VFX

BTS: See How 'Rogue One' Used Virtual Reality Controllers to Guide Virtual Camera Movements

BTS: See How 'Rogue One' Used Virtual Reality Controllers to Guide Virtual Camera Movements

BBC Click shared a video that gives an in-depth look at the tools used by director Gareth Edwards at ILM London to better show computer graphics supervisor Steve Ellis his desired camera angles and movements throughout "Rogue One." Using just an iPad and an HTC Vive controller, Edwards was able to explore the virtual, computer-generated world to find the best shots, which were then communicated to the VFX team so they new exactly how to guide the virtual camera movements throughout the film.

How 'Rogue One' Created Full CGI Characters of Peter Cushing and 19-Year-Old Carrie Fisher

How 'Rogue One' Created Full CGI Characters of Peter Cushing and 19-Year-Old Carrie Fisher

"Rogue One" is the latest addition to the epic space battle in the "Star Wars" universe, and damn, did it impress. From all angles, the film looked to hit on all the cues that made the original 70s and 80s films incredible, yet still filled it with plenty of new and relevant stories to bring it to life in 2016. Capping off a wild year of many celebrity deaths, it brings an interesting question: should we bring back deceased actors to fill a role?

Audi's 'Duel' Ad Spot Provides Interesting Case Study for Sound Design in Reverse-Playback Clips

Audi's 'Duel' Ad Spot Provides Interesting Case Study for Sound Design in Reverse-Playback Clips

Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.

Mad Max: Fury Road Without Special Effects is Still Pretty Outstanding Movie Magic

Mad Max: Fury Road Without Special Effects is Still Pretty Outstanding Movie Magic

The recent remake of Mad Max: Fury Road has to be one of my favorite examples of both CGI and practical effects in modern day movie making working perfectly together. The way they created this world for which these characters live astounds me every time I see the film and truly set itself apart from other movies. Thanks to behind the scenes access and places like Gizmodo for the latest BTS footage.

Kubo and the Two Strings: Behind the Scenes On How Stop Motion Animation Works in 2016

Kubo and the Two Strings: Behind the Scenes On How Stop Motion Animation Works in 2016

Stop motion animation is by far one of the most forgotten mediums for filmmaking, yet it holds high respect for what it is and how it's done in large motion pictures today. Those pushing the envelope in 2016 are the geniuses behind Laika Studios where they blended hand crafted puppets, CGI, and 3D printing to build a world filled with imagination and story.

What a Music Video Using the iPhone App Prisma Looks Like

What a Music Video Using the iPhone App Prisma Looks Like

Drive Like Maria just released a music video for their song "Deep Blue." What makes this unique is that every frame has been rendered with the "Dreams" effect using the Prisma App. This app uses AI to create effects that make your images look like paintings of famous artists. It has many effect options, and it really looks as though a lot of time, knowledge, and effort has been put together to create it. It looks like Waking Life, but instead of drawing each frame by hand, Drive Like Maria has taken every frame of their music video and run it through the app.

A Time-lapse Cinemagraph Made With 12 Images

A Time-lapse Cinemagraph Made With 12 Images

This Cinemagraph time-lapse was made using only 12 JPEG images. The software allows photographers to create motion within a static photograph. You need to upload each image to the website, and then you design the movement within each image. Once you get a moving image "flowing" you can render it out and import it into Adobe Premiere Pro to create the final time-lapse.