The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.
Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.
Leave it to a German drone company to create the world's first light painting by drone with a fully programmed flight path, all to create one fantastic holiday time-lapse of Santa Claus delivering presents. Perhaps the most unique part of the project isn't the world-first of programming a drone to complete a multi-colored light painting, but is instead the reimagining of Santa Claus' method of delivery, as something more similar to that of your neighborhood newspaper boy with perfect accuracy.
Unless you have been living under a rock for the last year or so, you probably have noticed that the force is awakening! After a wait that has spanned a generation, Star Wars fans are finally getting a sequel to the saga that started in the seventies! With the arrival of Star Wars come hordes of its most endearing fans dressing up as their favorite Jedi or Sith heroes! Which means an awful lot of opportunity for photoshoots, but there is one problem. Those dull, plastic, toy, lightsabers just don't have the same epic feel that will do the rest of the costume justice. Luckily creating a lightstaber blade in Photoshop using visual effects is quite easy!
Matt Allard from Newsshooter.com has been hopping around Inter BEE 2015, an NAB-like exhibition that takes place in Japan, reporting on new video gear from established, as well as developing companies. In this particular video, he gets to try out a different type of lens adapter– one that is built specifically to let light leak in from the sides and flare the image as it's recorded in-camera.
If you've been on Facebook or hopping around YouTube's popular videos lately, chances are you've seen the video advert for the "Squatty Potty," a step stool used to make, well, going poop much easier on your body. Sound like a tricky concept to sell? See how a team of creatives turned an ad about a dookie-easing product into an Internet sensation.
South Africa native Matthew Rycroft creatively combined creepy music, a creepy-looking dude, and some dark, chiaroscuro lighting techniques to create a video that brilliantly mocks the cliché Instagram accounts with which we're all too familiar. The final result is a well thought-out piece that's short and sweet and definitely leaves room for more.
Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.
I have mad respect for Swedish independent film outfit Crazy Pictures for their big-budget cinematography skills that are being utilized on a moderately small budget with rigs and labor that are within reach of almost any videographer. They've put together an incredibly informative behind-the-scenes video that covers in detail the massive amount of work that goes into such a short segment of film.
Canadian Designer, Photographer, and Cinematographer Tom Kucy doesn't sleep. Less than two days after we reported on NASA's huge release of over 10,000 never-before-seen photos from the Apollo space missions, Kucy decided to work them into a project that involves taking these almost half-century old two-dimensional film images and converting them into moving, stereoscopic 3D photographs.
“Star Wars” fans around the world are patiently awaiting the arrival of “Star Wars: Episode VII The Force Awakens” on December 18. That being said, the hype train has been running full steam ahead since the initial trailer for “The Force Awakens” was released almost 10 months ago. Since the release of “A New Hope” in 1977, “Star Wars” has created a fanatical fan base, with an expansive universe and many stories to be told. Fan films have been a part of that universe for many decades now, and they have gotten so big that “Star Wars” has an entire section of their site with awards dedicated to them.
Ryan and Josh Connolly of Film Riot always brings us the coolest do-it-yourself filmmaking and special effects tutorials. In this "rewind" episode (read: old) they show us how to create the killer effect of throwing someone clear across the room. What's doubly cool is how easily this can be done with just a still camera and software that most of us already have (Photoshop and After Effects).
We see computer-generated effects every day of our lives, but very few of us fully appreciate the amount of time and talent they take to create. It's easy to believe that these effects and characters are "computer-generated," but in reality, very talented artists are the ones creating this photo-realistic content; computers are simply the tool.
With impressive looking example videos and a relatively inexpensive price tag when compared to a MoVi or Ronin, the Kickstarter for the SteadXP has already blown past its fundraising goal. I wasn't sure what all the hype was about until I watched their video with before and after examples.