VFX for Photographers

It's truly incredible what they can do with film today, especially with the advancement of visual effects and motion graphics. When I first heard they were remaking Teenage Mutant Ninja Turtles I was incredibly sad; all those years growing up watching the original live action films featuring the puppets crafted by Jim Henson's. It was brilliant and really well done for a movie of its time. Then came the almost 100% CGI filled epic by Michael Bay himself, yet it works and it's fun. 

It's not often someone contacts you about chemistry and superheroes, but when someone does, you pay attention. Nikolay of ArtNauka showed me a project they have been working on where they combine a superhero theme with chemical elements and reactions to create a series of striking portraits.

Whether you realize it or not, most videos produced for cinema or even high-end marketing campaigns have some sort of cropping on it, be it by design or with a specific purpose in mind. It's a common occurrence, and for the most part, when you wanted to use this kind of cropping you either had to make your own templates or scour the web in order to find what you were looking for. Well thanks to the folks over at PremiumBeat.com, they have compiled an extensive list of what they claim to be every popular video resolution in the world. All the way from 720 HD to 8K and creating crop ratios from 1:1 to 4:1 Polyvision.

In this Film Riot video, actor and director Ryan Connolly gives us the rundown on how to create a blind eye effect, similar to what we see happen to Arya Stark in HBO's, "Game of Thrones." Film Riot pulls this off in Adobe After Effects (although this tutorial can be applied to your compositor of choice) and without the use of painful contact lenses.

I recently came across this video by Christoph Galep and was very impressed by the editing thereof. The transitions between shots and the slowing down and speeding up of the time-lapse provided a good energy to the video, something a simple cut edit isn’t able to do.

It’s amazing how photos and video have become ingrained in events, especially when fashion and arts come together. Art and Commerce, an agency representing Photographers, Hair Stylists, Makeup Artists, Illustrators, Creative Director, Set Designers, and Directors have documented the small ‘studio’ space at the Met Gala. Art and Commerce represents Gordon von Steiner, who directed and brilliantly executed these images and video.  

The Hitfilm crew, Kirstie Tostevin, Josh Davies, and Simon Jones take over Film Riot to bring you a kick-butt tutorial on how to create an Iron Man heads-up display effect with their free HitFilm 4 Express software.​ This eight-minute video takes us all the way from pre-production to post-production. 

Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.

I'll be the first to say it, smoke bombs are usually too Tumblr for my taste. Generally you see them with a moody girl looking off into the distance in some backyard forest. I never got the point of those images. But I found myself mesmerized by "Chromaticity"; the smoke bombs were alive, more like wayward spirits hovering above the big blue. I was so entranced it took me half of the video to realize they were attached to drones, and the drones were nowhere to be seen. 

There isn't a great deal of macro cinematography and after drinking in this video, you might wonder "Why not?" German photographer and filmmaker Roman De Giuli creates beautiful and complex scenes using simple ingredients on areas sometimes smaller than the surface of a coin.

Time-lapse Photographer Rufus Blackwell put together an interesting video for DJI, featuring their Osmo stabilizer/camera system, but using it in a way that might not be the most obvious: for hyperlapses. Check out the video, then read on to see what improvements DJI has made in their latest firmware update to the Osmo.

A couple of a weeks ago I shared a video called "Centriphone," which left many people (myself included) wondering how exactly the creator, Nicolas Vuignier, was able to capture this incredible effect. Just today he has released a behind-the-scenes video explaining exactly how it was done, along with plans for how anyone can make their own with a 3D printer.

A few years ago, simple timelapse videos were all the rage. To spice things up, videographers started to add small camera movements to their timelapses using motorized sliders. Those small camera movements have become far more complex today as some of these camera movements are miles in length. These are called "hyperlapse" videos.

Have you ever wondered what it takes to film detail shots of a product? If you haven't ever tried it, you may not fully appreciate all of the effort that goes into every second of this footage. Luckily, we get an insider's look at what it really takes. 

The Chemical Brothers new music video with Beck for the song "Wide Open" is the best music video I've seen in a long time. The premise is so simple; the entire video is one take of a girl dancing around a warehouse. What makes this video so compelling is that over time she becomes a 3D printed version of herself. 

The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.

Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.

Leave it to a German drone company to create the world's first light painting by drone with a fully programmed flight path, all to create one fantastic holiday time-lapse of Santa Claus delivering presents. Perhaps the most unique part of the project isn't the world-first of programming a drone to complete a multi-colored light painting, but is instead the reimagining of Santa Claus' method of delivery, as something more similar to that of your neighborhood newspaper boy with perfect accuracy.

