Have you ever been walking through the mall or flipping through a magazine and found yourself breaking down the lighting of all the advertising images you see (or at least trying to)? I seem to be doing that all the time, sometimes without even realizing that I am doing it. Well one photog's images in particular always leave me guessing.
It's pretty crazy to think just a small change of focal length can drastically distort your subject's face. In this behind the scenes video , Jay P. Morgan of The Slanted Lens goes into detail to show us each change and how it effected the model's appearance. Maybe you're interested in buying a fixed lens or maybe you're interested in gaining tips on portrait and headshot photography - either way this video is definitely worth checking out.
In this behind the scenes lighting lesson, Jay P. Morgan of The Slanted Lens does something we might not often think to do: he uses the natural sunlight and turns it into moonlight-like light for this 1920's "speakeasy-themed" shoot. Believe it or not, he was able to achieve moonlight all in the camera - no post processing involved. So with a couple of tungsten lights, gels and sunlight, Jay P. has shown us a great idea that can easily be mimicked in your own shoot.
Remember Justin Wojtczak? If not, make sure you watch this video of Patrick surprising him with the news that he won the Fstoppers 2011 BTS Contest. Well Justin is back with his latest behind the scenes video. In this BTSV Justin takes a bride into a creek in the woods of Georgia and shows us how to shoot on a budget.
Hailing from Italy, photographer Luca Pierro has created quite a dramatic project with his 100 Self Portraits series. Each photo certainly keeps to a style while being diverse and unique all at the same time. I rarely shoot low key, so when I see it done well it really inspires me to get out and do it myself. Hopefully Luca's work will inspire you to try something new as well. Enjoy!
In the June 2012 issue of Vogue, photographer Annie Leibovitz had the amazing opportunity to photograph eight very talented US Olympic athletes alongside supermodel Karlie Kloss. Over the years, Annie has become known for her over-the-top sets and detailed lighting set-ups.
When the Canon 40mm f/2.8 pancake lens was announced a couple weeks ago, Canon fans all over were squealing with joy- myself included. This tiny lens would be great for life on the go, had a brand new AF engine called the Stepping Motor (or STM), and looked to be extremely versatile. But does it live up to the expectations?
Robert Gallagher knows his way around commercial photography. On this assignment, he puts Matt Kemp, a baseball player for the Dodgers, in front of the camera to shoot the cover of Forbes Magazine. As can be seen in the video, the studio set up includes 4 different lights. With a few assistants, Robert also manages to snag a one-light shot in the tunnel heading out to the field.
If you've ever wondered how you can begin transitioning from part time photographer to completely supporting yourself in your business, then you have probably considered shooting senior portraits. Sal Cincotta is an excellent photographer, and he is an even better businessman. This weekend Sal is sharing his knowledge behind building a successful Senior Portrait business on creativeLIVE (July 6-8). As always, the live broadcast is free to stream as it happens live.
If you remember Simeon Quarrie, you'll recall that he goes out of his way to please his wedding clients. A couple months ago we featured his ridiculously stressful same-day edit from his wedding day video team. In this shoot, Simeon goes above and beyond once again to deliver a really special experience to his clients.
Pepsi Australia recently teamed up with Kelly Racing to produce the Pepsi Max super car. Photographer Chris Benny was hired to shoot the new car and lucky for us, he filmed a quick BTSV of the production. As with many shoots, the weather became a problem but Chris had a backup plan. With a little post work Chris made the outside shots pop and then moved the car inside to finish the shoot.
If you are into studio lighting at all you have probably heard about the D1 Monolight by Profoto. These lights are known for their size, flash consistency, and of course the wireless Air Remote system. In this video I'll take you through each of my favorite and least favorite features of this flash. If you are on the fence you may want to try renting these lights first.
Days of preparation, hundreds of people, and 57 Profoto strobes culminated in just five minutes and forty-two seconds of fast-paced shooting. In photographer Art Streiber’s own words, “it was pretty huge, and a little out of control.” I’ll say. In an Fstoppers exclusive, we go behind the scenes of one of the largest and most sensitive group photo shoots ever undertaken with 116 of Hollywood’s greatest stars on one stage at one time to celebrate Paramount Studio’s 100th anniversary.