Stop motion animation is by far one of the most forgotten mediums for filmmaking, yet it holds high respect for what it is and how it's done in large motion pictures today. Those pushing the envelope in 2016 are the geniuses behind Laika Studios where they blended hand crafted puppets, CGI, and 3D printing to build a world filled with imagination and story.
Science meets art once again. Abe Davis, a computer science PhD student at MIT, recently published a research about interaction with the objects in videos, by measuring and mapping the vibrations of their movements. His project, which he developed with Justin Chen and Fredo Durand, and patented by MIT, aims to be used both in engineering and videography.
Drive Like Maria just released a music video for their song "Deep Blue." What makes this unique is that every frame has been rendered with the "Dreams" effect using the Prisma App. This app uses AI to create effects that make your images look like paintings of famous artists. It has many effect options, and it really looks as though a lot of time, knowledge, and effort has been put together to create it. It looks like Waking Life, but instead of drawing each frame by hand, Drive Like Maria has taken every frame of their music video and run it through the app.
This Cinemagraph time-lapse was made using only 12 JPEG images. The software allows photographers to create motion within a static photograph. You need to upload each image to the website, and then you design the movement within each image. Once you get a moving image "flowing" you can render it out and import it into Adobe Premiere Pro to create the final time-lapse.
As you probably know, much of the epic imagery in "Game of Thrones" is computer-generated. It's a monumental task, and this video from Rising Sun Pictures, the visual effects company responsible for that amazing imagery, really puts into perspective the amount of work and imagination required to pull off such a feat.
Beyond any doubt, the effects and compositing techniques used in the first three films of Star Wars trilogy were the game changer in VFX world. Although there has been a rapid improvement in the VFX technology for the last 40 years, we can say that Star Wars was one of the pioneers. So, how was that possible to achieve realistic results in a movie produced in 1980? Mark Vargo explains the mathematics, optics, engineering, and software behind the blue screen photography and compositing in detail.
[UPDATE] The winners have been announced! Check out the winners page to see some incredible video editing.
Filmsupply and Musicbed have partnered up to bring you a film competition that could change your life. Without having to shoot one frame of footage, you could win up to $100,000 in cash, prizes, and incredible experiences. Although you're not restricted to only using their content, this competition allows you to tap into the huge libraries of both Musicbed and Filmsupply to create and submit your 60-second film. Check out the submission guidelines below.
In their latest video, Film Riot's Frontman/Director Ryan Connolly comes to my backyard (Vancouver, BC) to film a truly epic bar brawl short. This entire series of videos is extremely useful when it comes to learning what it takes to film a quality short. The "Uncut Behind the Scenes" video is seriously my favorite of the bunch as you get a very candid look at every little detail and consideration the cast and crew had to make.
From the company that pioneered the use of virtual car reskinning for video use, comes the newest innovation of film technology. The Mill, in partnership with JemFX, Performance Filmworks, and Keslow Camera, launched their new product onto the scene, dubbed "Blackbird." Resembling a mix of a Caterham 7, a dune buggy, and maybe some sort of Batman-esque type vehicle, the Blackbird is a small electric car that has pre-mapped tracking points on it to allow for easy replacement in post.
As much of a Game of Thrones fan as I am, the scene in Sunday's episode that has had everyone talking, "Battle for Winterfell" or "Battle of the Bastards," resonated with me for two reasons. The first is the same as most people who watched it: the scene was epic — not epic in the way kids these days use the word, but in the sense of it being truly gargantuan and awesome. The second reason was the curiosity of the photographer in me on how something of that scale could be shot.
It's truly incredible what they can do with film today, especially with the advancement of visual effects and motion graphics. When I first heard they were remaking Teenage Mutant Ninja Turtles I was incredibly sad; all those years growing up watching the original live action films featuring the puppets crafted by Jim Henson's. It was brilliant and really well done for a movie of its time. Then came the almost 100% CGI filled epic by Michael Bay himself, yet it works and it's fun.
It's not often someone contacts you about chemistry and superheroes, but when someone does, you pay attention. Nikolay of ArtNauka showed me a project they have been working on where they combine a superhero theme with chemical elements and reactions to create a series of striking portraits.
Whether you realize it or not, most videos produced for cinema or even high-end marketing campaigns have some sort of cropping on it, be it by design or with a specific purpose in mind. It's a common occurrence, and for the most part, when you wanted to use this kind of cropping you either had to make your own templates or scour the web in order to find what you were looking for. Well thanks to the folks over at PremiumBeat.com, they have compiled an extensive list of what they claim to be every popular video resolution in the world. All the way from 720 HD to 8K and creating crop ratios from 1:1 to 4:1 Polyvision.
In this Film Riot video, actor and director Ryan Connolly gives us the rundown on how to create a blind eye effect, similar to what we see happen to Arya Stark in HBO's, "Game of Thrones." Film Riot pulls this off in Adobe After Effects (although this tutorial can be applied to your compositor of choice) and without the use of painful contact lenses.