We've covered the pros and cons of color grading many times before on Fstoppers, though when it comes to big-budget movies like "Man of Steel" do you think its overall tone can decide whether it's a financial success? The guys at VideoLab have created a side-by-side comparison of what the latest Superman would look like if it was done the original way, in full saturated color rather than the darker, more gritty version we know today.
If you’re a fan of both the “Game of Thrones” series and filmmaking, then today’s your lucky day as HBO has uploaded to the Internet behind-the-scenes footage from the Season 4 finale, “The Children.” This featurette from the Blu-ray boxset shows how the visual effects team came up with the wight’s design for the ambush scene and how they implemented a blend of CGI and live-action to get everything looking right for showtime.
With the worldwide release of "Avengers: Age of Ultron" just a few weeks away, we are being spoiled with an onslaught of new footage and behind-the-scenes photos of the upcoming superhero blockbuster. In this BTS video you can see just how much acting is needed to create the glorious action scenes we know and love in the Marvel cinematic universe.
If you are a videographer or a photographer dabbling in video you know how much of a pain in the ass it can be cutting interview footage with just one camera angle. The feared "jump cut" in an interview can completely ruin the overall production and professionalism of your entire video project. Luckily, Adobe has recently debuted their new Morph Cut tool in Premiere Pro CC to help filmmakers fix this sometimes unavoidable problem.
With the untimely passing of Paul Walker midway through the production of Furious 7, now in theaters, it was questioned for months how they would replace the unfinished shots needed with the star. Many stories were circulated including the complete scrapping of the film, but with the help of CGI and Paul's brothers Cody and Caleb Walker they were able to finish the movie and fill in the gaps that Paul had not yet finished.
Remember watching the trailer for "Fast and Furious 7" and chuckling to yourself about how unrealistic, improbable, and over-the-top it was to be air-dropping sports cars from a cargo aircraft thousands of feet above the ground? Me too. Just 24 hours after the release of the trailer, the filmmakers put out this featurette to prove us wrong.
How are you getting people to look at and engage with your work? This is something we all have to think about constantly in today’s visually saturated market place. It’s why it’s all the more important to look at – and learn from – those producing stunning and engaging work. Let me introduce you to Leonardo Dalessandri, and his latest project “Watchtower Of Turkey”, a video that he worked on over the course of a year and quite possibly some of the best visual media you’ll see in 2015.
Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process. And while we got some behind-the-scenes footage and images, Whitworth simply told us, "It's always fun to keep people guessing." So by all means, let's guess.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.
Whether you're a fan of the Jurassic Park franchise or not, it's going to continue to be pushed in hopes of reaching the status of the original blockbuster by Steven Spielberg. A tall order indeed, but with the first trailer slightly sparking my interest, it was the newest CGI-filled update during the Super Bowl that really brought me back to that first movie's excitement and unpredictability.
Super Bowl XLIX is just two days away and most of us are looking forward to the commercials as much - if not more - than the actual game. This year will feature a Snickers’ commercial that is bound to be the talk of the work place come Monday.
The commercial follows the familiar “You’re Not You When You’re Hungry” campaign – only this time, it takes place within an episode of The Brady Bunch.
If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.
Joey Shanks is at it again – this time with an awesome stop-motion homage to the Millennium Falcon portion of the new “Star Wars: Episode VII The Force Awakens” teaser trailer. He combines light painting with a practical model of the star ship to create an awesome gravity-defying recreation that’s sure to impress special effects gurus and Star Wars fans alike. Check it out!
Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.
With 2014 nearly behind us and the list of this year's summer blockbusters almost forgotten, we have a treat from the incredibly talented team at Industrial Light & Magic that takes us back in the form of this behind-the-scenes video of the CG that went into "Captain America: The Winter Soldier." What never gets old about these badass behind-the-scenes videos are how they blow away the background of big-budget movies, essentially revealing the digitally constructed landscapes surrounding our beloved actors in films.