Beauty retouching isn’t anything new, yet it can be a long and tedious process that may not be so easy to pick up right away. If you are looking into doing it yourself versus contracting it out but are not sure were to start, you can find yourself going through plenty of tutorials and videos that cover this editing process. Where do you begin?
Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.
Creating selections in Photoshop can be a painstaking process, oftentimes with mixed results. I learned about luminosity masking by way of exposure blending for landscapes, but its applications are varied.
Internationally acclaimed time-lapse film maker and photographer Rob Whitworth brings magical Cappadocia alive in his flow-motion hyperlapse film for Turkish Airways. The visually stunning clip, which highlights the tourist attractions in the region, took six weeks to shoot over the course of two months and two seasons. The effortless blending of multiple photography techniques and precise After Effects work culminates in a breathtaking finished product which pushes boundaries and leaves no doubt as to why Whitworth's videos have over 9 million online views.
While I’ll always try my best to get the shot right in camera, there're occasions, like when I photographed this beauty editorial, when that’s not always feasible. In this short tutorial, I'll show you how to change your background in a few short steps.
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
Off-camera flash is a great way to augment your existing photographs. There are so many times when existing light just doesn't give you the result you desire, and that flash could be a solution to creating the image you have in your mind. When you first start, however, the options can be quite overwhelming and it can be difficult to know exactly what you'll need. Let's look into a simple but versatile kit that will allow you to stay mobile and work in many different situations.
Being a long time Lightroom user has helped me have a well polished workflow for my photography projects. So why should I bother trying Capture One Pro?
Have you ever wondered how to create portraits with those dreamy watercolor backgrounds? In the following tips, I’ll give you a few tricks on how I achieve this whimsical, ethereal look in my work.
The logo. That simple stylized image that is supposed to help people to recognize you. It's one of the first marketing moves you do when you see yourself as a not-just-a-camera-owner-anymore. But why do you do it?
Do you ever have trouble talking with your subjects during a shoot? Not sure what to say to them to get that perfect facial expression? No need to worry, Peter Hurley is here with "Hurleyisms."
A major concern I hear from boudoir photographers is the lack of a formal studio space for shooting. While I do have a downtown studio in a historic area of Palatka, Florida, if I am traveling there is not always that option of finding a shared area. Understanding how to create your own studio space in hotels, vacation homes, or Airbnbs can bring your boudoir business front and center to potential clients.
It's common as professional photographers to spend so much time researching the latest technical tips and advice that the space within our mental hard drives originally intended for common sense runs low. We can become so focused on the latest and greatest that mundane day-to-day tasks sometimes suffer. Here are a few pointers (or reminders) that may help you free up some of that precious mental hard drive space and fill your calendar with the types of clients you want to be booking as we look toward the upcoming year.
Whenever I am working with models on a shoot, I always have their best interests at heart. You may say I care too much about my models, but I am alright with that. No one badmouths a caring photographer. I have seen firsthand how some models are treated badly on set and it saddens me to see how bad attitude from photographers can ruin the photographer-model relationship and also lead to bad photos. Knowing how to build a relationship upon meeting your model and engaging in a photoshoot with the latter is a must and I asked a couple of models for advice to write this article.
Crushing blacks is a popular trend in Photoshop for achieving a more film-like matte effect that pairs well with vintage styling. It won't work with every image, but if it's a look you are after, photographer Mathieu Stern has put together a video suggesting three ways you can go about achieving and customizing the effect. In this article I will add on one more quick method in addition to the video which will give you plenty of options to play around with this effect and see which method works best with your workflow.
Recently I've concluded that most professional photographers actually believe that telephoto lenses compress the subject and background in an image and that simply is not true.
For a long time as a photographer, I did not have access to a studio nor did I have the necessary lights to help create a studio setup indoors. And let’s not talk about renting studios! So, in absence of a studio, I came up with one easy way to create the studio feel, which you will find is pretty cheap.
Photoshop is an amazing tool that most photographers find themselves using on a daily basis. It has countless features, and with the new Photoshop CC, more are added with each update. As a beginner to the program, it can get a little overwhelming on where to start learning all of the complex elements. In this, video you will see 10 of the features you need to know.
If like me, you’re tired of those overprocessed portraits shot during golden hour or at sunset that crowd your online portfolios or your Instagram feed, then perhaps you should consider rising early for your portrait session.
I’m a huge advocate of gelling your flash. It’s one of those things that a lot of photographers just discovering off-camera lighting will often fly right past without much thought (I know I did). Even after you get that first stack or plastic bag of gels, knowing how to apply them can be a little intimidating. Enter Michigan-based Photographer Rob Hall’s expert instructions on how you should or could be using your color temperature blue (CTB) gels.
