Prior to the a7RII’s release, the Sony Alpha mirrorless lineup played as a group of ambassadors to the possibilities in the technology. Each had their own role in showcasing how mirrorless could do amazing things that matched or exceeded DSLRs. With the a7RII, Sony has released the camera that its competition was warned of, and ultimately did nothing about. It has taken away the asterisk next to the Alpha name and is ready to play ball with the other top brand’s professional cameras on all levels.
The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.
I’ve been a user of the original One Man Crew for many different videos. It’s ability to get elegant motion video clips have made it a go-to piece of gear for when I need my interviews to have an interesting look to them. When I heard that an updated version was being released, I was excited to see if a few issues were fixed. In this gear review, I'll break down what is fixed, and what left me wanting more.
Canon's EOS M was a good first-try mirrorless, compact APS-C camera that fell a bit short. After withholding the EOS M2 for other markets, the M3 comes to the United States after two generations of much-needed improvements. Those features, however, just might launch the platform into best-in-class territory -- at least on paper.
Canon's rumored 35mm follow-up is finally here. Apart from the obvious general increase in quality with the standard aspheric and ultra-low dispersion elements, the new lens specifically promises to further reduce chromatic aberration (important for wide-aperture lenses) while being the "ideal complement to the latest generation of Canon's high-resolution DSLRs" (i.e. the 50-megapixel Canon 5DS and 5DS R cameras).
It seems that every week a new camera bag hits the market, and while the majority are stylish and functional they all have one unifying trait. They all seem remarkably masculine in appearance. Whether this is a reflection on the industry of photography as a whole (seeing as men outnumber women) the fact of the matter is that there isn't a whole lot of selection for women... until now. Introducing, the Cologne camera bag/purse by Pompidoo.
The tripod is an essential piece of gear for many photographers, and as they become lighter and more portable they become less of an inconvenience to carry. Gitzo has just released a sleek-looking line of travel-friendly tripods that aim to be smartly compact while increasing stiffness and performance over previous versions.
The Feiyu 3-Axis Wearable Gimbal is a miniaturized version of Feiyu's handheld gimbals, offering motorized 3-axis stabilization in a compact, wearable form factor for the latest GoPro and similar action cameras. Designed with flexibility in mind, the FY-WG features 1/4"-20 threaded holes for horizontal, vertical, or inverted mounting onto a variety of support devices. It can also be used with any accessory that uses the standard GoPro three-prong mount, letting you capture all of the immersive action camera shots that you're accustomed to, but with full motorized 3-axis stabilization.
We love photography. We love gear. And we love this guy: New York City-based headshot photographer Peter "Shabang" Hurley. So when B&H put out this episode of, "What's in Your Bag?", featuring Peter and his kit, of course we were going to watch and post it with all the same excitement and exuberance that Peter himself puts into everything. Watch as Peter tears through his bag to reveal his set-up while running down what gear he uses and why.
Ricoh recently refreshed their flagship Pentax K-3 DSLR camera with the Mark II version featuring an eye-catching bump in specs and abilities. These new additions, including built-in GPS, AstroTracer star tracking, and Pixel Shift Resolution in the $1,035 K-3 II are really pushing the meaning of “bang for your buck.” In particular, nature photography enthusiasts should really be paying attention to what Ricoh has created here. In this review I cover how the camera performs shooting nature, landscapes, and wildlife to determine if this feature-rich DSLR is an underrated trail boss that deserves a spot in your pack.
Nikon's newest AF-S 24-70mm f/2.8E ED VR isn't any ordinary lens. Aside from the obvious addition of VR, the lens features a number of other features, including a new 82mm filter size and increased weight. While it's hard to consider those last two qualities "features," if you thought it was a bit odd, you were right. There's a reason behind everything -- and the reasons behind the design changes prove this might be a lens to think on more than you otherwise would. It also starts making that hefty price tag feel a whole lot cheaper.
While this is more than your average lens announcement on all counts, Nikon's updated 24-70mm f/2.8E ED VR with electromagnetic diaphragm and vibration reduction technologies certainly reigns supreme on fans' hit lists of lens replacements for 2015. Meanwhile, Nikon's 24mm f/1.8G ED fits snuggly between the 20mm and the 28mm variants of the same range, filling a final gap in an otherwise perfectly covered potential f/1.8G video lens kit. The 200-500mm f/5.6E ED VR gives lovers of the refreshed 80-400mm f/4.5-5.6G something to think about with its combination of extreme affordability and extra reach, despite its narrower wide end.
You may have heard of "Skyfire" last year, a web-based platform that used custom weather forecasting models to predict the best times to shoot sunrise and sunset. Now, there is a new mobile app available for iOS that uses the Skyfire platform, called "The Photographers Ephemeris," that brings this service to a new level.