When it comes to videography and cinematography, the gimbal has risen to a staple of the craft, whether you're an amateur or a professional. However, if you don't own one or don't have one with you, there are plenty of substitutes that offer similar results.
Recent VFX Articles
Modern cinematic productions have begun evolving yet again, this time replacing the green screen. Some of the most impressive films of recent years have used OLED screens and Unreal Engine.
If you are shooting on a budget, many desirable effects are tantamount to impossible to guarantee, particularly if you want to capture them in camera. Rain is one of the trickiest and with this tool, you can add it in, realistically, in post.
You may have noticed over the last few years that it is increasingly common for a film or show to have what looks to be unexposed shots. The question is: why?
What can be achieved in post-production is astounding these days, but more surprising of all is just how much can be achieved without a career in Hollywood. In this video, learn how to create some incredible effects.
The coverage of weddings has grown exponentially with the improvement of technology. Where once wedding videos were a high-end luxury, now they're closer to a staple. So, here are five gimbal moves you can do when shooting a wedding for a polished, pleasing feel.
As all facets of technology take large, confident strides forward, there are many unintended synergies and applications between them. One example of this, which is still relatively new to being viable, is using a projector as a background for photography and videography.
If you're open to more heavy-handed retouching of your images, you have almost limitless possibilities of what you can do with even the blandest of images. In this tutorial, learn how to create realistic light rays and dappled light to add some atmosphere to a photograph.
Gimbals are now as much of a consumer item as they are a high-end professional one, which means far more videographers are using them. Although stabilized footage is the goal, you can get extra creative with how you use it, and these three techniques can really help you stand out.
There are many staple looks in cinematography and they are popular for good reason. One is the classic blue or teal and orange, and while it's easy to execute in theory, striking the right balance can be tricky. In this video, go behind the scenes of a video shoot to learn how they balanced everything out.
The price disparity between entry-level and high-end equipment in photography and videography is larger than every, and in many ways, that makes comparing them more interesting. In this video, one videographer shoots b-roll with a cheap smartphone gimbal and an expensive stabilizer rig to see just how much difference there is.
Action cameras revolutionized videography in many ways, opening up possibilities for shots that would have previously been somewhere between difficult and impossible. In this video, learn five quick and easy video tricks that can result in some beautifully creative shots.
I've been looking for ways to get the outline, scan effect for product videos, and this video was the easiest and best out there. If you can put your product on a rotating turntable, shoot it with a green screen and open up Premiere, you're good to go.
What can be achieved in post-production alone is incredibly impressive of late, with simple in-camera work undergoing transformative changes once it's loaded onto a computer. In this video, watch one videographer turn the most basic of product images into an expensive-looking advert.
The spec sheet of RED's new is staggering, but so is its price tag. In this video, a filmmaker discusses using the camera, its results, and whether he thinks it's worth the price.
Filmmaking at a decent level has been opened up to the masses over the last decade or so, with cameras that boast great video specs being available at all price points. This video breaks down one filmmaker's top five cameras for filmmaking that are under $1,000.
Slow motion is one of the most common and powerful techniques in videography, but it has a few elements to it that can be tricky to get right without some prior knowledge. In this video, get a brilliant beginner's tutorial on how to get your Sony camera setup for slow motion footage.
Consumer-level gimbals have changed the quality of videography for smaller productions for the better. Now, everyone from indie film enthusiasts to vloggers can have smooth, dynamic footage in their work. However, using a gimbal is more of a skill than it might first seem.
ASUS Announces New ProArt Creator Series Computers, Displays, and Peripherals for Professional Creatives
ASUS premiered a live launch called “Create the Uncreated” and announced a whole new batch of ProArt products.
Rain is one of the most desirable and effective weather conditions for portraying mood and a more somber aesthetic, but waiting for it to occur naturally is rarely viable. In this video, watch as a small production team creates a melancholic scene by faking rainfall and controlling the light.