A beauty dish can be extremely versatile if you learn how to control the way it modifies light. Most photographers simply use beauty dishes to light the face, but you can use it to light full length photos if you know how to position the light correctly. In this video, I’ll demonstrate three ways to use a beauty dish for beauty and fashion photography.
A few months ago we shared that Instagram began to roll out some pretty powerful analytic tools called "Insights," though as many of you might have gathered it's not available to the masses just yet. Select users have their hands on the tools currently and they are able to track things like impressions, total reach, clicks to the link in your bio, and even what percentage of your followers are male or female. The tools expand further down into regions of the world your followers are from, including the exact city. Here is how to get them right now, for free.
The first time I saw streaky clouds and silky smooth water, I knew I needed to learn how to do that. However, after buying my first neutral density filter, I realized it wasn't so easy to do. It was really hard to focus, and some photos were too dark, while others were too bright. And why were the middle of so many photos pink? Hopefully, this article will help you avoid some of the mistakes that I made as a long exposure beginner.
For most beginners, distinguishing hues, or noticing over saturated areas, can be an issue. Even some most advanced retouchers still have problems color correcting their images. Reaching the point where our eyes see colors properly takes time and a lot of practice. Fortunately enough, visual help layers in Photoshop can aid us separate luminosity, hue, and saturation. In this article, I will show you how to isolate the latter two to facilitate your color correction.
If you ever do any sort of composite work, chances are that you'll need to add shadows. They're one of the biggest aspects of making a composite image convincing, and yet, they're also very subtle and tricky to pull off. Phlearn is here with a great tutorial to get you started.
As the northern autumn draws closer, bizarre little creatures pop up all over the temperate forest. On the forest floor, underneath hedgerows and on trees, alive or the ones who have fallen. Fungi are the cleaning crew of the forest as they take care of layers of fallen deadwood and provide nutrients back to the forest. Surely they are great subjects for macro photography. Like everyone else, I’m looking to find their reproductive organs: Mushrooms. They let our imagination run wild as these little toadstools hint of fantasy worlds when photographed in a certain way. This is how I recreate my own little fantasy world.
Earlier this year, Pentax released the K-1, its first foray into the digital full-frame market and a camera surrounded by a healthy dose of excitement and intrigue. I've had the chance to use it and some of the new system lenses for the past month. It's a fun and highly capable system that could be just the ticket for many photographers.
I'm a big admirer of Lindsay Adler and her work, and I spoke to her recently regarding her most valuable career mistake. As you can imagine, my ears pricked up when I heard Lindsay was doing a walkthrough of how she conducts a fashion shoot from preparation all the way through to post-production.
Light painting is one of the rights of passage photographers have to try at some juncture. I enjoyed playing around with it in the early days, but what surprised me is I have used the techniques commercially on several occasions; from creating better backgrounds to my portraits in dark locations to capturing English Heritage sites. The importance of knowing how to light paint isn't necessary per se, but it does help you understand how light works and how your camera exposes a scene.
Without composition there is just visual chaos with no beginning or end, no direction or cycle, no shape or difference between dark and light. This series is the go-to resource for compelling visual storytelling in landscape photography as it provides a condensed overview of all the elements that make up a stunning image. This week: Advanced tools that will nick the attention of the viewer and guide them carefully through your photograph.
Freckles are in. As more and more brands and publications start opting to hire models with realistic “imperfections,” we’re bound to see more and more ads with speckled skin. Score one for realistic expectations! However, lighting freckles isn't easy, as most broad light sources will flatten the tone in the skin. Here’s a quick tutorial on how to bring back and enhance freckles in Adobe Lightroom.
I stumbled across this video that was posted by B&H back in 2012 and was quickly amazed by the amount of information I was able to gather in terms of composition techniques. When starting out in photography, most people learn the rule of thirds, take off running, and never look back. Give this video a watch, and you will open an entire new world of tools for your image creation.
Your online portfolio is one of the most critical tools you have at your disposal when looking to make a sale. Clients are looking to your website as a sign of both your skill and professionalism. The customer wants to find a photographer who is the perfect fit so your website needs to be built to enable that feeling. Below are four priorities that photographers often overlook when designing their websites.
I attended the Canon Roadshow, held once a year, where Canon gets to show off their latest gear. We got to have lunch with the Canon people, and we also had great keynote speakers who told their story and presented their work and how they do what they do. One of the speakers, Laura McCullagh, shoots live music events. She's shot acts like Die Antwoord and Mumford and Sons, to name a few. We were fortunate to get some pointers from her on how to get great shots.
