You may have just started your journey in photography or you have been on the market for quite some time, and you still wonder if your website has more to do with getting more clients than you might think. The answer is yes, but only to some extent. Let me tell you what I thought was important for my website and what I think is important today.

Humidity, sunlight, water, and most of all, time, are just some of the culprits in the damage most printed photographs will endure. However these memories of loved ones do not need to be thrown away or thought to be unrepairable. A few layers in the digital world can bring it back for your clients.

Mike Olbinski, an award-winning photographer, did it again. Here is his latest production, a stunning time-lapse showing some of the most powerful thunderstorms, supercell structures, and tornadoes of the American Midwest. Olbinski specializes on storm chasing but this season was particularly tough for him. Mother Nature has not been cooperative this year despite his extensive weather forecast knowledge. The storm chaser had to drive 27,000 miles across 10 states during a month to capture the 90,000 frames necessary to finish the project. Hence, he called this video “Pursuit.”

Almost all photographers nowadays are familiar with modern equipment and use it to create, show, and improve their work. Some is necessary like new cameras, lenses, computers, and some is complementary. It all depends on your work style and the photos you want to create. But let's ask a question here. How much of this technology and knowledge do you need for being a better photographer in your genre?

In this video, Photographer Andrea Belluso uses strip softboxes to create dramatic portraits of his friend and pilot along with a gliding airplane. Strip softboxes create soft light with a long highlight on the aircraft body.

Over the last several weeks, my social media feeds have been flooded with a torrent of lavender images, each seemingly more beautiful than the last. Late June is generally the high season for the lavender bloom in the famous Provence region of southern France. It's a time of year when photographers, tourists, and bees come together in perfect harmony to dance among the purple fields from dawn to dusk. Photographer Jimmy McIntyre was part of the crowds last month and made an informative and entertaining video on his ten-day trip photographing the bloom.

If you've got some old family photos lying around that you've scanned and cataloged in Lightroom, you might be interested in colorizing them. Here's how to do that without ever even touching Photoshop.

You've probably seen some pretty comical behind-the-scenes images of the kinds of positions photographers put themselves in just to get a shot. They climb trees, hang off cliffs, stand in the middle of rivers, lay down in the dirt, all just to frame up that perfect shot. Well there's almost always a reason behind the madness and sometimes those reasons end up having a much bigger impact than most people might expect. Sometimes it's about getting a really intriguing angle on a particular subject, but I find myself laying in the dirt quite a lot just so I can create a composition that carries more depth. Let's compare a couple different shots that can help make some sense of this.

In this article, we'll go through the best sources of inspiration to plan a successful photography drone trip to a place you have never been to before. This is not an easy task, as unlike landscape photography, not everything has been photographed from a drone point of view, so just searching the usual photo sites doesn't always give you good results. It's also difficult because not every scene that works from eye level will work from a drone's perspective. It is vital to plan as much as possible to avoid disappointment and maximize the chances of coming home with some nice pictures. We'll also look at the results of the trip's expectations versus reality.

Papermakers G . F Smith, with help from the design agency, Made Thought, conducted a survey seeking the "World's Favorite Color" receiving 30,000 submissions from around the globe via online poll since it was launched in January 2017. The winner was chosen by popular consensus was a shade of green submitted by fine arts graduate Annie Marrs and UNESCO working inspired by the blue, grey, and green tones she saw in the River Tay in Scotland.

LED lights are all the rage these days. Though they're already used quite a bit in the video industry, they're starting to make their way into the stills side of things, with folks like Peter Hurley embracing them. This great video examines the process of shooting portraits with LED panels, as well as the pros and cons of using them over strobes.

If you've ever been out and about and taken a photo of a tall building with a wide angle lens, you've probably noticed a weird phenomenon in which buildings appear to be falling away from you or into the center of the frame. This helpful video will show you how to correct perspective distortion using only Lightroom.

