If you've seen "I, Tonya," you may have noticed the film isn't just great for its incredible acting, script, and fresh approach to an old story. What really pulls you in are the long takes of Margot Robbie actually skating like her character, Tonya Harding, as though she herself was a true Olympian.
If you're into travel photography and video you've heard of Sam Kolder. You can find tutorial videos about how to get his transitions and how to shoot to make your videos flow like his does. This video breaks it all down and gives an overview of what gear he uses and how he shoots in a certain way to be sure to get the transition from one shot to the next down so he can edit it in the style he's known for.
We’ve noticed the trend. Video is becoming the way most people communicate online these days. How can you as photographer use video as a tool to influence the personal brand you are constantly building, and how can you expand your product offering to clients? There are various types of videos you can focus on to produce, and the aim should be to make videos that you would like to make for a client. Therefore, it needs to be professional, and something clients might actually use as their marketing and advertising materials.
Adobe has called the new additional Effects menu category "Immersive Video." They've made it easier to apply transitions and to add text or logos that look natural to the viewer. I'm a regular screen viewing type of person, and I can't imagine buying some head gear so I can walk around in a virtual space, but in an industry that moves as fast as the video and photography industry, I think we should know what the latest developments are and how the software we use enable us to edit great videos. Clients are going to start asking for 360-degree videos, and you will either be able to do it or not. This video shows what you'll be able to do in Premiere Pro when editing "Immersive Videos."
It’s been said that when directing any project, 90 percent of your time will be dedicated to communicating with personnel. This means that directing, while it’s often branded as a personal, individual process, is inextricably tied to the quality of the relationships you hold with the creatives on your team.
Casey Neistat's latest vlog is a review of the Rylo 360-degree camera. What makes this different than the 360-degree cameras currently on the market is that it comes with software that makes it easy to pick your shot (in other words, the frame that'll fit your 16:9 or 4:3 frame) and compose your video like that. Rylo is a start up, and although Neistat can distinguish which market it is for, I think it definitely can become something many videographers, especially YouTubers, and travel shooters will use.
Eric Flores Garnelo has made a short film using mainly cinemagraphs to create the scenes. The audio is well produced, and the production of the scenes are done with craftsmanship. Watching each of these shots with only one item moving opens up the capacity to contemplate. Being a photographer, the first phase was to think how he did it and what it must have taken to actually get the shot. Secondly, it takes you deeper, into the human condition and the small moments during the day that can seem insignificant, but holds so much beauty if we just opened our eyes.
"Mindhunter" is one of the recent Netflix releases that has me hooked. It has psychology, mystery, analysis, and how the FBI and police went about training for the serial killers who didn't have a motive. It's based on true events, and because the series is set in in 1977, which has different cars and fewer people and buildings than we have now. In this video, you'll be able to see how these shots were altered in postproduction to give the story the 1977 setting. Buildings and trees are added, marks on roads replaced and colors changed to give the series its moody, raw film look.
Photo editing, retouching, and removing something from the shot isn't easy to do especially if it's a complex part of the hair, but it's common practice for a professional photographer to be able to do it if the shot and client requires it. It involves masking the new hair refining tool brush over and selecting the best feathering to make this selection as true as possible. Have you ever thought about removing something from a video? This is what Adobe is working on and this video shows a sneak peek of what Cloak will be able to do.
You want Hollywood-grade shots but you don't have the money? The bad news is most of the time you can't do anything about this. The good news is there are cases when with the help of some VFX you can go a long way, as in this case. This video will help you recreate that orange desert look from "Blade Runner 2049."
Always looking to try something different with his aerial videos, Vietnam-based Filmmaker Rufus Blackwell recently shared with me his latest project. His techniques combine motion control through planned waypoint missions, and then manipulating the footage in a visual effects software to mirror the ground in an almost "Inception"-like effect.
Instead of fearing the future where AI takes over and leaves us with nothing else to do other than oiling their machines, Nigel Standford made a music video and used this "man against machine" concept. It's a DJ, who also plays guitar. The machines take over. Who's making the music? If I had to take it one step further, was the camera filming on an electronic camera rig or was it held and controlled by a DOP?