For most of us living in the Northern Hemisphere, the wedding season has begun, and the first images are being sent out to brides and grooms. Delivering pictures to clients is more important than most photographers would like to think, especially for weddings. It is an opportunity to surprise customers, get referrals, and sell more prints or albums. The smallest details will help you separate your business from the crowd.
There’s an obvious difference between a Canon Powershot and a Hasselblad, but we all know that it’s not the equipment that makes the photographer. Should you make more money just because you have better equipment?
You're about to become better at post-processing! Raiatea Arcuri, a landscape photographer from Hawaii, has an impressive portfolio. I was pleased to learn that he also shares some of his secrets to processing his landscapes. Arcuri teaches you how to process a stack of images shot at night to create a wonderful star trail nightscape using Lightroom and Photoshop, and I will share some additional tips to help you achieve stunning star trails.
The mania surrounding food photography is a pretty recent phenomenon. In the last decade, what used to be a niche in photography took social media by storm and ever since has been one of the favorite topics for a huge amount of accounts. It is supposedly the second most popular subject of photography fanatics on Instagram after the selfie tsunami. I sat down to talk with Hein van Tonder, a food photographer carving his way into the food royalty.
Almost every video you see online holds an element of sound production made up of music and sound effects. For us to produce a quality body of work, we need to know where to look. I’ve recently started focusing more on producing, shooting, and editing and wanted to share this list I created where you can find awesome music for your projects.
If you're socially introverted like me, you probably find the thought of approaching a stranger for a portrait in everyday situations downright nauseating. What if they say no? What if they think you’re creepy? What if they are rude and tell you to get lost? These are the thoughts people struggle with at the very thought of approaching someone they don’t know to photograph them. These thoughts often keep many photographers from taking some of the best and most interesting portraits of their lives.
Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.
Getting color consistency from your eye, to your camera, to your computer can be a real pain in the butt. Especially if you still haven't settled into a reliable, regular workflow. Color calibrating your monitor once a month and taking reference images with a gray card are invaluable when it comes to getting consistent color. If you are still struggling with getting your image colors to look right, then Freelance Photographer Gavin Hoey has the video for you. Watch as Gavin walks through a step-by-step process on how to achieve consistent color.
As I stumbled, sleep-drunk, in to my bathroom this morning I had what I would categorize as my first photography shower thought.
The processed photograph is growing more popular. Whether that has to do with the technology involved in image processing becoming more accessible to many is up for debate. Maybe it is a gradual shift of the human perception of what we call the art of photography. I have asked a handful of professional landscape photographers to contribute to the case of the processed photograph, making this second part in this series more practical than the rather philosophical first article.
In a way, your journey as a photographer will start out with personal projects. Everything that you shoot for those first few months or years are things that you choose to shoot for fun. Personal projects help you to learn, experiment, and grow as an artist. Actually organizing and creating a series, however, takes a little bit of planning. From brainstorming to gallery showings, I’m going to help you put together a game plan for your next personal project.
It's usually all about that sweet, soft light. Many of us portrait photographers probably would never even consider using a harsh, bare light without something to diffuse it, but Profoto and Pye Jirsa with SLR Lounge show you there is a time and place in this video tutorial that includes three step-by-step scenarios that teach you how to create dramatic photos with a single naked and unmodified strobe.
Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.
Getting accurate Autofocus must be one of the most frustrating things an event or wedding photographer deals with on a daily basis. How many times have you been in the right place at the right time, taken a photo at the absolute peak of the action, and then found yourself cursing under your breath when you review the image only to find it wasn't in focus? This used to happen to me a lot at weddings, and I still see many of my assistants struggling with autofocus in extremely low light situations. Luckily there is a very simple solution that works everytime.
People continue to ask me the same question over and over, "How do I quickly grow my following on Instagram?" I will continue to tell them there is no easy way to go about this, but I have found one way in recent months that has been building my following much faster than I expected. Here are a few ways I am finding great follower growth, as well as a rise in engagement. Trust me, hold tight while I go through a few ways you as a professional can get ahead of some of these young guns with iPhones.
Working as a behind-the-scenes or “stills” photographer is an entirely different experience to most usual photography jobs. As photographers we naturally tend to take charge of the creative direction, and are used to getting our own way. Working BTS requires you to work within different dynamics, not least of which involves being surrounded by other creatives, each with their own opinions and ideas. Here are some of the best and worst things you can expect whilst shooting behind-the-scenes.
