If you are a videographer or a photographer dabbling in video you know how much of a pain in the ass it can be cutting interview footage with just one camera angle. The feared "jump cut" in an interview can completely ruin the overall production and professionalism of your entire video project.
With the untimely passing of Paul Walker midway through the production of Furious 7, now in theaters, it was questioned for months how they would replace the unfinished shots needed with the star.
Remember watching the trailer for "Fast and Furious 7" and chuckling to yourself about how unrealistic, improbable, and over-the-top it was to be air-dropping sports cars from a cargo aircraft thousands of feet above the ground? Me too. Just 24 hours after the release of the trailer, the filmmakers put out this featurette to prove us wrong.
How are you getting people to look at and engage with your work? This is something we all have to think about constantly in today’s visually saturated market place. It’s why it’s all the more important to look at – and learn from – those producing stunning and engaging work.
Rob Whitworth builds upon his previous experience from his innovative Barcelona "flow motion" time-lapse with this new production covering the business oasis, Dubai. In his latest piece, Whitworth makes it apparent that he has perfected his craft to create the most fascinating time-lapse we've seen so far. We asked him to comment on his process.
Awesome is what happens. We have all seen the yummy slow motion footage that comes out of cameras like the Phantom, but what the Bolt High Speed Cinebot has done is integrate a precise (and repeatable) movement into those images. Imagine a giant robotic arm with a camera on the end, and you at the controls.
Whether you're a fan of the Jurassic Park franchise or not, it's going to continue to be pushed in hopes of reaching the status of the original blockbuster by Steven Spielberg.
Super Bowl XLIX is just two days away and most of us are looking forward to the commercials as much - if not more - than the actual game. This year will feature a Snickers’ commercial that is bound to be the talk of the work place come Monday.
If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have.
Joey Shanks is at it again – this time with an awesome stop-motion homage to the Millennium Falcon portion of the new “Star Wars: Episode VII The Force Awakens” teaser trailer. He combines light painting with a practical model of the star ship to create an awesome gravity-defying recreation that’s sure to impress special effects gurus and Star Wars fans alike. Check it out!
Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects.
With 2014 nearly behind us and the list of this year's summer blockbusters almost forgotten, we have a treat from the incredibly talented team at Industrial Light & Magic that takes us back in the form of this behind-the-scenes video of the CG that went into "Captain America: The Winter Soldier." What never gets old about these badass behind-the-scenes videos are how they blo
This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle.
"Mayokero" may be the best music video that came out in 2014, yet you probably never heard of it before. In the video, famous vinyl album covers come to life and they all lip-sync to Roy Kafri's singing. Michael Jackson, Abba, Madonna, The Beatles, Elton John and Bob Dylan are only few of the "collaborators" in the video.
Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in.
Patrick Rochon is a world-reknowned light painting photographer who recently produced a project with Infiniti, where he used their cars as paintbrushes themselves, in a manner of speaking. This video shows off what is possible when a skilled artist is given the reigns to create compelling images of vehicles, and has the support of a technical and creative team.
If you’re interested in getting big budget looks in your low budget indie film, then you should be very familiar with the Shanks FX channel on YouTube. If you’re not, you should get acquainted with it… like now! Joe Schenkenberg aka Joey Shanks is the man with the know-how when it comes to creating Hollywood effects out of simple household items.
Undoubtedly, audio is one of the most important story telling tools in cinema. Improper use or overuse of sound can dramatically affect the impact of the viewing experience. After the recent release of Christopher Nolan's Interstellar, there has been a lot of buzz about the 'mix being muddy'.
Smooth video is critical for a professional touch on any video shoot. Currently, there are a number of stabilization options from traditional and expensive Steadicam systems to simple weight-balanced gimbal-based rigs like the Steadicam Merlin.
If you've played a few shooter video games in the last two decades, chances are you've seen at least one with a point of view that is looking from the top-down. The team over at Corridor Digital wanted to recreate this style in a video short (which also meant doing it all in a single take!) so they partnered with DJI to make it happen.
Earlier this summer we saw the release of Brett Ratner's "Hercules".
Going back to that moment when Easter morning comes and my mother, the "Easter Bunny" at the time, had purchased two of every single X-Men character on the market for my older brother and I.
The Maze Runner, a new film by Fox and Dayday Films, is a new film in what seems to be a trending list of young adult dystopian movies to be released recently. In these behind the scenes featurettes we can see a small glimpse at how they filmed the movie and how the special effects were created.
You might have heard of Stu Maschwitz before, possibly from his work on these Red Giant video projects, or perhaps the Plastic Bullet app he made a few years ago. His latest creation is a custom set of presets that integrate with Lightroom, and gives the user a set of vintage photo looks to choose from.
What happens when you take a technology from the early 90's and use it in your photography business in 2014? Just ask Jeffrey Bennett, a professional wedding photographer based in Detroit who in 2011 decided to start producing GIF animations for each one of his engagement sessions and wedding nights, which resulted in many happy clients, a lot of interest from potential
First-person cameras, such as the ubiquitous GoPro, have been filming hours of footage from their owner’s journeys for years now. These lengthy uncut videos don’t hold much interest to most people, but a team of Microsoft Researchers are aiming to change that by using some remarkable technology they hope to release as part of an upcoming app.
The guys from Film Riot catch ‘Guy Ritchie Disease’ and in the process teach you how to create the "Guy Ritchie" freeze frame effect. Whether you need an awesome intro title for your film or even a great effect for your own behind the scenes photography vlog, this Film riot video shows you how to create it in Adobe After Effects.
The ever talented team at Scanline VFX have posted their most recent BTS video of the popular wight fight scene from the Game of Thrones Season 4 Finale. In this run down you can see the incredible detail and heavy visual effects work that goes into each and every scene from that fight. This one sequence has been remored to be one of the most expensive scenes created for the show.