Videography has become more demanding than ever before in terms of expected quality. While much of this difficulty is found behind the camera, on location, your edit makes up a large part of it too. In this video, find out how one videographer makes his videos pop in the post-production phase.
There are a lot of keys that unlock great-looking video productions, and one, in particular, is your b-roll. Not only can it improve your story-telling and flow, but it can keep the viewer engaged and watching — something more important than ever in today's world of distractions. Here is how you can shoot a great b-roll sequence from start to finish.
A VFX artist has produced a beautiful feature-length film that compiles the work of 2,400 artists around the world.
The amount of high-end television and film on display in recent years is unparalleled. One show that got a lot of attention is the drama mystery, DARK after it was added to Netflix. Its acting and plot are both brilliant, but the cinematography is utterly superb.
Released in 1986, children’s sci-fi adventure classic "Flight of the Navigator" was one of the first movies to use computer-generated effects, but many of the practical visual effects used are equally mind-blowing. Check out this in-depth insight into how the production team created a movie that still looks good 35 years later.
Just when you thought your brand new super-spec gaming machine was powerful enough to handle anything, something new comes along to dash your hopes and monster rig dreams. A recent video from Intel demonstrates an AI tool that "enhances" graphics to look photorealistic. The implications of this could be incredible for gaming and photography industries.
If you're striving to create more interesting and unique shots in-camera, one solution might be to use some of the creative filters on the market today. Here's how one videographer found using some and the results that came of it.
Adobe Premiere Pro CC is an incredibly powerful video editing suite with a lot of nuance. Here are 11 great tips and tricks for getting the most out of the software in your next project.
Shooting products has been a staple of many photographers, but with the advantages brought by CGI, more and more companies are starting to make changes to how they create images of their products. Why are they moving, and do photographers need to adapt?
The show Stranger Things created a stunning way of representing the inner mind of the character Eleven, showing her in an endless black void and standing upon a reflective layer of water. How is this achieved, and how do you avoid electrocuting your cast in the process?
One of the most popular visual effects used in music videos at the moment is a reimagining of one of the more unusual tools in a cinematographer's bag. While you wouldn't be able to create the intended use of it in post, you can mimic the creative version rather easily.
The technology inside cameras is growing at an impressive rate and even the older technology has been improved and refined to near-unthinkable levels. One such area is in-camera image stabilization (IBIS) to the point where it can rival a gimbal in certain situations. But just how many situations can modern IBIS compete with a gimbal?
Anamorphic lenses have been a staple of cinema for the best part of 70 years, and they're still as desirable today as they have always been. But how did they come about, what makes them special, and why do people still use them?
With color being one of the most important aspects of any videographers work, it is something worth learning. And it's so much more than just a preset or Look-up Table (LUT).
If you want a moody color grade for your next video or some footage you've shot, look no further; here's a guide for Adobe Premiere Pro using the Lumetri Color tool.
Sometimes you need to ensure that you set your shots apart from the norm, which is easier said than done. Well, this is one example that really achieved what it set out to do!
Elf is undoubtedly a Christmas classic, but the 2003 film was low budget, and the idea of creating a lot of the visual effects in-camera had many senior people worried it couldn't work.
The use of artificial intelligence in photo editing is becoming more prevalent with every day that passes. It never fails to impress me, but this has gone one step further, and perhaps, a step too far.
ISO performance on cameras has improved exponentially over the last decade, and now you are able to use higher values than ever before more or less without punishment by way of noise. Sony's new videography titan is raising that bar even further it seems.
If you've every tried keying out a person you know the NLEs have improved a lot over the years. After Effects can even give you a workable cut-out without a green screen now. But what are the professional movie making folk changing to now? What's next?
Brandon Li has forged a reputation for finding imaginative ways of producing professional results with limited gear. In this short video, he teaches you how to remove all of the lighting equipment from a shot by intelligent use of split screens and layers.