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Alex Cooke

Cleveland, OH
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Articles from Alex Cooke

A Simple Word, A Stronger Photograph

Winter fog on a near-empty pier forces hard choices about lens, framing, and intent. A single word, “bleak,” can push you out the door and shape what you shoot when the weather feels like an excuse to stay home.

The Quiet Pressure Behind Holiday Photos

Tourist photography looks casual on the surface, but most so-called candid moments are carefully directed. If you travel and pull out a camera, you’re part of a performance whether you realize it or not.

Why APS-C Cameras and Lenses Are Having Their Best Year Ever

Here is a number that should end a decade's worth of arguments: in 2025, CIPA member companies (which include Canon, Nikon, Sony, Fujifilm, Panasonic, and OM Digital Solutions) shipped over 4.45 million interchangeable-lens bodies with sensors smaller than 35mm. Full frame and larger? Roughly 2.54 million. The format category that photography forums have spent years dismissing as the "starter sensor you graduate from" outsold full frame by a ratio of roughly 1.75 to one.

Choosing the Right Focal Length on Location

You talk about focal lengths all the time, but what do you actually use when you’re on a real trip with limited space in your bag? This breakdown of 28mm, 24-70mm, 16-35mm, and 85mm choices shows what happens when theory meets crowds, wind, and shifting light.

Why Anamorphic Lenses Feel More “Cinematic”

Anamorphic lenses have moved from niche cinema tools to real options you can mount on a mirrorless camera right now. If you shoot video and want a wider frame, stronger background blur, and a different kind of character, this is a choice that changes how your footage feels.

The MacBook Neo Is Not for You (and That's the Point)

Every time Apple releases a new product, the internet runs the same play: benchmark it against the most expensive thing in the lineup, declare it insufficient, and move on. The MacBook Neo is getting that treatment right now. The internet is wrong.

12 Micro Four Thirds Lenses That Justify the System in 2026

Every year, someone declares Micro Four Thirds dead. And every year, the system answers with glass that simply does not exist anywhere else. OM System just dropped the M.Zuiko 50-200mm f/2.8 IS PRO, the world's only constant f/2.8 zoom covering 100-400mm equivalent, and it is the kind of lens that makes full frame shooters do math they do not enjoy. But that flagship is not the whole story. Micro Four Thirds offers a lens catalog that rewards curiosity and punishes assumptions.

A Simple Trick for More Dramatic Portraits

Dramatic portraits often come down to one thing: how you control light across texture. If your images feel flat, the issue is usually direction, not gear.

Apple's New $599 MacBook Neo: What Photo and Video Creators Need to Know

Apple has officially announced the MacBook Neo, an entirely new laptop line that marks the company's most affordable Mac ever. Starting at $599 ($499 for education), the MacBook Neo is powered by the A18 Pro chip, the same silicon that debuted in the iPhone 16 Pro in 2024, and is designed to bring macOS to a much wider audience.

Three New Photoshop Adjustment Layers That Change Your Workflow

Photoshop 27.3.1 introduces three new adjustment layers: Color and Vibrance, Clarity and Dehaze, and Grain. If you rely on selective edits and non-destructive control, these additions change how quickly and cleanly you can shape an image.

A Lightroom Classic Before and After Trick Most People Miss

Lightroom Classic gives you more than one way to compare edits, but most people only tap the backslash key and move on. If you want cleaner decisions and fewer second guesses, you need tighter control over what “before” actually shows.

Apple Announces the MacBook Air With M5: Doubled Storage, Faster AI Performance, and Wi-Fi 7

Apple has officially announced the latest MacBook Air, now powered by the company's M5 chip. The updated laptop brings a meaningful performance bump, doubles the base storage to 512 GB, introduces Wi-Fi 7 and Bluetooth 6 via Apple's new N1 wireless chip, and keeps the same thin, fanless aluminum design that's made the Air Apple's best-selling laptop for years. 

The Anxiety of the Archive: The Heavy Burden of Digital Hoarding

Every photographer knows the notification. Storage Almost Full. It pops up on your computer or your phone, and instead of mild annoyance, you feel something closer to dread. Not because hard drives are expensive. They aren't. A 4 TB external drive costs less than a decent dinner for two. The dread comes from knowing what's actually sitting on those drives.

Inside a Working Pro’s Travel Camera and Lighting Bags

Traveling with a full lighting kit gets complicated fast. Weight limits, lithium batteries, and tight overhead bins change how you pack and what you bring. You want gear that works anywhere without turning every trip into a negotiation at the check-in counter.

Apple’s Latest iPad Air Targets Creators With M4 and 4x Faster Rendering

Apple has announced a new generation of the iPad Air, now powered by the M4 chip and featuring increased memory, updated connectivity, and support for iPadOS 26. The new models maintain the same starting prices as the previous generation while adding a number of hardware and software upgrades aimed at both creative and professional users.

Feeling Like a Photography Fraud? That Might Actually Be Good News

Almost every photographer I know has, at some point, confessed to feeling like a fraud. They land a big client and immediately worry they'll be exposed. They deliver a gallery and brace for the email saying the photos are terrible. They scroll through their peers' work and wonder how they ever had the audacity to call themselves professionals.

Stuck in a Photography Slump? Watch This

Motivation drops off. You start checking the forecast, see blue skies, and decide it’s not worth heading out. That habit costs more than you think.

Focus Stacking Landscapes: A Step-by-Step Guide

Focus stacking lets you create a landscape image that’s sharp from the closest rock to the distant horizon. When you shoot wide scenes at f/11 or f/16, you still won’t always get everything crisp, and that soft foreground can quietly ruin an otherwise strong frame.