Apple has announced the fastest, most cutting-edge iPad Pro it has ever produced, alongside a new, more capable keyboard. The latest iteration of Apple's flagship tablet also boasts a dual-camera setup and LIDAR scanner that expand the possibilities for creatives.
Every time a photographer puts his or her work on display, whether in a gallery, online, at a local cafe or wherever, it gives viewers a glimpse of what that photographer saw when they made the shot. But it's just a moment, a flash of time captured in ones and zeroes, then printed or shared on social media. It doesn't, however, tell the entire story of how the photographer made the image.
For photographers of a certain age, the decision of whether to work in 8-bit or 16-bit is as easy as the decision between playing Nintendo and Super Nintendo in 1991. More colors led to more realistic graphics and better gameplay. The 16-bit Super Nintendo was king. The same principle holds true when working on your images in Photoshop.
Super wide-angle lenses can expand the field of vision in your images, but they often come with an unwanted side effect — lens distortion. The good news is distortion can easily be fixed in Photoshop with this tool.
Forget macrophotography. Nanophotography is pushing the boundaries of what was thought possible to record, as scientists have, for the first time, captured incredible footage of previously unseen physical processes.
There are countless ways to combine images in Photoshop. So many, in fact, it can be easy to fall into a routine using the same techniques, while ignoring or avoiding exploration of new and creative ways to combine them. If you want to try something different, Colin Smith at PhotoshopCAFE explains three techniques that can help you create compelling composites in this tutorial.
Creating an accurate selection of a subject's limbs is deceptively difficult. The edges often look sharp and easy to cut out, but that often isn't the case when you put the selection in the hands of Photoshop's AI. However, using this technique, you can accurately smooth out the ragged edges of the selection to create perfect edges and a crisp cut-out.
One of the biggest challenges in creating a composite image is generating realistic shadows for a subject you may have moved into a different background. But what if you didn't need to create a new one?
If you're a regular user of Photoshop, you've probably put in plenty of time and effort to create your own custom presets, brushes, and other tools that help streamline your workflow. But what happens when you update to CC 2020 and notice many or all of them have disappeared?
Any Apple release is accompanied by fawning fans rushing out to make their next purchase and is inevitably followed by some howling about this feature or that feature. So, before you jump into buying a pricey new MacBook Pro, check out the pros and cons of Apple's latest big release, the 16-inch MacBook Pro.
Adobe's update to Photoshop CC 2020 contains some powerful upgrades and tools but, like any software release, it also has some bugs, quirks and missing tools that users must adapt to. Or, if you take Colin Smith's advice, you can fix them yourself.
Gaining followers on social media can sometimes feel like getting stuck on a hamster wheel — a whole lot of effort to get nowhere. Chris Do, of The Futur, aims to make that effort pay off for you and help you launch your social media following into the stratosphere by adding 10,000 followers per week — without buying them.
A simple click and boom, the background is gone from behind the subject of your image. It can't be this easy, right? It can be. It is, all thanks to the latest Adobe Photoshop CC 2020 update. And the fun doesn't stop there.
Maximum detail and sharpness in an image are often goals for landscape photographers, but introducing the blurry, smoothing effect of a long exposure can take an otherwise tame landscape and turn it into something more epic.
The long take has been a staple of film for decades, showing off a director's capability at managing a set and camera movement. Some directors have been ambitious enough to create entire films using a "single shot," which are really many shots cleverly stitched together to appear as one long, continuous take. But none have been as ambitious as Sam Mendes with his upcoming film, "1917."
We say, "never forget" when we think of the terrorist attacks of September 11, 2001. And while none of us will forget the event itself, it's easy to lose sight of the individuals who lost their lives in the attacks.
Have you ever captured an image you thought could have been spectacular if not for a stray shadow that rendered it unusable? Don't erase that file just yet. You may be able to recover the detail out of those shadows using this helpful Photoshop technique.
If eyes are the windows to the soul, eyeglasses can be the dust on the on the screen, with their reflective surfaces obscuring arguably the most important part of a portrait — the eyes.