The Sky-Watcher Star Adventurer Mini (SAM) is Sky-Watcher’s newest time-lapse and astrophotography tracking platform. It’s their attempt at a compact lightweight mobile setup that's both beginner friendly and easily packed into your camera bag.

Large-scale film productions take an incredible amount of work by a veritable plethora of talented people fulfilling numerous roles to pull off. It's easy to overlook just how much goes on behind the scenes as the credits roll past, but this great video explains who does what and just how much goes into making a successful film.

After losing almost my entire photo kit due to blatant stupidity on my part (yay insurance), I was put in the unenviable position of rebuilding a camera system from scratch. Being a portrait photographer, I immediately gravitated towards full-frame bodies. I was close to pulling the trigger on one when it hit me: Why not try a crop sensor? I'm glad I did.

We all have an idea of how a non-linear editor works. You drag the files into the timeline, and move them around to create the interesting video you are intending to produce. But, if you're like me, setting up the project and to make sure no files go missing or aren't imported correctly can be a problem, especially if no one ever showed you how to do this. So I've put together a short way I do it, and then I've included a video to show how you can do it for a short film and how to sync audio. It's a video production starting kit.

J-Cuts can be described as having the sound enter the scene before the scene appears visually, or it can be used to play out a scene where the audio is used after the shot has ended. They're used in TV and movies, and they're a professional element that sets you and your style apart from those who just cut scenes together. This enables you to get a nice flow in your video, and it all blends and layers to make it more interesting and give your work more power.

In an era when working on 30 megapixel and higher images has become the norm, a Photoshop document with dozens of layers can quickly become a burden to work with often slowing to a painful delay after each stroke of a brush. The simplest solution is to constantly be crushing those layers down into a single flat layer but this method is the antithesis of non-destructive editing which can make future client feedback rather difficult to implement. Instead, lets focus on few easy tricks you can do to keep your computer running smoothly during the most complex of composites.

UPDATE: ENDS TODAY! Have you ever wished you could have a decent sized softbox fit in the palm of your hand? Swedish photographer Vincent Palma and his team have created a 24 inch light modifier that folds down into a mere 8 inches. Using the same patented mechanism as our own Fstoppers Flash Disc, the Sundisc will give you even, soft light when carrying large, bulky softboxes is not practical. The Sundisc Kickstarter has already met its funding goal but that doesn't mean you can't get in on this first production run now before the campaign ends Wednesday, June 28th.

B-roll is important stuff. It keeps your viewer's experience from becoming stagnant, and it can be used to explain or elaborate on the main footage. It's entirely its own art to shoot, and this helpful tutorial will give you great tips to get more and better b-roll footage for your video work.

Just when you thought you needed that crazy portrait lens, along comes someone shooting with nothing more than a drop of water. Check out this cool portrait series shot in a very unique way.

Printing images almost became a thing of the past with the digital era. However more and more photographers are helping their clients embrace the idea of hard copies to hang on the walls rather than in a drawer on a flash drive. New mediums for printing are becoming popular as unique options compared to the standard print. Are you sure you are setting up your files correctly for the color shift issues with printing on these new mediums?

How many times have you seen a video or photo where a subject or even the artist themselves appear in it multiple times and wondered how they did that? Having a background in graphic design, I always guessed you just merge the footage or photos together and mask sections out to reveal the subject in each area. Well, it is as simple as it sounds but if you are not sure how to get started or how to do that, Peter McKinnon shows how he cloned himself in both photo and video using Photoshop and Premiere, respectively.

When I moved in to my studio a little over three years ago, I needed a place to hang, store, and use my rolls of seamless paper. I didn’t have many — just a few nine-foot rolls of white, gray, black, and green — but I wanted them out of my way. Storing them vertically wasn’t a good option in the space, and storing them laying down is never a good idea. So, I wanted to figure out a simple system that I could build that would do the trick. Here’s what I came up with.