VFX

'Automatica': Man and Machine Make Music Together

'Automatica':  Man and Machine Make Music Together

Instead of fearing the future where AI takes over and leaves us with nothing else to do other than oiling their machines, Nigel Standford made a music video and used this "man against machine" concept. It's a DJ, who also plays guitar. The machines take over. Who's making the music? If I had to take it one step further, was the camera filming on an electronic camera rig or was it held and controlled by a DOP?

Check Out This Incredible Music Video With All In-Camera Effects and No CGI

Check Out This Incredible Music Video With All In-Camera Effects and No CGI

London-based Director Oscar Hudson recently released a mind-boggling music video for Bonobo’s “No Reason,” and it's incredible. The music video, which is an homage to Hikikomori, a growing problem in Japan of adolescents and adults who withdraw from society and become increasingly isolated, was filmed using one continuous shot and only in-camera effects and no CGI.

How to Use J-Cuts to Enhance Your Video Transitions

How to Use J-Cuts to Enhance Your Video Transitions

J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.

How to Make Your 4K Footage Look Like It Was Shot in the 90s

How to Make Your 4K Footage Look Like It Was Shot in the 90s

So many photographers have recently been dipping their toes in the world of video. You can edit photos like a pro, but maybe you just can't seem to figure out video editing; it's very complex – like an onion, so many layers – and now you have to deal with sound design! If you've used presets for your photo editing, then you should definitely consider plugins for your video editing. Red Giant sent us a copy of their recently updated Universe 2.1. Jump on in and see what it's all about.

Neill Blomkamp's New Short 'Rakka'

Neill Blomkamp's New Short 'Rakka'

Neill Blomkamp directed "District 9" and "Chappie" and now he's released a short film of a dystopian future where aliens have taken over earth and the humans have to fight with whatever they can to survive and before it's too late. It's done in the style you kan expect from Blomkamp, in a way I believe only he can do, and it's got all the action, suspense, and gross details of brain implantation and alien creatures that he's become known for.

Create a Realistic Gunshot Wound Using Play-Doh, Makeup, and a Bit of AfterEffects

Create a Realistic Gunshot Wound Using Play-Doh, Makeup, and a Bit of AfterEffects

Whether you are a photographer or a videographer, special effects are one way to separate your work from the crowd. Not everyone is willing to put in the time or effort, and many don’t know how to get it done. If you are amongst the ones missing the knowledge, don’t worry, Film Riot has got you covered with a new tutorial on how to create a fake bullet with Play-Doh, a bit of post-processing, and a few makeup products.

Reaching for the Stars with a McLaren - A Different Take on Automotive Compositing

Reaching for the Stars with a McLaren - A Different Take on Automotive Compositing

There are many times in the automotive industry that when you're asked to shoot a car, you frequently cannot move the car either from where it is or far from where it's being stored due to its rarity, sometimes condition, and sometimes even questionable street-legality. This can definitely cause some problems when it comes to producing high-end images of the cars for a client. If they want only detail shots then you're good as you won't need to show much of the background to accomplish their goals. However, if they've got high hopes and want the car to be pictured anywhere except where it actually is you have to be a bit creative.

Get Started with DaVinci Resolve 12.5 in Less Than 35 Minutes

Get Started with DaVinci Resolve 12.5 in Less Than 35 Minutes

When getting into video, filming may not be the biggest issue. Post-production plays a significant role and can be quite overwhelming. There is tons of software out there, and it’s difficult to know which is best for what. Learning how to use these programs is even worse when you are a photographer. The interface looks totally different than what we are used to with Photoshop, Lightroom, or even Capture One. So it’s always nice there are people such as Casey Faris producing comprehensive videos to help us out in getting started. If, like me, you can’t seem to get a perfect grading with Premiere or Final Cut Pro, this crash course on DaVinci Resolve is exactly what you need!

Ten Tips for Shooting Video Footage for Visual Effects

Ten Tips for Shooting Video Footage for Visual Effects

If you're into video editing you are probably interested in visual effects to some extent. Even if you aren't, bookmark the current article as you will eventually be. Visual effects is not some software magic that works with any footage. With video you have lots of still images per second and the process of making a composite needs to be automated as much as possible. Working on a frame by frame basis is avoided as much as possible. In this video you will find 10 quick tips on the importance of having appropriate video content in order to help easily create more realistic visual effects.