Articles from Quentin Decaillet

Phase One released Capture One Pro 9 just a little over two weeks ago and announced today its first update. This new version includes a couple of bug fixes and adds support for the DxO One camera.

A little over two weeks ago, Adobe released CC 2015.1 for most of its apps. The updates looked great on paper, but for photographers, there were a couple of glitches in the new Photoshop that turned out to quite be annoying. Yesterday, Adobe released a new update, CC 2015.1.1, meant to correct most of the issues.

Adobe released today the version 2.1 of Lightroom for mobile devices. It comes with a bunch of interesting new features making full use of the possibilities offered by iOS 9 and the iPad Pro. Some of the new features also could make one think that Adobe is becoming serious about making great apps for mobile devices.

There used to be a time when getting into digital medium format meant you had to put a mortgage on your house and your family. This time seems far gone now that a full kit can be found for under $20,000. With the promotion Hasselblad is running, it looks like Christmas is early this year.

Before Capture One 9, no raw editor software on the market could create a mask based on color. With their recent update, Phase One created something unique with the improved color editor panel. It is now possible to select precisely one color – or a range of – and then create a mask to adjust only the parts needed.

Serif released a new update today to its photo editing software Affinity Photo. It is the first major update, and it includes quite a few exciting features. To celebrate these welcome changes, Serif also announce a discount on the Mac App Store.

Since Adobe released Photoshop CC 2015, retouchers and photographers have complained about the revamped healing brush. However, Adobe promised their users that CC 2015.1 would offer an alternative, making the tool as good if not better than the one found in CC 2014. Photoshop was updated a couple of days ago, and the said updated healing brush setting can be found in the form of a diffusion slider. However, is it as good as the previous healing brush?

Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?

Phase One just acquired Mamiya Digital Imaging and took over their factory as well. This will strengthen the Danish company by making them the only medium format camera company that has full internal control of all critical components in a world class imaging system. 

Adobe just updated a couple of their CC applications, one of which being Photoshop. Amongst the new features, it was almost inevitable that a few bugs would show up. One that can be quite annoying is the liquify tool lighting or rendering problem. But there is a quick and easy workaround.

I remember reading an article here on Fstoppers three year ago about a couple using a GoPro in a bouquet to film their wedding. That might have been a trend back then in 2012, but now in 2015 forget about the bouquet. This couple may just have started a new thing! They hired their dog to film their wedding.

Social networks are a good way to advertise a photographer's work. Sometimes, with all the different platforms available, it becomes difficult to keep track of everything. Tools such as Hootsuite are great to make that easier. However, when it comes to Instagram, there aren't many solutions for scheduling and uploading photos from a computer. But there is at least one, and it works great.

Priolite just announced the addition of a new flash unit to their HotSync lineup, the MBX300HS. This slightly smaller and lighter, but much cheaper, unit is a welcome addition to their current line of products. Alongside the already available 500Ws and 1000Ws strobes, this new compact unit looks like a solid alternative to more well-established brand's battery powered system.

When speaking of retouching, most people think of cleaning skin and altering the body shape. However, retouching goes further than that. Colors play such a significant role in an image, that forgetting about them would be a great mistake. Just like a good makeup artist shouldn't limit their job to the model's face, a good retoucher shouldn't stop the job with cleaning skin.

A couple of weeks ago, Elinchrom released the Skyport HS, a new iteration of the very old and rudimentary Skyport. The Skyport HS seems to have everything a strobist could hope for, from the laser grid to focus in low-light conditions to the Hi-Sync mode. This new radio trigger is a welcome addition to Elinchrom's product line. At least, it is on paper. The Swiss company was kind enough to lend me a unit before it was even released so that I could play with it and review it for you.

Luminosity masks are a powerful trick available in Photoshop. However, the way Adobe implemented them is not so great. It's a combination of playing around with the channels layers and keyboard shortcuts to get the mask you wish. Greg Benz has come up with something awesome called Lumenzia and it fixes almost everything that made using luminosity masks a pain to use.

