Beyond the most obvious upgrades such as more pixels, bigger ISO numbers, and auto focus, has anyone noticed that the general feature set of DSLRs really doesn't change very often? I certainly have! There have been, in my opinion, obvious things missing from DSLRs for years that would make me a very happy camper if added. DSLR makers pull out your notepads!
Imagine a spectacular, rugged landscape. Pine forests that stretch for hundreds of miles, vivid lakes and countless waterfalls. This is central Norway; bear country. While I am packing my camera bag for a two week photography trip honeymoon to Iceland, I relive a memory that answered the question if we really need to travel for better photographs.
I have always preferred simplicity when it comes to lighting portraits. When connecting with a model or subject, especially when working without assistants, I hate having to deal with several lights or various flags, cutters, and bounce cards. This way I can work the camera and move around without having to worry about tripping over my whole setup, and my subject feels more comfortable without obtrusive equipment crowding them. Also, if the model can move around a little, I feel that I can get far more natural poses when they aren't confined by specific lighting. My favorite lighting tool to "keep it simple" with is the Westcott 7-foot Parabolic Umbrella.
Announced today, Nikon has updated their popular entry-level D3xxx series of cameras with the new D3400. Highlights of the new DSLR include always-connected Bluetooth for automatic sharing with mobile devices, double the battery life of the previous D3300, and image quality that is a step up from mobile photography. The D3400 will come with a new Nikkor DX 18-55mm f/3.5-5.6G VR kit lens and cost $646.95, with the option to also add on the new Nikkor DX 70-300mm f/4.5-6.3G ED for a total of $996.95.
Ebru Yildiz is a photographer based in New York. She shoots portraits and live music events and has clients like the New York Times, Rolling Stone, NPR, and Pitchfork to name a few. One of the places she's shot a lot of work at has recently closed their doors. The venue, Death By Audio in Williamsburg, has been one of the most vital underground music venues in the NYC community. It occupied a large warehouse on the waterfront from 2005 until 2014 and hosted bands who due to their performances there later enjoyed international acclaim. Bands like A Place to Bury Strangers, Jeff The Brotherhood, and Lightning Bolt and many more graced the stage in this venue.
In September, Samyang will ship a new full-frame 14mm f/2.8 autofocus lens for Sony E-mount. The lens will have Ultra Multi Coating, be compatible with contrast and phase detect autofocusing, and be shorter in length than the non-AF version. With the popularity and image quality of their 14mm f/2.8 manual focus lens, this is a welcomed addition to their lineup.
As the curator for the Fstoppers Photo of the Day and our Instagram feed, I happen to read a lot of comments and criticisms thrown out at images by semi-anonymous people from all over the world. One thing I can be sure of is that when I post an image that is a composite or incorporates some sort of digital art, some people get offended. This is ridiculous and needs to end for photography to continue growing.
Never underestimate the smartphone as a tool for video. That’s the lesson we learn from “Flying Into Dusk,” an impressive aerial short film completely shot using the iPhone 6s. With the use of a stabilizer and the Filmic Pro app, filmmakers Toby Harriman and Jaron Schneider have created a 4K high-quality video that rivals those filmed with far more expensive gear.
It is a common expectation that when clients hire you, it is because they like your style and think you will help project their brand’s identity. But what do you do when, despite previous exchanges, on the shooting day, you realize that your clients have entirely different expectations. Do you just change everything to adapt to their needs or do you say no?
Announced today, Datacolor is introducing the Spyder5CAPTURE PRO bundle for a managed color workflow from capture to editing. The new product includes the Spyder5ELITE colorimeter, SpyderCHECKR, SpyderCUBE, and SpyderLENSCAL. Shipped together in a foam-padded metal case, this bundle is selling for an introductory price of $269.99, which is normally the cost of just the Spyder5ELITE alone.
Suicide Squad opened in theaters this month and pulled in a staggering $133 million while managing to barely break a 25% critical score on the much-lauded review site Rotten Tomatoes. What this seems to mean is that when it comes to the comic-book-born heroes and villains of our youth, we'll show up in droves even if we've been warned.
If you’re not shooting raw images, selecting the right picture profile could be the difference between a decent image and an incredible one. I was surprised to find out that some photographers didn’t know that they can download extra picture profiles and install them. Why waste the opportunity?
Documenting a wedding in itself is very demanding. It often requires 12 or more hours of coverage during which you must be creative almost every second. But wedding photography doesn’t stop when the big day ends. Then come the culling and editing. It’s probably the part where event photographers spend most of their time and also the task they like the least. Fortunately enough, retouching companies exist and can lighten if not remove that part of the job entirely. I made the switch for my wedding business, and I share my experience with you here as well as why you should give it a try as well.
As a former standard zoom lens user, I noticed that 28mm was one of my most preferred focal lengths according to the metadata in my image catalog. Seeing this choice that I've made subconsciously, as well as the obvious advantages of using primes, I finally decided to switch all my zoom lenses with primes. The Nikon AF-S 28mm f/1.8G was my final choice for a wide-angle prime. So far, it looks like I've made a good decision.