picture depending on its quality. A great makeup artist can save you tons of time in post while a bad one will add many hours to your job. However, working with a great makeup artist doesn't necessarily mean you will get what you need. If you cannot communicate properly, his work might not suit you, and neither will the resulting pictures. Educating yourself on some of the makeup basics can save you from this kind of situation.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
Building a quality portfolio can be an expensive endeavor, especially if you don't budget and carefully consider your costs. Putting together professional quality shoots on a budget can be challenging. After experiencing some of the wide variations in cost for things like models, makeup artists, and the other essential pieces of a shoot, I wanted share my experiences and lessons learned the hard way.
Digital retouching is a touchy subject. Many see it as virtual plastic surgery, a dishonest concealment of the person’s true self — creating an unrealistic standard of beauty. Others view it as a means of helping a person look their best, or to achieve an artistic vision. Either way, there doesn’t seem to be much sign that this trend is about to change. Countless articles have been dedicated to this debate, but it is not every day that we hear a famous photographer weigh in on this issue. In this video, fashion photographer and past judge of America’s Next Top Model, Nigel Barker steps up to defend this form of image manipulation with some interesting justifications.
This past Sunday the Hollywood elite gathered at the Beverly Hilton Hotel for the 72nd annual Golden Globe awards. Many of us can only dream of what it would be like to take the stage in front of such a large number of A-list celebrities to accept one of those golden globes, or what it would be like walking off the stage with one in hand. Well now, thanks to acclaimed fashion photographer Ellen von Unwerth, we get a taste of what that experience is like.
Justin Bieber is no stranger to the being in the media, whether it’s for any of his numerous tasteless stunts or even his interactions with photographers. This time it’s his most recent photoshoot for Calvin Klein that has the celebrity blogs buzzing, where an allegedly leaked, unedited photo shows major differences in muscle mass and body hair among other altered features. However, the question still remains: is it real?
If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.
When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.