A while back I reviewed the Godox AD600 which I thought was going to be the all-in-one solution I was after. Even after comparing it to the Profoto B1, I was more impressed with the AD600, especially at its price point. It had a few construction issues, but overall was a flash to compete with the big boys. As I said, I thought it was going to be the solution I was looking for. Then Godox dropped the bomb: the Wistro AD200. This little flash promised to be less than half the weight and powerful enough for most of the work its big brother was made for. So, is it all it's said to be and how does it stack up against other options?

When getting into video, filming may not be the biggest issue. Post-production plays a significant role and can be quite overwhelming. There is tons of software out there, and it’s difficult to know which is best for what. Learning how to use these programs is even worse when you are a photographer. The interface looks totally different than what we are used to with Photoshop, Lightroom, or even Capture One. So it’s always nice there are people such as Casey Faris producing comprehensive videos to help us out in getting started. If, like me, you can’t seem to get a perfect grading with Premiere or Final Cut Pro, this crash course on DaVinci Resolve is exactly what you need!

There are a lot of variables to consider when discussing the income we generate from our photography. Aspiring professionals often site a lack of work when defending their status as either hobbyist or part time photographers, but the truth is often a little more complicated than that. When times get tough, many creative photographers use the skills they’ve collected to generate income in other ways.

The video has some great points with practical tips on how to get your creative juices flowing and basically setting yourself up with some barriers to challenge yourself and making the best of the situation. Peter McKinnon goes through a list of things he does to challenge himself to keep being creative and to get out of the comfort zone and push your creative being to another level.

Whether you're shooting for a client or just creating something for your portfolio, working with a team of people can be one of the most difficult and intricate parts of the job. Don't worry, because there is a simple piece of paper that can make your life a whole lot easier; it's called a Call Sheet, and I'm going to tell you why you need one.

Spring has arrived, which means the time for gorgeous golden hour shoots in wonderful weather is nearly upon us. Sunset (and sunrise) are indisputably the most consistent crafters of amazing natural light for portraiture. The warm soft glow of the sun as it falls towards the horizon not only creates fantastic atmosphere but also some of the most flattering light that can be found. For portrait photographers the golden hour as the sun rises or sets is the perfect time to shoot.

Peter McKinnon is back with another video, this time to show how to create a fantasy composite in Adobe Photoshop. A composite image is an image made up of various photos which are placed and blended together to make one image. When it comes to fantasy, it’s just that... fantasy. When you have an idea that you want to bring to life, you have to use the tool in your trade to bring it to life, as you can't just snap a photo and be done with it.

PRO EDU, a company known for producing photography tutorials, has come to the podcast game nearly a decade after they became popular. Late to the game or not, the podcast should not be quickly dismissed. In a world bombarded by media, this broadcast is refreshingly analog in nature.

The most creative ideas are often the most simple ones. Here is a video a team from France put together showing you ways to enhance your portraits using cheap and basic tools that you can find at any grocery and hardware store. You don't have to worry, there is no French explanations, it's all done visually and is quite easy to follow.

Have you been booked or plan on shooting a large group for their company team photo? Not sure what you need to do or even how to start? Jay P. Morgan from The Slanted Lens is back with another video with some of his tips on how he shoots his corporate group portrait photos.

A lot of photographers have embraced adding video to their business offerings. With the rise of video-capable DSLRs, shooting video as a photographer comes naturally. Editing video, however, does not always make for an easy skill transition.

If you're into that film noir look à la "Double Indemnity" (and who isn't?), this is the tutorial for you. Using only an off-camera flash, a food box, and some tape, you can create this moody and cool lighting effect.

Mastin Labs out of Seattle is the creator of some of my favorite film emulation presets for Lightroom and Adobe Camera Raw. Today they're releasing their latest preset pack, Portra Pushed. Check it out my review of the pack after the jump.

In this simple lighting tutorial, I discuss three different ways to fashion and portrait images with a single beauty dish.

There are many different ways to learn photography. For me, one of the biggest keys to improving my craft has always been observational learning. I find that watching others do things I’d like to do is both inspiring and educational. It’s one of the reasons why I try to watch at least a couple of behind the scenes videos every day. What better way to learn something than from the best, such as fashion and beauty photographer Patrick Demarchelier?

Have you thought about trying your hand at product photography? Most of us see it in some form or fashion everyday. Some people might not give it much thought when they look at the products in the photo. A great photo will help tell the story of the product, so where would you start if you wanted to try it yourself?

As shutter speed is the limiting factor in taking pictures of the night sky, we often seek out more expensive lenses that open up that bit more or check Fstoppers if there’s a new low-light, high-ISO king of cameras on the horizon. But what if I told you that there’s a device you can use today, with the camera and lens you already have, that has the potential to capture places that are light years away from Earth?

Lightroom's Radial Filter Tool is one of the most useful local adjustment features in the program, allowing you to easily mask in a wide range of changes. While most of us are aware of its utility, this great video provides a few tips and subtler features you might not be aware of.

Smoke grenades: foul smelling, clothes staining, and a primary tool for celebrating the birth of our nation. Recently, while in Austin Texas, I was introduced to a model, Valerie who suggested we use smoke bombs during the shoot. I was immediately intrigued at the creative possibilities...

In case you have not been poking around the Fstoppers website enough, you may not realize there are groups specifically geared to each photography genre. These groups are designed to be your community outlet to show off your work, and here is your chance to get recognized.

Who doesn’t wish they could eliminate that annoying bystander threatening the vibe of your shoot with a simple click of a button? Well, you may not be able to do it in real-time, but it is possible to eliminate that pesky drunk with a single click in Lightroom.

Being behind the camera for a boudoir session can be just as exhilarating for the photographer as it is for the client. You are capturing the confidence being displayed right before your eyes. Add in another subject and the room becomes intoxicating when you think about the final images you will be editing. However, understanding how to gain that moody light or that intensity needed for a couples boudoir shoot is just what one photographer explains to us all.

First impressions are everything, and your website is often your first chance to make a great impression with a potential client or fan. Unfortunately, most website portfolios are pretty rough. I will try to skip the obvious and avoid telling you about having a nice design or great work, instead lets focus on some of the things that are a lot less obvious but also super important when it comes to putting your best foot forward.

There was a time early in my photography career that I bought into the idea of becoming a natural-light photographer. In secret this idea manifested because using off-camera lighting to help shape my images meant learning about all of this crazy lighting technology. I’d rather just stick to what I was comfortable with forever and just not use it. Sound familiar?