Capture One has been known amongst high-end retouchers and commercial photographers for quite some time, the main reasons probably being its powerful tethering and color editing tools. Wedding photographers seem to think Capture One is not tailored to suit their needs. At least, that is what I thought. After a full year using only Capture One to process my raw files, I wanted to share with you why I stopped using Lightroom.

Recently, the game of artificial lighting, including flash, has started to change. LED lights have become more common, but also TTL and HSS have become available to studio strobes, not just hot shoe flashes anymore. Today, it is Elinchrom's turn to join in this new era. The Elinchrom Skyport celebrates its 10th birthday this year, and over 400,000 units have been sold since its launch. However, it was time for an update. But Elinchrom did not just update the Skyport, they made a whole new version introducing a range of hi-sync products.

When I started out photography professionally, I only wanted to do weddings. It was what I loved (and still love). I thought studio work was so boring. With time, I was convinced to get my own studio and started doing portraits, beauty, products, and other genres. It was great. However, after two years, I am about to terminate my studio lease and will not take a new one. While I love shooting in a studio, I think the cons outweigh the advantages. Perhaps they will not for you. Nonetheless, let me show you what I learned from my two-year experience of having a studio.

When I started out my photography business, I was always told how important it was to have a strong and personal style. At the time, I did not understand what that meant. I knew all my pictures were too different to make for an impactful portfolio. I also knew that my retouching was inconsistent. But no one told me how to create that sought-after "photographic style." Even the word "create" was probably wrong. Rather, it appears that a style is developed and refined shoot after shoot, job after job. It is a neverending process. However, there are some points to help develop an impactful style.

Retouching can vary from photographer to photographer. But it can also vary depending on the genre you are shooting. I know it does for me. My wedding retouching is far from being as refined and time-consuming as my portrait retouching. When dealing with hundreds of pictures, you have to find techniques that get you close to a perfect result, but as quickly as possible. One thing I had trouble getting my head around was maximizing my dynamic range in my wedding pictures without stacking multiple raw developments. That was until I made a lucky mistake when sharpening an image using a high pass filter.

Wedding photographers often tell me how annoying it can be to get a consistent white balance across the images of the day. Shooting weddings almost every weekend during the summer myself, I used to have that problem as well. With a white dress for the bride and a white shirt for the groom, it should be easy though. The problem is I like my images to make my couple look good. Meaning I like having the same skin color and tone on every picture. During the day, their skin might change color a bit because of the sun, the emotions, and the alcohol. Switching to Capture One this year I found the perfect solution to avoid this issue: setting my white balance based on skin tones and not on a gray card anymore.

Dodging and burning for cleaning skin is very common amongst high-end retouchers and for a reason: when mastered, it gives you natural, yet almost perfect results. The downside of the technique is that it can eat up a lot of time. When I say a lot of time, I mean up to a couple of hours for a single image, depending on the problems that need corrections. While spending this much time on big projects or perhaps on personal projects is conceivable, for someone that shoots portraits every day and has to retouch quickly, this is simply not viable. A couple of tricks exist to help you go faster, while retaining a high quality and natural-looking image. I have listed four of them here with the hope that they will save you as much time as they do for me.

When I started out in portrait and beauty photography, I tried to have a makeup artist for most of my photo shoots. Why? Because I had always been told it would help my retouching. This is true in most cases. As long as you work with talented makeup artists, you will shorten the time spent in front of your computer. However, this is not the only advantage. Since I learned to do the makeup myself, I have discovered how having makeup done can help your photography reach another level. Noticing these benefits, I do everything to upsell my clients to get makeup done at the studio rather than having them doing it themselves. Here is why.

The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.

A couple of weeks ago, Serif released its powerful photo editing software called Affinity Photo. This Adobe Photoshop competitor has since been downloaded by numbers of users and has already seen a couple of improvement through an update. Its price and its speed are probably two of the most notable advantages the software offers over Photoshop. While the reviews are slowly making their way to different websites, many photographers and retouchers seem to be wondering if the software is worth its price.