Unless you have been living under a rock for the last year or so, you probably have noticed that the force is awakening! After a wait that has spanned a generation, Star Wars fans are finally getting a sequel to the saga that started in the seventies! With the arrival of Star Wars come hordes of its most endearing fans dressing up as their favorite Jedi or Sith heroes! Which means an awful lot of opportunity for photoshoots, but there is one problem. Those dull, plastic, toy, lightsabers just don't have the same epic feel that will do the rest of the costume justice. Luckily creating a lightstaber blade in Photoshop using visual effects is quite easy!

Matt Allard from Newsshooter.com has been hopping around Inter BEE 2015, an NAB-like exhibition that takes place in Japan, reporting on new video gear from established, as well as developing companies. In this particular video, he gets to try out a different type of lens adapter– one that is built specifically to let light leak in from the sides and flare the image as it's recorded in-camera.

If you've been on Facebook or hopping around YouTube's popular videos lately, chances are you've seen the video advert for the "Squatty Potty," a step stool used to make, well, going poop much easier on your body. Sound like a tricky concept to sell? See how a team of creatives turned an ad about a dookie-easing product into an Internet sensation.

South Africa native Matthew Rycroft creatively combined creepy music, a creepy-looking dude, and some dark, chiaroscuro lighting techniques to create a video that brilliantly mocks the cliché Instagram accounts with which we're all too familiar. The final result is a well thought-out piece that's short and sweet and definitely leaves room for more.

Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.

I have mad respect for Swedish independent film outfit Crazy Pictures for their big-budget cinematography skills that are being utilized on a moderately small budget with rigs and labor that are within reach of almost any videographer. They've put together an incredibly informative behind-the-scenes video that covers in detail the massive amount of work that goes into such a short segment of film.

Canadian Designer, Photographer, and Cinematographer Tom Kucy doesn't sleep. Less than two days after we reported on NASA's huge release of over 10,000 never-before-seen photos from the Apollo space missions, Kucy decided to work them into a project that involves taking these almost half-century old two-dimensional film images and converting them into moving, stereoscopic 3D photographs.

“Star Wars” fans around the world are patiently awaiting the arrival of “Star Wars: Episode VII The Force Awakens” on December 18. That being said, the hype train has been running full steam ahead since the initial trailer for “The Force Awakens” was released almost 10 months ago. Since the release of “A New Hope” in 1977, “Star Wars” has created a fanatical fan base, with an expansive universe and many stories to be told. Fan films have been a part of that universe for many decades now, and they have gotten so big that “Star Wars” has an entire section of their site with awards dedicated to them.

Ryan and Josh Connolly of Film Riot always brings us the coolest do-it-yourself filmmaking and special effects tutorials. In this "rewind" episode (read: old) they show us how to create the killer effect of throwing someone clear across the room. What's doubly cool is how easily this can be done with just a still camera and software that most of us already have (Photoshop and After Effects).

We see computer-generated effects every day of our lives, but very few of us fully appreciate the amount of time and talent they take to create. It's easy to believe that these effects and characters are "computer-generated," but in reality, very talented artists are the ones creating this photo-realistic content; computers are simply the tool.

This amazing two-minute video was created using 48 DSLR cameras stacked side-by-side and a RED Epic camera shooting at 120 fps. The result is an amazing video that combines fire, slow motion, and bullet time into one amazing spectacle. 

With impressive looking example videos and a relatively inexpensive price tag when compared to a MoVi or Ronin, the Kickstarter for the SteadXP has already blown past its fundraising goal. I wasn't sure what all the hype was about until I watched their video with before and after examples.

Normally I don't promote software based on their promo video alone but this video was so compelling I had to share it. The ReelSteady plugin for After Effects appears to be made of pure magic, taking cheap looking footage and making it look like Hollywood CGI. 

I've never been too impressed with the job of an "actor." I guess I've always thought that most people are capable of acting (pretending), they've just never tried it. I just ran across Benedict Cumberbatch's motion capture performance for the Hobbit and I have to say I was impressed. 

If you're into video effects (and are half the Calvin and Hobbes fan that I am) then you're really going to dig this fun, lighthearted, imagination fueled video created by Dreamworks animator Daniel Hashimoto. As part of Daniel's absolutely amazing personal project, "Action Movie Kid", son James repels the vicious advances of a great white shark, in an effort to save younger sister Sophia. Daniel promises us a proper behind-the-scenes video in the future but in the mean time offers up a great side-by-side video showing the before-and-after.

"The San Diego Studies", a series of short videos that collapse time to reveal otherwise unobservable rhythms and movement in the city is the product of filmmaker/photographer Cy Kuckenbaker. Shot in Tijuana Slough, San Diego County, this series showcases some impressive imagery/effects that Cy has been gracious enough to share with us. To see how this was done be sure to check out his "Making of Notes" video.