The hit TV show on HBO Game of Thrones has some stunning practical and visual effects. Season 4 was no exception, and the team has behind the VFX just released a behind-the-scenes video showing what they did. If you haven't watched the season yet, be aware, it contains SPOILERS.
Slow motion is, certainly, one of the most beautiful cinematic inventions of all time. It can show us so many things that are not normally visible and can make any "normal" scene look magical and unique.
Big things are happening in the world of video editing and post-production. If you ever thought you’d like to develop (or improve) your video editing and post production skill set (and get a chance to do so for free) read on.
What’s Changing?
The combination of two visually striking methods resulted in this surreal video by Vincent Brady. After checking the video, read on for some more information on the rig Vincent used to shoot with, and some insight on the programs he used to painstakingly stitch his images together for the final timelapse video.
Earlier this year Lukas Renlund, a 30-year old professional photographer from Scandinavia, sat down and tried to imagine what the photography industry might look like in 5 or 10 years. That imagination-session lead him to quickly start a new photography/media company named 'Not So Fast | Media'.
Frozen, The Hobbit, Toy Story, Wall-E, Jurassic Park... these are just a handful of the blockbuster movies over the years that have utilized Pixar's award-winning VFX software, RenderMan. In fact, RenderMan has been around since 1984 - used to render computer graphics in Star Trek: The Wrath of Khan.
From time to time, we show of some behind the scenes videos of popular movies and TV shows that highlight the hard work done behind the camera to make the stories come alive. However, rarely do we get to see a side by side comparison of a visual effect heavy movie such as Final Destination 5, showing us all the hard work that is done to seamlessly create exciting moments on a budget.
Wired's Design FX has given us a great behind the scenes video of everything that was involved in the updated Helicarrier crash scene for Captain America: The Winter Soldier. The sheer scale of the project is astounding as FXGuide.com's Mike Seymour and ILM's Digital Models Supervisor Bruce Holcomb take us through the design of the crash and its scale to the actors on the green screen.
Photojournalist Jonas Ginter always wanted to take the idea of the still-2D spherical panoramas and somehow make them in video format. It took him 2 years to develop the idea and tools, but finally last week he achieved his goal. Jonas used a 3D printer to build a special mount that holds 6 GoPro cameras, and placed them as close as possible to each other to make sure they overlap.
Software company Red Giant has been making the plugins that video editors have been using to sweeten their edits since the days of MiniDV. Fan favorite Magic Bullet Looks has long offered stylized, preset looks for its users. It has just been announced that Red Giant will be updating Magic Bullet to version 2.5, along with updates to PluralEyes and BulletProof.
James is not one of the ordinary kids in town. James is a superhero shooting lasers from his eyes and flying around. These super powers are all possible thanks to his dad, Daniel Hashimoto, who is a DreamWorks animator and a visual effects specialist based in LA.
Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost.
Prime Focus World’s Richard Baker and Matthew Bristowe breakdown a scene from Gravity, explaining how they converted the movie from 2D to 3D formats using View-D™ and how the special effects were fully integrated in the process. The videos below show the full breakdown of the special effects used in the film with interviews from director Alfonso Cuarón and more.
Tom Guilmette and Jon Connor got together at Kessler HQ to have some fun with a FasTec High Speed Camera mounted to a Kessler CineDrive. The CineDrive is able to perform programmable camera moves at high speed, and in this behind the scenes video Tom shows us their setups for various shots, which revolve around food.
Remember when Jean-Clade Van Damme released his awesome Volvo Trucks commercial? Then, it was followed by an even more awesome Chuck Norris doing the splits between two planes video response? Yah, we do. Turns out Chuck Norris truly can be beat though!
Working at high altitude is always a challenge, but trying to follow fast moving objects that are actually people defying death is a whole other level of intensity. In this behind the scenes video for a Verizon Fios ad, Director Rob Cohen has wingsuit flyers recorded jumping off of a cliff, but then has to get creative to shoot the not-so-real landing.
This brilliant video edited by Nelson Carvajal shows just how much visual effects have changed throughout movie history. The video starts with 1977's Star Wars and ends with this year's nominees for "Best Visual Effects". It wasn't until 1977 that the Academy Awards created an official category for "Best Visual Effects".
"Beauty" is a short video by Rino Stefano Tagliafeirro, and it's a captivating 10 minutes that brings to life still paintings with a somewhat eerie soundtrack that almost forces rapt attention. The manifesto is described as delving into the "enigma of beauty." I would say more, but this is just one of those things that needs to be experienced.
Marc Donahue from Permagrin Films keeps popping up with new and interesting timelapse or GoPro projects– and his latest work features the gorgeous city of San Francisco. Using unique motion timelapses, Marc and his team put together another amazing piece of work.
The Academy Awards nominations were recently released and it's no surprise that "The Wolf of Wall Street" received nominations in the "Best Picture" and "Best Actor" categories, but what about visual effects? The visual effects for the movie while extremely subtle are outstanding to say the least. The company behind the special effects for the movie is Brainstorm Digital.
Few months back we featured a great video showing how Joe Fellows creates his stunning parallax videos. After posting the article, many of you had follow-up questions on his techniques and methods, so he decided to release a 'part 2' video explaining some of the cool tricks he uses to transform a 2D photo into a 2.5D video.
Follow Industrial Light and Magic (ILM) as they explain how they created the design for the city of San Francisco in the year 2259 for the film Star Trek: Into Darkness. They also go into depth over the creation of the visual effects for the scene where the USS Vengeance crashes into the city and exactly how large some of the files ended up being.