Make Quick Selections for Basic Compositing on Your iPad Using Photoshop Mix

Though there are other programs out there that say they can quickly cutout objects from the background via masks and leave you with a clean end result, I've tried a few of those programs and they just don't seem to cut it. The process to create these masks also seem very awkward. Now you can quickly create (pretty darn good) masks on your iPad using Photoshop Mix, a mobile offering from Adobe we told you about earlier this year.

Optimizing Photos for Maximum Quality and Minimum Size

What's the best way to optimize photos so that I can deliver quality to my clients while reducing the file size for faster uploads into the cloud? This has been a question I’ve been thinking about for sometime. I have tinkered with settings in Lightroom to try and find the right export recipe but it wasn’t till another photographer told me about JpegMini that I finally felt I had the solution. Using image optimization technology they developed, JpegMini was able to deliver maximum quality at minimum file size. I ran it through some tests and here are my results.

Disney Develops an Automatic Editing Tool For Footage From Multiple Cameras

Smartphones have undeniably taken over our lives in the past few years and most of us carry one everywhere we go. One of the most-used features on a modern phone is the camera, and it's being used all the time. In many cases, more than one person is taking photos or videos of what is going on and each person gets different angles and maybe a different part of the action. There has not been an easy way to edit it all together, but Disney Research announced the development of an automatic editing tool that takes the different videos from a scene and intelligently combines them.

New Free Software Allows Real 3D Manipulation Of A Single Image

Artists all over the world use Photoshop to retouch images and for graphic design. Because of that, Photoshop has become the #1 image editing software out there. We know Photoshop has put a lot more implementation into its 3D capabilities, but that's not what Photoshop is really for and it still has a long way to go. So it's great news that a group of Researchers at Carnegie Mellon and University of California, Berkeley have come out with software that allows for full 3D manipulation of objects in a photograph.

The Ultimate Guide to Getting Started with Capture One Pro

Last week we compared Adobe's Lightroom to Phase One's Capture One Pro 7 and discussed the pros and cons of each raw processor. Following that article a lot of people downloaded Capture One (C1) to try it out and others told me that they tried the product before and gave up. Given my own experience of feeling overwhelmed by C1 at first, I decided to make a tutorial video to help guide you through everything you need to know to get started with it.

Lightroom or Capture One Pro, Which Raw Processor is Best?

When it comes to raw converters and photo library managers, our choice of products has recently become more limited with the demise of Apple’s Aperture. My impression in the past was that one’s choice is largely based on features and ease of use with little difference in image quality between them. That opinion was quickly changed when I started digging into Phase One’s Capture One Pro 7.

Fstoppers Reviews the FoCal Autofocus Calibration Software

There are few things we, as photographers, are more OCD about than tack-sharp focus. We invest so many of our hard-earned dollars into nice glass, painstakingly focus, then spend hours in post afterwards pulling our hair out when the eyes aren’t sharp. While of course sometimes OOF images are due to user error, small variations in the lens and camera can result in less-than-sharp images. These discrepancies in camera / lens combination can be dialed in to get perfectly sharp images more consistently. Enter FoCal, a [semi]automated focus calibration software.

Challenge: How Much Retouching Can You Finish In 6 Minutes?

is challenging you to see just how much retouching you can finish in 6 minutes. Dubbed the Dirty Edit Challenge, Jeff explains that sometimes you don't need to go overboard for certain clients. Maybe you're not getting paid enough, or maybe you have a ton of images that need retouching. In either situation, this is a great way to see what your strengths and weaknesses are in Photoshop.