Have you every attempted to take a photo or video through glass? What about shooting through a fence or a tree branch? These common obstructions can easily ruin our footage but this new software can completely clean the scenes with just a few reference frames. 

I've always been one to complain about poorly rendered computer graphics in modern movies. I thought I could easily pick out what was real and what was rendered on a computer. This video makes a compelling argument that there is such a thing is "good" CGI. 

I "met" Dan Dawley on craiglist over 5 years ago when Patrick and I were looking for an animator for our brand new website idea (Fstoppers). At the time, he was just getting into animation and none of us knew that Dan would become one of the top motion graphics animators in the country. Now, he's getting into video. 

I'm a big fan of sci-fi and action movies but cheesy looking special effects have been destroying scenes more and more these days. Tom Cruise has become known for his incredible, self performed stunts; especially in the Mission Impossible series. This video covers all of Tom's most impressive and dangerous scenes in each of the MI movies. 

"What the heck just happened?" I remember saying to a friend as we finished Season 5, Episode 8, "Hardhome" of Game of Thrones a few weeks ago. I was in a crowded bar with many other GoT fans as we all just sat in silence as the credits rolled. This was no "Red Wedding" but I still had that "Oh S***" feeling you get when everything hits the fan.

In the growing wake of low-budget, special effect action minis whose audience has become larger and larger on YouTube, Sam and Niko's "Real GTA" steps the game up once more with a perfect assimilation of the popular "Grand Theft Auto" video game into real, Los Angeles life. Complete with sound effects recreated as similarly as possible within the actual game, the same Los Angeles street scenes, and smashing special effects (like the famous wads of cash exploding out of recently killed bystanders), "Real GTA" reminds us both how ridiculous and subsequently fun it is.

I'm not much for gambling, but I've always said that if I spent some time in Las Vegas that I would check out a show by Cirque Du Soleil. This short film absolutely confirms the kind of creativity and magical displays that I've longed to see in person.

The era of 360-degree filmmaking is upon us. Google, in collaboration with The Mill and production company Bullitt, has released the 360-degree short film "HELP" for free on Google's mobile storytelling platform Spotlight Stories. The film is full of explosions, aliens, and action all within a beautiful 360-degree world.

Flare has become a huge part of modern photography for how it can add both depth and excitement to an image. Many of us have resorted to manually creating lighting effects using Photoshop or by layering pre-made textures above our photos. Red Giant, however, looks to replace and augment this rather tedious process with Knoll Light Factory.

South Carolina-based Taylor Engel's short, "The Pavement" — which got him into the top 10 for HBO's Project Greenlight — had me enthralled the moment it began. Through its rhythmic delivery, simple visual nature, and dark aesthetic, it pulls us through a sinister human story that gets at our primal nature. Its simplicity is partly attributed to the needs of the story, and partly to the time frame in which it was created. Engel and his team planned and finished the film in just one month, all while working around their day jobs.

Hollywood's latest A.I. thriller, "Ex Machina," promised to take viewers on a fascinating and thrilling philosophical, ethical, and human journey. The Turing test, man's domination over machine, artifically intelligent machines' potential and perhaps inevitable self-awareness and domination over man, and an eccentric Silicon Valley-like billionaire-type leading the helm... how could this not be a great film? More on that later, but to make all of this happen, director Alex Garland and VFX supervisor Andrew Whitehurst had to create a robot that would connect so well with audiences that we would treat it as any other human character.

As we all know, even the most stunning visuals require an equally amazing and unique soundtrack to bring the audience's emotions to their full potential. Supervising Sound Editor and Sound Designer Christopher Boyles from Skywalker Sound discusses his work and the burden of creating original sounds for "Avengers: Age of Ultron" that will stand the test of time.

We've covered the pros and cons of color grading many times before on Fstoppers, though when it comes to big-budget movies like "Man of Steel" do you think its overall tone can decide whether it's a financial success? The guys at VideoLab have created a side-by-side comparison of what the latest Superman would look like if it was done the original way, in full saturated color rather than the darker, more gritty version we know today.

If you’re a fan of both the “Game of Thrones” series and filmmaking, then today’s your lucky day as HBO has uploaded to the Internet behind-the-scenes footage from the Season 4 finale, “The Children.” This featurette from the Blu-ray boxset shows how the visual effects team came up with the wight’s design for the ambush scene and how they implemented a blend of CGI and live-action to get everything looking right for showtime.

If you are a videographer or a photographer dabbling in video you know how much of a pain in the ass it can be cutting interview footage with just one camera angle. The feared "jump cut" in an interview can completely ruin the overall production and professionalism of your entire video project. Luckily, Adobe has recently debuted their new Morph Cut tool in Premiere Pro CC to help filmmakers fix this sometimes unavoidable problem.