Sean Goebel might only do photography in his spare time while working on his PhD in Astronomy, but that hasn't stopped him from licensing work to the likes of Canon, the Discovery Channel, and others. A quick watch of his timelapse works, including Epochs and Mauna Kea Heavens and it is easy to see why. His latest timelapse project is included here, along with a brief look into its creation.
In this World War II period piece a steeled tank commander (Brad Pitt) and his crew of five men trek past enemy lines to attack the Germans when they least expect it. Fury was shot on Panavision Panaflex Millennium XL2 cameras using Panavision lenses. What I do love about this particular b-roll is that they show you what the raw footage looks like on the monitors that the director reviews before any post processing is done to it. You can catch Fury in theaters now.
This week I wanted to share a few of the tools we commercial photographers use to create our tabletop images. Particularly the items used in photographing beverages. There's a lot of trial and error when it comes to this sort of photography, often times we find ourselves using things in ways far from their originally intended purpose. Having said that, there's a lot of things that have become kind-of standard practice in food/beverage photography, some of those items I'll share with you today.
YouTuber, Casey Neistat is known for his over-the-top viral videos, his sometimes eccentric working and organizational methods, and countless little DIY studio and life hacks. Rather than working with dedicated cine gear or even DSLR kits, Neistat typically uses $100 point-and-shoot cameras for their compactness, accessibility, cost, and their innocuous appearance. For these reasons, it's pretty easy to see why he'd be interested in taking Google Glass for a spin.
With hopes of saving at-risk environments and capturing them before they are gone forever, a team of 15 timelapse artists have decided to join forces and create a feature film. Eric Hines, Michael Shainblum, Drew Geraci, and Joe Capra are just a few of the names on the "CodeX" roster. They are crowdfunding to try and make this project a reality, and I spoke with team member Ben Canales on why this project matters.
About two years ago, Blackmagic made enormous waves in the cinema industry with their original cinema camera. A year later, they packed that camera into a preposterously small package, giving filmmakers the ability to take high quality video with them virtually anywhere. With numerous highly desired firmware updates since then, we wanted to see how the Blackmagic Pocket Cinema Camera has handled the test of time.
Benjamin Von Wong is at it again. He teamed up with the team at SmugMug on yet another collaborative masterpiece. This time, he left the cold, foggy San Francisco forest, and retreated to the warm, sunny outdoor confines of the SmugMug campus in Mountain View, California. With only $20, a couple lights, and a lot of creativity, he turned everyday tech employees into athletic specimens.
Through the Ground Glass is a beautiful short film by Taylor Hawkins that features large-format photographer, Joseph Allen Freeman as he — very candidly — talks about the process, frustrations, difficulties, and joys of shooting with large-format film. Even if this type of photography isn't your cup of tea, this video is worth a watch.
Warning: NSFW for language.
Do you have an eye for editing video? The editor often wields the power and ability to breathe life into a piece of motion work, or to kill it off. But where do you go to learn how to edit? Inside The Edit recently launched the world’s first end-to-end online program, and while it’s not without it’s considerations, it represents a giant leap forward for anyone who wants to get hands-on experience in the world of motion storytelling.
Chicago based photographer and timelapser Eric Hines returns with a brilliant follow-up to his acclaimed Cityscape Chicago timelapse released over a year ago with the debut of Cityscape Chicago II. His first timelapse won him a Vimeo Staff Pick along with nearly 1 million views and part 2 surely doesn't disappoint.
Everyone gather around and learn how Lee Morris got our San Franciscan features editor, Jaron Schneider, fired from his previous job. In the latest installment of the TogTools Fstoppers series, Jess and Stephen have an engaging chat with Jaron where we learn the interesting tale of how he got started at Fstoppers. More intriguing perhaps are the insights on how he deliberately made his work go viral and how you can do it, too.
Earlier this summer we saw the release of Brett Ratner's "Hercules". The movie was a mild success despite critics' anticipations. Recently Milk VFX and Double Negative VFX houses have both released breakdowns of how they created the visual effects for the movie. Mike Seymour of Wired walks you through a detailed featurette on how Double Negative created the numerous creature effects for the film. In the second breakdown we get to see how Milk expanded the world in the movie with set expansions, matte paintings and other special effect touches.
Philip Lee Harvey recently went to Ethiopia for Lonely Planet to photograph the world's most inaccessible church... 2,500 feet up and carved into the side of a mountain. The view from the top? Nothing short of spectacular. Amazingly, the Abuna Yemata Guh Church in Tigray, Ethiopia was carved by hand, and the art inside becomes even more incredible when one takes into account that the artist (and anyone who visits) had to make the climb to do it. Talk about devotion.
The team from Modest (a Buford, Georgia-based production company) recently shot a commercial for Glock, featuring the G41 tactical .45 caliber pistol. The commercial itself is a gorgeous-looking short film of a special ops unit swarming a plane out on an airport tarmac. The BTS video above shows how they pulled off an impressive continuous shot passed down a pulley on crane, to car, to golf cart, to ground – all what looks to be shot with a Blackmagic Cinema camera stabilized on a Movi M10 3-axis gimbal. It’s really freaking sweet.
Alex Buono, member of the SNL's film unit, helped produce one of the coolest title sequences ever using time-lapsing, light writing, freelensing, and other effects. The show is celebrating their 40th season so they wanted this sequence to be classic and iconic, a little dressed-up, and typography integrated into the cityscape.