Can iconic photography be passed from father to son? This was the question that caught my attention at the beginning of this short film. Los Angeles-based street photographer Estevan Oriol’s style is intense. It’s raw and it’s edgy. It depicts a side of street culture that isn’t always positive, yet within the images a captivating reflection of humanity can be witnessed.
Last week we reported on one of the most extreme cases of a photographer having their work ripped off. The story was that of Lauren Bullen, a travel photographer who allegedly discovered one of her followers was quite literally travelling the globe in order to replicate her images. Seem far-fetched? These new clues suggest the whole thing may have been a hoax.
Think back to the first time you experienced the world through a viewfinder. The moment you found focus on whatever it was that caught your eye, and the excitement that followed hearing the mechanical slap of the shutter, there to verify that you’ve captured that specific moment in time forever. For me, that excitement was experienced at a young age, and as I watch my oldest child near the same age that my memories of photography begin, I feel a responsibility to share the same opportunities with him that I was afforded early on.
As a full time roadtripper, I am constantly in search of amazing landscapes with the hopes of adding a unique take on what is most likely an over-photographed scene already. There are several ways to do this, but I am going to suggest one which is rarely discussed but hard to overlook in today’s social media outlets: the human element.
According to my extensive research (Back to the Future Part One, Two, and Three), we should be in an age of flying cars, sneakers with power-laces, and hoverboards by now. We all know that life often imitates art, but let’s expand on that for a moment and take a stab at how photography may advance in the future.
Homelessness is something most of us encounter on a daily or weekly basis, but few of us have ever had to personally experience the hardship of being homeless. Many of us probably probably don't realize that today, October 10th, is World Homeless Day; a day started in 2010 which is observed by every major continent and dozens of countries. Its goal is to draw attention to homeless people’s needs locally, and provide opportunities for the community to get involved in responding to homelessness.
It is a common expectation that when clients hire you, it is because they like your style and think you will help project their brand’s identity. But what do you do when, despite previous exchanges, on the shooting day, you realize that your clients have entirely different expectations. Do you just change everything to adapt to their needs or do you say no?
The humble beauty dish is a studio favorite but it is not often the first modifier most reach for when heading outdoors. Most beauty dishes are not all that portable and can add significant weight to your kit. With a few collapsible beauty dishes currently on the market you can now easily take that gorgeous light with you anywhere. Joel Grimes shows you how to make the most out of using a beauty dish in an outdoor setting.
A gimbal is an important piece of technology that makes for some smooth video. It's the device that stabilizes the camera so you can get that cinematic look in your shot. It removes the vibration and shake. The gimbal's motors keep the camera level as the camera operator moves it. Drones use them, the DJI Ronin is basically a large gimbal, and the DJI Osmo is the latest handheld gimbal that DJI brought to market.
Photography is a game of emotions. Think about some of the most powerful images that you’ve ever seen. The ones that have left a lasting impression on you. Sure, they might have gorgeous tones, light, or composition, but the reason they have stuck with you for so long is probably the emotion or mood that the image evokes. Our job as a photographer is to control those moods and to decide which emotion we want our viewer to feel.
Dutch photographer Hans Eijkelboom captures the way we universally dress like bad extra's in 80's B-films. In his latest project, "People of the Twenty-First Century" (Phaidon, $35), the Dutch photographer shares the results of 20 years of skulking around the world's busiest streets. The images tell an amazing story of just how average we all are.
Just the other day I was thinking about the great footage and images I have that might do well in a stock library. I just didn't know where to go and which site was best. so I closed the folder and let it go. But, here at Fstoppers we get the best news first. Perfect timing for sure. We got a heads-up from Dissolve that they are launching a rights-managed stock library with 50,000 images on June 1st. They also want to open it up to individual photographers to contribute and form part of their premium stock offering.
I'm sure by now, many of you have heard of the one and only Casey Neistat, filmmaker and YouTube extraordinaire. He has a following of nearly three million subscribers on the platform and growing. He even won "YouTuber of the Year" at the Shorty Awards. He is obviously one of a kind and an incredibly polarizing creative, but who will be the next big star we look to for photo and video inspiration? Her name is Sara Dietschy; you will want to check her out.