Almost every adventure and landscape photographer wants to travel the world. Capturing new landscapes and experiences in new, epic locations is a trait ingrained in outdoor photographers. But how does one balance the need for personal exploration, the need to quench a creative thirst, and the opportunity to be there for one's family?

Combine sculpture, photography, and a powerful message to bring social change to the world and you get a series of impactful works that can bring awareness to important issues. In the case of this personal photography project, I covered my bathroom with over 3000 ibuprofen tablets to bring attention to the widespread problems with drugs and addiction.

“Circus of Doom” is a circus-inspired conceptual portraiture with the Fujifilm X-T200. “Doom” sounds scary, but “Circus” sounds awesome, so I'm slightly confused, but I'm definitely in! This is not the first time Fujifilm ambassador Jan Gonzales has been written about and definitely will not be last. I mean, have you seen his work? There is no question as to why Gonzales garners the attention that he does. His work is fun, inventive, and unique, which is ultimately what every creative should be aiming for.

Two days after its release on YouTube, "Nerf John Wick" has racked up over two million views and counting. So, I reached out to Corridor Digital to learn more about the people and techniques behind its making.

Nearly 10 years into taking photos, it’s safe to say I’ve been bored of my own pictures lately, and have been increasingly open-minded in looking for new ways to keep my work innovative. Delving deeper into creative concepts, the best way I feel I’ve improved as a photographer is by exploring set design and focusing my efforts on the pre-production.

As a photographer, I am not someone with extensive experience in using artificial continuous light. What better way to push yourself forward than to find something you aren’t familiar with and dive in head first? Self-growth for the win!

Follow Industrial Light and Magic (ILM) as they explain how they created the design for the city of San Francisco in the year 2259 for the film Star Trek: Into Darkness. They also go into depth over the creation of the visual effects for the scene where the USS Vengeance crashes into the city and exactly how large some of the files ended up being.

Do you always resort to the same poses time and time again during your couples shoots? Need new poses for your arsenal? Check out these five ideas for your next couples session.

Learn what camera and outdoor gear Nikon ambassador, photographer, and director Corey Rich brings outside on personal photography days.

Patrick Rochon is a world-reknowned light painting photographer who recently produced a project with Infiniti, where he used their cars as paintbrushes themselves, in a manner of speaking. This video shows off what is possible when a skilled artist is given the reigns to create compelling images of vehicles, and has the support of a technical and creative team. And to top it all off, the really cool part is that everything was done in camera– there was nothing digitally added.

In this video I show you around my commercial food photography studio. This is very much a place to create and steps away somewhat from the pristine white, minimalist set up to complete and utter (organized) chaos.

This is the fifth in the series of my bite-size Photoshop tutorials and on the face of it, it's one of the most basic. Indeed, the technical side is rather basic but my application of the dodge and burn layers is crucial to my workflow with products and fashion.

This is a very detailed video from Atlanta based photographer Alex Koloskov as he shoots a very complex commercial image of a bottle of Windex. Definitely worth checking out if you have any interest at all in commercial photography, the process is a lot more complicated than you might think.

If you enjoy watching portraits taken then this video will be a rare treat for you. One photographer takes an 8x10 large format camera on a number of portrait shoots of strangers and acquaintances.

It doesn’t always take expensive equipment to make big changes to the mood of a shot. Here are a couple ways I found to improve my portraits with a tool I didn’t so much buy as I found laying in the trash.

Car photography is a lot of fun and can be highly dynamic, but it represents one of the hardest products to photograph in a studio environment. Not only do you need a large studio that a car can be driven into, but you need huge lights to evenly light the car too. Or do you?

For many photographers, space can be an issue when it comes to your shooting area. It can be difficult to obtain a variety of looks when you are working with just one room. However, with just a few small changes, you can give your clients more than enough to chose from to create an album.

In midst of a world of darkness, see how one photo ended up changing someone's life and shedding a much needed light on the world.

Scott Martin and Lance Keimig are not just your ordinary landscape photographers, they use light painting to make artistic landscape photographs. By leaving the shutter open and using a flash light they are able to get some really unique shots. They talk about everything that goes into making these photographs and how these shots are one of a kind. It also appears they are using gels on the flashlights to get some different colors throughout the shot. Scott and Martin also run workshops in Texas to teach their process.

Last year, right around this time, Patrick and I booked a flight to Mexico to film Mike Kelley photographing the most expensive house ever sold in Playa Del Carmen. It certainly had the potential to be an incredible trip. The day before we were set to leave I decided to go out kiteboarding and I ended up breaking my tibia internally at my knee. For some reason I still went to Playa Del Carmen the next day.

This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle. Corridor Digital may have a (small) budget for these, but what I enjoy about them is that the fun and creativity feels authentic, which you often only get when no agency or corporate sponsor is pushing creative decisions. In this video, you'll see the final clip, with the behind-the-scenes video inside the full post.

Often, I get asked how a shot was done underwater due to the objects that are with the client. Recently, I started using GoPros to obtain behind the scenes footage to help better explain positioning and lighting on various sessions. "The Archer" was one image that caused most people to ask: "Did she really shoot the arrow at you?"

Some behind the scenes videos of shoots you just have to stop what you're doing, and watch.

When the original Profoto A1 entered the on-camera flash market, one huge hiccup that many photographers saw was the lack of a Sony option in the speedlight. Now, with a more robust and tweaked flash being released to address that concern and others, how does the new Profoto A1X stack up to its predecessor?

Sometimes shooting on location, or even finding the ideal location, can be so difficult that a photographer has to rely on their own ingenuity to bring their vision to life. Here is how I turned my tiny bathtub into a forest pond for a magical shoot, with some tips on how you can do the same thing.