Nikon takes us behind the scenes of their recent "I Am Different" documentary series with Clark Little, a professional shorebreak photographer. Clark gives a little insight on how he uses his Nikon gear in what could be arguably be the most challenging and dangerous environments. Outfitted with Aquatech housing, Clark uses his Nikon D4S for its lightning-fast focusing and high frame rate to capture that perfect moment each time a wave breaks.
For a long time teleprompters were considered bulky, unweildy, and often required you to be tethered to a laptop or other control station. In the last few years, more affordable options that used wireless technology and compact mounts began to hit the market. Now, "The Parrot" might just be the most compact system I've ever seen, and it uses a device that the majority of us will already own: a smartphone.
Whether or not you knew it, you have most likely viewed a short film by Adam Pesapane, better known as PES. The director and animator has released several immensely popular stop-motion shorts, directed numerous commercials for major companies such as PlayStation, Scrabble, and Bacardi, and has even been nominated for an Academy Award. Along with the release of his newest short, "Submarine Sandwich," PES and Nikon Cinema have teamed up to bring you a rather comprehensive behind-the-scenes look into the process that goes into the making of PES’ films.
For many of us who have been photographers for a decade plus, we learned about the history of photography either through tattered books from the library, in school while earning a fine art degree, or just by picking up small tidbits here and there as we met other photographers. Thankfully, that has all changed now. With much appreciation to the George Eastman House, we can now find a wealth of fascinating information about the traveled photographic process online.
SmugMug Filmmaker Anton Lorimer has an incredible way of telling us stories about photographers. He blew us away with Arctic Swell, his dramatic film that followed surf photographer Chris Burkard to the ends of the earth in search of the perfect wave. But in the latest film of this exceptional series, the ends of the earth wasn't quite far enough. Space seemed like a more fitting backyard.
Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.
Growing up, I have been entranced by Jackie Chan films for their insane stunts, beautifully choreographed action sequences and hilarious physical comedy. His action scenes are both visually stunning and involving, playing underdog characters fighting against impossible odds. Chan’s dedication to his craft is unquestionable but perhaps he has not been given enough credit as an action director. In this video, filmmaker Tony Zhou breaks down the framing and editing techniques that Hong Kong directors use to create engaging fighting scenes, highlighting how many of these techniques are absent in Hollywood films of today. If you are interested in becoming a filmmaker, you need to watch this.
It seems you can’t go a day or two without seeing a new time-lapse film of the Northern Lights. And while beautiful, it has become incredibly difficult for photographers and filmmakers to raise the bar on this much captured phenomenon. That was until Ole C. Salomonsen threw his hat in the ring.
Patrick Rochon is a world-reknowned light painting photographer who recently produced a project with Infiniti, where he used their cars as paintbrushes themselves, in a manner of speaking. This video shows off what is possible when a skilled artist is given the reigns to create compelling images of vehicles, and has the support of a technical and creative team. And to top it all off, the really cool part is that everything was done in camera– there was nothing digitally added.
The current issue of Resource Magazine features YouTuber and filmmaker, Casey Neistat on the cover. In this video you get a look behind the scenes at the high-energy shoot featuring several different looks with the always-entertaining Neistat, a team of photographers, food stylists, and more. You're not going to want to miss this one.
Keisuke Iwaya is an amateur Japanese astrophysicist. On July 20th, 2014, he sent a Blackmagic Pocket Cinema Camera into the Earth’s stratosphere from Obihiro, Japan for the first time ever. The video captures a time-lapse view of the amazing voyage into the heavens as well as some behind-the-scenes views of the lift off and finding it after its free fall back down. If you've ever day dreamed of flying around the planet like Superman as a kid, this video will rekindle that fantastic flame from your youth! – check it out!
If you've been reading Fstoppers, then surely you have already seen your fair share of high-speed videos. With the iPhone 6 now shooting glorious 240fps HD footage, you will undoubtedly be seeing a whole lot more of it, too. High-speed photography isn't just for making explosions or slapping your friend in the face look awesome, it also has many scientific uses. One such development now underway is the ability to capture light in motion. Really.
As part of Universal’s 100th anniversary, a team of restoration experts took on the task of digitally remastering the classic film “Jaws.” The fully restored feature required intense labor from colorists, digital artists, audio engineers, preservation experts, and everyone in between. In this fascinating documentary, we get a look at all the various complex efforts taken in order to bring the ‘70s blockbuster in to the digital age.
Sainsbury's produced a stunning, almost four-minute video commercial for this holiday season. The cinematic spot recreates a historical World War I moment in which, for a day or two in several spots along the front lines, the war paused for Christmas. Both sides were able to meet, play games, talk (as much as they could) and forget, for just a few hours, about why they were there.