We often hear how much makeup can impact the final result of a photo shoot. It can either make or break a picture depending on its quality. A great makeup artist can save you tons of time in post while a bad one will add many hours to your job. However, working with a great makeup artist doesn't necessarily mean you will get what you need. If you cannot communicate properly, his work might not suit you, and neither will the resulting pictures. Educating yourself on some of the makeup basics can save you from this kind of situation.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
Building a quality portfolio can be an expensive endeavor, especially if you don't budget and carefully consider your costs. Putting together professional quality shoots on a budget can be challenging. After experiencing some of the wide variations in cost for things like models, makeup artists, and the other essential pieces of a shoot, I wanted share my experiences and lessons learned the hard way.
Digital retouching is a touchy subject. Many see it as virtual plastic surgery, a dishonest concealment of the person’s true self — creating an unrealistic standard of beauty. Others view it as a means of helping a person look their best, or to achieve an artistic vision. Either way, there doesn’t seem to be much sign that this trend is about to change. Countless articles have been dedicated to this debate, but it is not every day that we hear a famous photographer weigh in on this issue. In this video, fashion photographer and past judge of America’s Next Top Model, Nigel Barker steps up to defend this form of image manipulation with some interesting justifications.
This past Sunday the Hollywood elite gathered at the Beverly Hilton Hotel for the 72nd annual Golden Globe awards. Many of us can only dream of what it would be like to take the stage in front of such a large number of A-list celebrities to accept one of those golden globes, or what it would be like walking off the stage with one in hand. Well now, thanks to acclaimed fashion photographer Ellen von Unwerth, we get a taste of what that experience is like.
Justin Bieber is no stranger to the being in the media, whether it’s for any of his numerous tasteless stunts or even his interactions with photographers. This time it’s his most recent photoshoot for Calvin Klein that has the celebrity blogs buzzing, where an allegedly leaked, unedited photo shows major differences in muscle mass and body hair among other altered features. However, the question still remains: is it real?
If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.
When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.
Last year, Vogue China approached Mario Testino to be the sole photographer for their 100th issue, a task which the legendary fashion photographer took to with great relish. Recently, Testino released the making-of video that documents the work that went into this issue. This is not one of those annoying fashion videos that is over in thirty seconds after bombarding you with bad techno music and flashy editing. Instead, this feature offers some excellent insights into how Vogue develop their concepts, as well as behind-the-scenes footage offering glimpses of how each shoot was set up.
Long time watchers of DigitalRev on YouTube will be all too familiar with the awesome series Pro 'Tog, Cheap Camera which airs only a couple times a year. For the uninitiated, as the title suggests, in this series world-class professional photographers leave their high-end gear at home and show what they can do with the most basic equipment imaginable. Previous episodes of the series include Alex Ogle, Philip Bloom, Chase Jarvis, Ben Von Wong, and Zack Arias to name a few. The newest installment features rock star fashion photographer, Lara Jade. Take a look!
For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.