Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!
New Horizons left Florida's Cape Canaveral launch pad on January 19, 2006, arrived over Pluto more than nine years later on July 14, 2015, and finally gave scientists its first images over Labor Day weekend, when its year-long, tediously slow data dump first began. Coming in at 2,000 bits per second (1/28th the speed of dial-up), these images - many of which are composited in various ways to form a final image - finally shed some light on what secrets Pluto's surface, atmosphere, and core might hold. All told, the results give sci-fi fanatics a run for their money.
In case you missed it, ‘Rocket Wars’ is a five minute film that has changed the game. It's breaking new ground and heralds in a beautiful new era in filmmaking. 150,000+ views and a Vimeo ‘Staff Pick’ are pretty amazing, but what’s ground breaking isn’t that the film is just a beautiful cacophony of visual and aural eye and ear candy. What’s fascinating is the fertile new ground it thrusts us headlong in to, and how it engages us. How did the filmmakers pull this off – and importantly – what can we learn from them to apply to our own projects?
Photographing The World BTS episode 6 is finally here and this is the one many of you have been waiting for. At this point in the series I had flown this drone in 7 different countries in snow and rain, and I even crashed it into the side of an ice cave but it kept on working. The streak finally ends in New Zealand when I have my first and only serious crash.
We all know Red Bull photographers capture some amazing extreme sports photos, and Dan Vojtech is no exception. He recently photographed Extreme Pilot Martin Sonka, using a set up of 30 Fomei S600 DC strobe flashes. Watch the video for a quick behind the scenes look at how he got some amazing shots.
Photographing The World Behind The Scenes Episode 5 is here. In last weeks episode (episode 4) we spent our last day in Iceland, and our photography guide went on a rant about photographers that is so hilarious, his rant has more views than the entire episode. In episode 5 we leave Siggy behind and fly to the opposite side of the world, New Zealand.
Camp 4 Collective, known for their high-end commercial and adventure productions, recently got to work with a pre-production ALTA Drone, made by the guys at Freefly (best known for making the MoVi.) Here is the behind-the-scenes video, with the final video inside the full post, and some more background information from Director Renan Ozturk.
While capturing footage of a San Diego pier, photographer Tice Ledbetter drew the attention of a seemingly annoyed fisherman who then cast his line into the drone's prop. Not knowing what had occurred, Ledbetter flew the drone for half a mile before landing and didn't know how the fishing line got entangled until after he watched the footage.