Warm smiles and serene sun flares seem to be landing on the shoulders of portraits all over the internet nowadays. Complimented with beautiful bokeh from a shallow depth of field, the allure of a sun-kissed image image is easy to see. What happens when mother nature doesn't seem to be on your side? In this article, I am going to show you how to master "faking" sun flare.
Knowing when to stop is the hardest lesson to learn for those new to retouching. In this tutorial we will look at how to recover lost texture and over smoothed skin tones, even when your file has been flattened. In this image the texture has been over retouched resulting in a significant loss in the skin texture. The transitions between skin tones have also been slightly overdone. Frequency Separation is a term we see in retouching all the time its also a technique I'm working on using less and less and bring in as a last resort. By using frequency separation here we can borrow texture and...
We share over 1.8 billion photos per day, and thanks to the ever-growing technology in cameras paired with the expansive world of social media platforms it's become increasingly easy to add the title "photographer" to the resume. Apple has searched high and low for the world's absolute best photographers and their work that spans the planet. The "Shot on iPhone 6" World Gallery features photos from creatives spanning 70 cities in 24 countries, and brings the mobile photography community front and center proving again that the best camera is the one that's with you.
Over five terabytes filmed over the course of two grueling years, A Taste Of Austria is comprised of over 600 time-lapse clips intricately woven together through creative clip transitions. Time-lapse movies often take themselves entirely too seriously, focusing on the dramatic through epic song choice and long drawn out pans. This short video incorporates creative use of sound coupled with quick and calculated cuts to give the viewer a sense of a fast-paced guided tour through the spectacular European countryside.
We have all come across terribly staged stock images in our careers, and I always cringe when searching simple keywords like "business" on sites like Getty or iStock. It comes with great pleasure to find Getty Images and Fox partnered up to create one of the funniest publicity stunts in preparation for the release of Vince Vaughn's new movie "Unfinished Business." Including cast members Vince Vaughn, Tom Wilkinson, Dave Franco, and others, the shots involve fake laughs and poorly photoshopped faces in each and every photo.
Aaron Eveland, the videographer of the wedding duo in Hawaii known as Makai Creative, set out to recreate the classic look of The Endless Summer movie poster – gigantic sunsets behind surfers on the beach – and that he did with the help of a Canon 800mm f/5.6 lens, a 2x Extender, and a lot of trial and error. It’s all worth it as you can see in his short film, Sunchasers.
In the latest episode of The Grid, freelance sports photographer Dave Black and freelance lifestyle and environmental portraiture photographer Erik Valind (who will be an instructor at the upcoming Fstoppers Workshops in the Bahamas) share their views on 10 of the big, often intimidating questions facing rising photographers in the industry. Throughout the episode, Black and Valind share valuable advice for any photographer hoping to enter the fields. While the two photographers come from vastly different backgrounds and work in different areas in the photography industry, their discussion reveals both similarities between varying fields within the overarching photography industry, as well as the differences in approaches that can equally lead to success.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
Who hasn’t contemplated the idea of living a simpler life? I know that I certainly have, pondering from time to time what my life would look with smaller bills and rent. What would my art be like if I could downsize just a bit? Could I ever dare? People everywhere are beginning to realize that they have become slaves to their own lifestyles. The need to be better and bigger than the next guy has taken over our lives, and had compromised our ability to live an authentic life.
The ultimate wish to look young forever sneaks into all of our minds at one point or another. This hysterical portrait series by California-based photographer Zachary Scott illustrates how seamlessly this concept can be portrayed in a fun way. From a "Geriatric Gerber Baby" to an "Old Baby Farmer" the portraits are just flawless in execution and they set a great example of how to create the perfect story portrait.
When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.
Let's face it, it is about to be 2015. As in, 15 years after the change to the new millennium. We are firmly in what we used to call "the future" when I was a kid, and technology is overwhelming us with brutal amazingness every couple of weeks. The youth of today have no idea what life is like sans smartphones (read: access to almost every piece of information in the world at any time in your pocket) or social media platforms. To them, life is one big pile of over shared, overseen and overly celebrated schlock mixed in with useful bits of knowledge, and it is all taken for granted. The digital world isn't coming, it is here, and has been. So who in the right mind gives a crap about a printed photograph anymore?
While people around the world prepare for the holidays, photographers have something else on their mind. For all of us it's that time of year to buy your conference pass, make your hotel reservations, plan shoots with friends and highlight the classes you want to attend at the annual WPPI Photo Conference in Las Vegas from February 26th thru March 5th.
It's been an absolute pleasure seeing friends and colleagues getting chosen for social media campaigns and commercial photography jobs all around the world as a result of sharing their talents via Instagram. With mobile media teams popping up around the country bidding for projects with companies like GE, NatGeo Wild and beyond, it's amazing to see their work featured across the web and in print media. My pals Scott Borrero and Ravi Vora have teamed up with Jeep to create this awesome behind-the-scenes video about a trip out to Jackson Hole, Wyoming to shoot for their new Grand Cherokee. The results are just captivating.