Giving a great first impression is imperative, especially when our work is mostly based on aesthetics. It can be the way we dress, the image we carry through social networks, or even a simple email signature. I have tried many different email signatures, using HTML formatted text, an image, or a mix of both. But I never was satisfied with how it looked. I then stumbled upon WiseStamp. A very simple way to create a professional and clean looking signature for your emails.

Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.

When using Photoshop, I find myself zooming in and out very often. While this might not be a massive loss of time, it still is one, especially when doing some local dodge & burn. I recently found a technique that doesn't require me to zoom anymore. I can now work on my file with multiple views at once in Photoshop. How is this possible? It is only a very simple option in Photoshop, nothing as crazy as Inception.

As photographers, we meet people that come from all over the world and that sometimes speak very exotic languages. This is great, and I absolutely love it. However, it sometimes is a problem. For example, I use to proof and deliver my images using a web gallery. I have tried many of them: SmugMug, Pass, Zenfolio, PhotoShelter, etc. Despite the simplicity of their design, some of my clients would just not understand how it works because they did not speak a single word of English apart from "hello". So I looked on the web for quite some time to find a solution, I finally found it a couple of months ago, it is called PhotoDeck.

Dodge and burn, frequency separation, and other techniques used by high-end retouchers are great but time-consuming. Shooting and retouching weddings, as well as fashion and beauty, I sometimes find myself spending way too much time on wedding retouching. Being used to cleaning skin with dodge and burn for beauty, I tend to do the same with weddings. Which, as you can guess, is not very profitable. The same thing goes for proofing portrait sessions. I like to give lightly retouched proof images instead of pure raw files. So for weddings and portraits proofs I had to come up with a quick way to clean skin without making my images look too bad. Here is how I do it.

One of the benefits of using layers in Photoshop is to edit pictures in a non-destructive way. However, there are a couple of techniques and filters that will require you to flatten a file or create a merged layer. The liquify tool is one of them. To use it, you must create a merged layer of the area you want to edit. Sometimes it means a merged layer of the whole image. In this article, I will show how to avoid this problem using a simple, yet very powerful tool Photoshop offers. We are going to see how to use the liquify tool in a more efficient way than on a merged layer. This way you will be able to go back into your retouching process without losing anything and even edit your liquify.

In dealing with bigger paid jobs lately, I've had to find ways to refine my retouching workflow. I used to do most of my skin cleaning by dodging and burning problem areas. It then had to be color-corrected of course. Negative dodge and burn gives you excellent results when mastered, but it eats up a lot of time. For some clients or projects, justifying 1-3 hours of postproduction per image is simply not possible. Being confronted more and more with this real-world issue, I have taken the time to look into my workflow and see how I could spend less time in front of my computer. Here are some of the things I have changed as well as a few tips I could give anyone facing similar issues.

Serif launched the beta version of Affinity Photo a few months ago, and it impressed many retouchers. Very robust, not so costly, and quite stable despite its young age, the beta version had everything to seduce amateur photographers and retouchers, as well as professional. It had a couple of functionalities lacking, but Serif was listening to the community and made the software even better. Why do I write everything like it is in the past? Well, because today the stable and official version is here. Affinity Photo is available on the Mac App Store.

Elinchrom has been renowned for its light shapers for a long time. Many photographers have been using the Rotalux line of softboxes even on other, more expensive strobe brands such as Profoto or Broncolor. The Rotalux system was also known for its quick and simple way of assembling the boxes. A couple of months ago, the Swiss brand announced a new line of light shaping tools: the Litemotiv. They might look very similar to the Rotalux system, but they are very different in many ways. Elinchrom was kind enough to lend me both sizes — a 120 centimeter softbox and a 190 centimeter softbox — and give them a try. Here are my impressions after a month of use.