Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
Have you ever wondered what motivates all those successful, high-end professional photographers you look up to? Chances are, if you're a fan of this site, you already have a lot in common with them but Nikon Ambassador Corey Rich helps put that drive into words as he goes behind the scenes with five of Nikon's heavy hitters. "Inspired" is the second installment in a series that “explores what drives today's most diverse and interesting professional photographers and filmmakers, and captures the commitment it takes to tell truly meaningful stories.”
Leica certainly has their share of both rabid fans and harsh critics, but no matter what side of the fence you may fall on, there are two undeniable facts tied to the red dot. The first is that they are priced into the stratosphere. The second is that their lenses are almost universally the best in the world. To help illustrate why, Leica has put together a short video highlighting step-by-step what sets their glass apart from the rest of the pack.
For the next 10 days, the entire Fstoppers staff is down in Curacao filming our next full length tutorial with swimwear photographer Joey Wright. Recently Facebook just added a new live streaming feature called Livestream which means we can live stream while we film this tutorial. Follow us on Facebook to watch all of our shenanigans and signup for Joey's mailing list for more info about this tutorial.
Shooting portrait work during the day outside has always meant that you have to think on your feet and improvise depending on what Mr. Sunshine decides to do. Some days, you get brilliant, bright rays of sol pummeling the entire city with impunity, and other days the order of the day is cloud cover and über diffusion. The biggest challenge, in my opinion, occurs when the sun and clouds start to play games with you and change the game every few minutes, causing you to contend with hard light at 3:54 p.m. and soft diffused light at 4:03 p.m., etc. So, how do I deal with that?
Product photography is a great way to experiment with lighting and editing techniques. For me, it’s a chance to shoot in a relaxed environment where I have complete control over the subject, lighting, and camera. I can set up something small in the living room and find solutions that can be applied to my portrait work or professional product photography. It also requires a lot of creativity. Homemade items or DIY solutions are abundant on sets. From light-shaping tools to methods of creating parts of a composite, a lot can be created simply and at a low cost. You may be surprised to see how minimal of a setup can create some stunning photos.
For years I have had the internal and professional battle to go through the motion of building a portfolio website to show off my absolute best and most recent work while also being able to allow clients to easily contact me. In today's day and age there has never been an easier way to do all of these things all in one place, for me that's Instagram and it should be for you as well. Here is why I think it's the best portfolio website on the web.
First, it was the Ice Bucket Challenge. Now, it’s condoms? In case you've haven’t come across this trend on social media, over the last month or so, the “Condom Challenge” has swept the Internet as the latest viral prank. Similar to one of our own humorous photoshoots here at Fstoppers, Photographer Andreas Varro decided to drop water-filled condoms onto his subjects and capture their reactions.
Photographer Tony Northrup got his hands on the new Osmo from DJI, which records a 4K image on a gimbal stabilizer through its built-in camera. The whole thing fits into an incredibly small, handheld package and sells for around $625. Is it up to par with competing products, and is it as awesome as the hype has led us to believe? Northrup answers those questions and more.
Whether your business is in photography, videography, or the evolving field virtual reality (VR), your job is to create a visual experience for your clients. As VR grows in popularity and in quality, its potential to create more immersive experiences in relation to more traditional media types increases immensely. The effect that systems like Oculus Rift can have ultimately depend, however, on how realistic one can make not only the imagery, but also the user feedback. Castrol EDGE's custom VR solution pushes the limit between what you can expect from a VR setup as it pits two race car drivers on different real-world tracks against each other in the same virtual world.
As a photographer and an artist, one of the most rewarding accomplishments you’ll have is when you see your work featured in some type of way, whether it is in a magazine, an art gallery, an advertisement, etc. In this piece, I will take you behind the scenes of the exciting and riveting experience of a fashion editorial, from the preparation, to the actual shoot, post-processing, and beyond.
Forming quite the super team duo, Sports Illustrated teamed up with Fashion Photographer Yu Tsai this month to shoot the cover shot for their Sportsperson of 2015, Serena Williams. You can watch the video for a behind-the-scenes look at how Tsai got these great shots.
New Zealand Photographer Miles Holden has plenty of options when it comes to diverse landscapes at his disposal. In this series called "Scenic Silhouettes," Holden wanted to focus on a more simplistic, quieter series of images of bike riding, set against a stunning landscape. This behind-the-scenes video takes you helicopter-hopping around diverse topography of New Zealand with Holden during his project.
Social media and online content can make everything look a little more perfect than it actually is. Hồ Anh Đức of Vietnam has created a hilarious video that gives us a true to life behind the scenes experience. As photographers many of us can probably relate to manipulating reality in order to show a better version of our selves or our circumstances.