VFX

How To Edit 360-Degree Video In Adobe Premiere Pro

How To Edit 360-Degree Video In Adobe Premiere Pro

Adobe has called the new additional Effects menu category "Immersive Video." They've made it easier to apply transitions and to add text or logos that look natural to the viewer. I'm a regular screen viewing type of person, and I can't imagine buying some head gear so I can walk around in a virtual space, but in an industry that moves as fast as the video and photography industry, I think we should know what the latest developments are and how the software we use enable us to edit great videos. Clients are going to start asking for 360-degree videos, and you will either be able to do it or not. This video shows what you'll be able to do in Premiere Pro when editing "Immersive Videos."

Casey Neistat Reviews the Rylo 360-Degree Camera

Casey Neistat Reviews the Rylo 360-Degree Camera

Casey Neistat's latest vlog is a review of the Rylo 360-degree camera. What makes this different than the 360-degree cameras currently on the market is that it comes with software that makes it easy to pick your shot (in other words, the frame that'll fit your 16:9 or 4:3 frame) and compose your video like that. Rylo is a start up, and although Neistat can distinguish which market it is for, I think it definitely can become something many videographers, especially YouTubers, and travel shooters will use.

A Short Film Made With Cinemagraphs

A Short Film Made With Cinemagraphs

Eric Flores Garnelo has made a short film using mainly cinemagraphs to create the scenes. The audio is well produced, and the production of the scenes are done with craftsmanship. Watching each of these shots with only one item moving opens up the capacity to contemplate. Being a photographer, the first phase was to think how he did it and what it must have taken to actually get the shot. Secondly, it takes you deeper, into the human condition and the small moments during the day that can seem insignificant, but holds so much beauty if we just opened our eyes.

A Breakdown of VFX on 'Mindhunter' TV Series

A Breakdown of VFX on 'Mindhunter' TV Series

"Mindhunter" is one of the recent Netflix releases that has me hooked. It has psychology, mystery, analysis, and how the FBI and police went about training for the serial killers who didn't have a motive. It's based on true events, and because the series is set in in 1977, which has different cars and fewer people and buildings than we have now. In this video, you'll be able to see how these shots were altered in postproduction to give the story the 1977 setting. Buildings and trees are added, marks on roads replaced and colors changed to give the series its moody, raw film look.

Cloak Is Where Video Footage Is Going, and It's Amazing

Cloak Is Where Video Footage Is Going, and It's Amazing

Photo editing, retouching, and removing something from the shot isn't easy to do especially if it's a complex part of the hair, but it's common practice for a professional photographer to be able to do it if the shot and client requires it. It involves masking the new hair refining tool brush over and selecting the best feathering to make this selection as true as possible. Have you ever thought about removing something from a video? This is what Adobe is working on and this video shows a sneak peek of what Cloak will be able to do.

'Automatica': Man and Machine Make Music Together

'Automatica':  Man and Machine Make Music Together

Instead of fearing the future where AI takes over and leaves us with nothing else to do other than oiling their machines, Nigel Standford made a music video and used this "man against machine" concept. It's a DJ, who also plays guitar. The machines take over. Who's making the music? If I had to take it one step further, was the camera filming on an electronic camera rig or was it held and controlled by a DOP?

Check Out This Incredible Music Video With All In-Camera Effects and No CGI

Check Out This Incredible Music Video With All In-Camera Effects and No CGI

London-based Director Oscar Hudson recently released a mind-boggling music video for Bonobo’s “No Reason,” and it's incredible. The music video, which is an homage to Hikikomori, a growing problem in Japan of adolescents and adults who withdraw from society and become increasingly isolated, was filmed using one continuous shot and only in-camera effects and no CGI.

How to Use J-Cuts to Enhance Your Video Transitions

How to Use J-Cuts to Enhance Your Video Transitions

J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.

How to Make Your 4K Footage Look Like It Was Shot in the 90s

How to Make Your 4K Footage Look Like It Was Shot in the 90s

So many photographers have recently been dipping their toes in the world of video. You can edit photos like a pro, but maybe you just can't seem to figure out video editing; it's very complex – like an onion, so many layers – and now you have to deal with sound design! If you've used presets for your photo editing, then you should definitely consider plugins for your video editing. Red Giant sent us a copy of their recently updated Universe 2.1. Jump on in and see what it's all about.

Neill Blomkamp's New Short 'Rakka'

Neill Blomkamp's New Short 'Rakka'

Neill Blomkamp directed "District 9" and "Chappie" and now he's released a short film of a dystopian future where aliens have taken over earth and the humans have to fight with whatever they can to survive and before it's too late. It's done in the style you kan expect from Blomkamp, in a way I believe only he can do, and it's got all the action, suspense, and gross details of brain implantation and alien creatures that he's become known for.