One of the greatest ways to show the passage of time is with a time-lapse. A time-lapse is essentially a series of still images taken of a single subject over any given period of time (minutes, to hours, to even days), and then played back quickly to form a video. The usage of stills is really important. A common misconception is that a time-lapse is just sped-up video. While you could do this, there are issues with battery life, overheating, and storage space. With stills, you have the advantage of raw recording, better battery life, and far more storage space.
Just the other day I was thinking about the great footage and images I have that might do well in a stock library. I just didn't know where to go and which site was best. so I closed the folder and let it go. But, here at Fstoppers we get the best news first. Perfect timing for sure. We got a heads-up from Dissolve that they are launching a rights-managed stock library with 50,000 images on June 1st. They also want to open it up to individual photographers to contribute and form part of their premium stock offering.
Hong Kong is one of the largest cities in the world, so capturing it in a way that does it justice is no small task. Filmmaker Brandon Li has accomplished that, however, by creating a fast-paced feast for the eyes that keeps the viewer on their toes and illuminates many of the unique facets of the City of Life.
This incredible year-long project by the 70 photojournalism students of Rochester Institute of Technology plays to the depths of photography in light, movement, emotion, and connection — Ideas laid out in short photographic bursts that create tangible emotions for the viewer to experience alongside the subjects in the photographs. In under two minutes we see nearly 100 stories, each on the screen for a second or less.
Every year, The Knot compiles statistics from thousands of weddings in their annual Real Weddings Study, and we get to learn all sorts of things about the ins and outs of what makes up a wedding in America. While there's plenty of interesting statistics, such as how 83% of couples used a smartphone in planning their wedding, the marquee stat is cost, and for the past five years that number has crept onwards and upwards to a brand new record that's just insane when you compare it to the average wedding in Europe.
If you have not heard of Casey Neitstat yet, go check him out and come back when your done, it might take awhile but it will be well worth it. The guy is a serious talent in the film and social media world, with his own unique style and technique to movie making. This short film by Tom Bryan is an outstanding example of what each of us should be doing with our creative work. Bryan has plans to create a short film each month for the next 12 and has started it off with a bang.
I have a love/hate relationship with post work. It's where all the magic of the final product comes together, but it can be oh so mundane and tedious. One editor is making it both more fun and more efficient by trading in his mouse and keyboard for something a bit more interesting: a video game controller.
Not too long ago, I remember going through a phase when the process of building up a camera rig was, for me, the most exciting part of owning gear. My decisions were based less on functionality, and more on the question of “will this item make my rig look more like a cinema camera?” Big and bulky was the order of the day, and if people ever advised cliches like: “the best camera you have is the one that’s on you” or “it’s not about what gear you have, it’s about how you use it,” their advice was taken with a pinch of salt.
I love simple, easy to implement solutions to a common problem. The problem in this case, is using any sort of ND, polarizer, or other lens filter on wide-angle lenses that don't have filter threads. Sure, there are filter holder solutions but those can be a bit pricey for a hobbyist. In this video from MrCheesyCam, we're shown a simple way to DIY a filter onto a lens with some tape and card stock.
If I ever find myself wallowing in a creative rut, I have a few surefire ways out of that hole. My most effective method, although probably not the quickest, is to watch a documentary on another photographer. They need not be similar to your own brand of photography; in fact, I often feel it's better when they aren't. Whatever sub-genre of photography the subject does, a documentary is invariably a rich vein of ideas and inspiration.
I'm sure by now, many of you have heard of the one and only Casey Neistat, filmmaker and YouTube extraordinaire. He has a following of nearly three million subscribers on the platform and growing. He even won "YouTuber of the Year" at the Shorty Awards. He is obviously one of a kind and an incredibly polarizing creative, but who will be the next big star we look to for photo and video inspiration? Her name is Sara Dietschy; you will want to check her out.
The editor: a job that if done well goes unnoticed. To be a good editor, one must feel the rhythm of a scene, be able to convey seamless emotion, and convince you, the viewer, of the truth unfolding on the screen. In this super-cut by Every Frame a Painting, the job of the editor is broken down by example. The greatest scenes in cinema would be lifeless without the masterful and instinctual slicing and splicing made by the editor.