A lack of light is the enemy of any photographer and, in certain situations, it may force you to bump your ISO far higher than you're comfortable with. The resulting visual noise in the image can render it unusable. Unless you follow this tutorial from PiXimperfect, that is.
It wasn't easy to put a man on the moon. Just ask photographer Christopher Sherman, who recently set out to pay homage to one of humanity's greatest feats, the Apollo 11 mission, when Neil Armstrong first set foot onto the moon 50 years ago.
Creating quality selections is often what sets apart convincing edits in Photoshop from poorly done ones, which often means spending plenty of time perfecting yours. But there are ways to shave time off your selection work.
Drones often give us a new perspective, but a Florida dad was stunned to see what his DJI Mavic 2 Pro captured while he was recording his children swimming in shallow waters.
Sometimes as you sit down to edit an image, it comes across flatter than you'd like it to be and you wish you'd gotten just a bit more depth of field. If you didn't capture that blur in camera, all is not lost.
There are many reasons for a professional photographer or video editor to shell out thousands of dollars for Apple's new Pro Display XDR monitor. But only Apple would be arrogant enough to think anyone — professional or otherwise — should shell out $1,000 for a stand to go with it.
Drone-maker DJI made a bold decision to descend from the heavens and put its cameras into the hands of action sports junkies with the recent release of the Osmo Action camera. But while we know DJI has dominated the skies, how does it stack up against the competition in the action camera market? Kai Wong puts it to the test.
As Omar famously said on "The Wire," you come at the king, you best not miss. When GoPro decided to get into the consumer drone market with its Karma quadcopter, it was taking aim squarely at the king of quadcopters, DJI. And it missed. Now, DJI is coming for GoPro with the release of its new Osmo Action.
We here at Fstoppers post many inks to useful video tutorials that have helped us create better images, and we hope they've helped you, fair reader, as well. After watching so many tutorials, maybe you feel like you're ready to begin sharing your knowledge, too.
Technique, skill, creativity, and yes, gear can all affect the quality of your photographs. But there's one thing many photographers overlook when out in the field that will quickly improve your photography without costing you a dime or requiring any practice or specialized skills.
DSLR shooters may not think they need a 360-degree camera (they don't), but that doesn't mean there is no reason to get one, and Kai Wong makes the case why this 360 camera is worth your investment.
Common sense would suggest that drones aren’t equipped for astrophotography. The slightest wind can ruin the long exposure needed to capture the Milky Way center, never mind the challenge of flying relatively blind at night. A DSLR mounted on a tripod properly situated on the ground is the only way the capture the Milky Way in all its glory, right? Maybe not.
Creating a tight, accurate selection is the most challenging part of changing the color of an object in an image in Photoshop. You don't want to leave any pixels bleeding outside the edge of your selection making it obvious that a color was changed. So why bother making a selection at all when you can use this handy trick from Colin Smith at PhotoshopCAFE?
Alex Rodriguez is one of the greatest players in baseball history. Jennifer Lopez is the flyest of the Fly Girls. Together, they've become the power couple of Instagram. They're so popular, in fact, that their recent engagement photos drew 15 million likes and 325,000 comments on the photo-sharing platform, despite being, well, pretty terrible photos. That's because Instagram users, by and large, are not photography lovers. They are voyeurs.
Rays of light pouring through trees or a window can enhance the moodiness of an image, but if there aren't enough particles in the air to reflect and diffuse the light, you may not be able to achieve the look you want in camera. With a little help from PiXimperfect's Unmesh Dinda, it's easy to achieve that effect in Photoshop.
Water dripping down the side of a beer bottle, splashing around a shampoo bottle, or sparkling on a flower petal are staples of product photography, but creating water effects in a controlled environment doesn't have to be difficult or expensive.
It's not exactly the ringing endorsement Canon would have wanted, but Kai Wong brings his usual humor to this savage review of the company's newest full-frame mirrorless offering.
