You want Hollywood-grade shots but you don't have the money? The bad news is most of the time you can't do anything about this. The good news is there are cases when with the help of some VFX you can go a long way, as in this case. This video will help you recreate that orange desert look from "Blade Runner 2049."
Always looking to try something different with his aerial videos, Vietnam-based Filmmaker Rufus Blackwell recently shared with me his latest project. His techniques combine motion control through planned waypoint missions, and then manipulating the footage in a visual effects software to mirror the ground in an almost "Inception"-like effect.
Instead of fearing the future where AI takes over and leaves us with nothing else to do other than oiling their machines, Nigel Standford made a music video and used this "man against machine" concept. It's a DJ, who also plays guitar. The machines take over. Who's making the music? If I had to take it one step further, was the camera filming on an electronic camera rig or was it held and controlled by a DOP?
Adobe is updating its video applications and adding new features across the board. Many of these features include improvements for editing virtual reality content, smarter automated tasks, and some other features modeled after Final Cut 7, which Apple announced will not be supported in its upcoming MacOS High Sierra update.
London-based Director Oscar Hudson recently released a mind-boggling music video for Bonobo’s “No Reason,” and it's incredible. The music video, which is an homage to Hikikomori, a growing problem in Japan of adolescents and adults who withdraw from society and become increasingly isolated, was filmed using one continuous shot and only in-camera effects and no CGI.
I'll start with a rather obvious warning: this video and article may contain spoilers for anything that happens up to and including episode 2 of season 7 of "Game of Thrones." With that out of the way, we can look at how the incredible fight scene of that second episode was created.
J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.
So many photographers have recently been dipping their toes in the world of video. You can edit photos like a pro, but maybe you just can't seem to figure out video editing; it's very complex – like an onion, so many layers – and now you have to deal with sound design! If you've used presets for your photo editing, then you should definitely consider plugins for your video editing. Red Giant sent us a copy of their recently updated Universe 2.1. Jump on in and see what it's all about.
Neill Blomkamp directed "District 9" and "Chappie" and now he's released a short film of a dystopian future where aliens have taken over earth and the humans have to fight with whatever they can to survive and before it's too late. It's done in the style you kan expect from Blomkamp, in a way I believe only he can do, and it's got all the action, suspense, and gross details of brain implantation and alien creatures that he's become known for.
Whether you are a photographer or a videographer, special effects are one way to separate your work from the crowd. Not everyone is willing to put in the time or effort, and many don’t know how to get it done. If you are amongst the ones missing the knowledge, don’t worry, Film Riot has got you covered with a new tutorial on how to create a fake bullet with Play-Doh, a bit of post-processing, and a few makeup products.
There are many times in the automotive industry that when you're asked to shoot a car, you frequently cannot move the car either from where it is or far from where it's being stored due to its rarity, sometimes condition, and sometimes even questionable street-legality. This can definitely cause some problems when it comes to producing high-end images of the cars for a client. If they want only detail shots then you're good as you won't need to show much of the background to accomplish their goals. However, if they've got high hopes and want the car to be pictured anywhere except where it actually is you have to be a bit creative.
When getting into video, filming may not be the biggest issue. Post-production plays a significant role and can be quite overwhelming. There is tons of software out there, and it’s difficult to know which is best for what. Learning how to use these programs is even worse when you are a photographer. The interface looks totally different than what we are used to with Photoshop, Lightroom, or even Capture One. So it’s always nice there are people such as Casey Faris producing comprehensive videos to help us out in getting started. If, like me, you can’t seem to get a perfect grading with Premiere or Final Cut Pro, this crash course on DaVinci Resolve is exactly what you need!
If you're into video editing you are probably interested in visual effects to some extent. Even if you aren't, bookmark the current article as you will eventually be. Visual effects is not some software magic that works with any footage. With video you have lots of still images per second and the process of making a composite needs to be automated as much as possible. Working on a frame by frame basis is avoided as much as possible. In this video you will find 10 quick tips on the importance of having appropriate video content in order to help easily create more realistic visual effects.