Whether you realize it or not, most videos produced for cinema or even high-end marketing campaigns have some sort of cropping on it, be it by design or with a specific purpose in mind. It's a common occurrence, and for the most part, when you wanted to use this kind of cropping you either had to make your own templates or scour the web in order to find what you were looking for. Well thanks to the folks over at PremiumBeat.com, they have compiled an extensive list of what they claim to be every popular video resolution in the world. All the way from 720 HD to 8K and creating crop ratios from 1:1 to 4:1 Polyvision.
In this Film Riot video, actor and director Ryan Connolly gives us the rundown on how to create a blind eye effect, similar to what we see happen to Arya Stark in HBO's, "Game of Thrones." Film Riot pulls this off in Adobe After Effects (although this tutorial can be applied to your compositor of choice) and without the use of painful contact lenses.
It’s amazing how photos and video have become ingrained in events, especially when fashion and arts come together. Art and Commerce, an agency representing Photographers, Hair Stylists, Makeup Artists, Illustrators, Creative Director, Set Designers, and Directors have documented the small ‘studio’ space at the Met Gala. Art and Commerce represents Gordon von Steiner, who directed and brilliantly executed these images and video.
The Hitfilm crew, Kirstie Tostevin, Josh Davies, and Simon Jones take over Film Riot to bring you a kick-butt tutorial on how to create an Iron Man heads-up display effect with their free HitFilm 4 Express software. This eight-minute video takes us all the way from pre-production to post-production.
Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.
I'll be the first to say it, smoke bombs are usually too Tumblr for my taste. Generally you see them with a moody girl looking off into the distance in some backyard forest. I never got the point of those images. But I found myself mesmerized by "Chromaticity"; the smoke bombs were alive, more like wayward spirits hovering above the big blue. I was so entranced it took me half of the video to realize they were attached to drones, and the drones were nowhere to be seen.
There isn't a great deal of macro cinematography and after drinking in this video, you might wonder "Why not?" German photographer and filmmaker Roman De Giuli creates beautiful and complex scenes using simple ingredients on areas sometimes smaller than the surface of a coin.
Time-lapse Photographer Rufus Blackwell put together an interesting video for DJI, featuring their Osmo stabilizer/camera system, but using it in a way that might not be the most obvious: for hyperlapses. Check out the video, then read on to see what improvements DJI has made in their latest firmware update to the Osmo.
A couple of a weeks ago I shared a video called "Centriphone," which left many people (myself included) wondering how exactly the creator, Nicolas Vuignier, was able to capture this incredible effect. Just today he has released a behind-the-scenes video explaining exactly how it was done, along with plans for how anyone can make their own with a 3D printer.
A few years ago, simple timelapse videos were all the rage. To spice things up, videographers started to add small camera movements to their timelapses using motorized sliders. Those small camera movements have become far more complex today as some of these camera movements are miles in length. These are called "hyperlapse" videos.
The Chemical Brothers new music video with Beck for the song "Wide Open" is the best music video I've seen in a long time. The premise is so simple; the entire video is one take of a girl dancing around a warehouse. What makes this video so compelling is that over time she becomes a 3D printed version of herself.
The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.
Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.