Having been enthralled with how the world looks from a macro lens ever since the first Honey I Shrunk the Kids movie its always been fascinating to think what it would be like to see at that scale. The guys at Macroscopic Solutions have come up with a plan to show that vision in the most accurate way possible, with Macropod. A new photographing system by Mark Smith and Daniel Saftner
People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.
Recently I had the opportunity to fly to Ohio and photograph the enigmatic alternative rock duo Twenty One Pilots for the cover of Alternative Press Magazine. Sure, you may have seen my posts before about shooting musicians and magazine covers, but never have I ever had to hang one of my artists upside down for a trick shot. Watch the video and read below to see how this shoot came together!
Most people I work with manually dump thousands of files at the end of their shoot day (myself included.) A stack of cards, hard drives, and waiting for one card to finish before starting the next. All of this is followed by checking each dump to make sure nothing was missed. A new software app from Red Giant is looking to help this process, without bogging users down with extra steps.
The team from Modest (a Buford, Georgia-based production company) recently shot a commercial for Glock, featuring the G41 tactical .45 caliber pistol. The commercial itself is a gorgeous-looking short film of a special ops unit swarming a plane out on an airport tarmac. The BTS video above shows how they pulled off an impressive continuous shot passed down a pulley on crane, to car, to golf cart, to ground – all what looks to be shot with a Blackmagic Cinema camera stabilized on a Movi M10 3-axis gimbal. It’s really freaking sweet.
Alex Buono, member of the SNL's film unit, helped produce one of the coolest title sequences ever using time-lapsing, light writing, freelensing, and other effects. The show is celebrating their 40th season so they wanted this sequence to be classic and iconic, a little dressed-up, and typography integrated into the cityscape.
Photographer Tyler Shields is known to be one of the craziest photographers in the world. Just few months ago we posted about how he fed a $100k purse to an alligator, all in the name of art. That seemed to be a bold move that can take years to recover from (financially). This week Tyler proved once again that money doesn't mean much to him and that he'll do anything for art, even if that means blowing up his own Rolls Royce Silver Shadow car he got just few months earlier. Check out the BTS video explaining the idea behind it, and of course the final slow-mo video.
Going back to that moment when Easter morning comes and my mother, the "Easter Bunny" at the time, had purchased two of every single X-Men character on the market for my older brother and I. Since then I have had an extreme passion for super heroes and all that comes with it, especially when in movies!
If you have not heard of BMW's nimble new i8 hybrid supercar, you should look it up now. Even if you aren't into cars, you do have to take a moment to marvel at not only its beautifully-futurisitc aesthetics, but it's equally as impressive performance technology. BMW hired director Gus Van Sant to create a trio of gorgeous ads to help introduce the car to the world. Watch the behind the scenes video above and see the final three videos below.
Have you ever seen a photo of a unique place, but could never find exactly where it was located? For years, Justin Majeczky was aware of the existence of the Fly Geyser, but only after research and some smooth talking was he able to locate and document this unique phenomena.
The On Roof Top boys are at it again, this time "stealing" a digital sign high above the streets of Hong Kong in this sick behind-the-scenes video on how they did it all. Shockingly these guys are rarely caught, given the nature of the city and its crowded streets its almost impossible to catch everything that happens. We do have to thank them for risking their lives and pushing the limits of photography by doing what they do.
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
Trials cyclist Danny Macaskill released a new video featuring a ride through unthinkable terrain in his homeland of Scotland. The daring exploit took place on the Cuillin Ridge in the Isle of Skye, where the spectacular scenery alone is worth the price of admission. The beauty of the Scottish landscape, mixed with the technical and dangerous mountain bike riding is absolutely thrilling to watch. The pinnacle shot, where Danny climbs up a ridge with bike in tow, closes the film and solidifies Danny as a death defying badass. We reached out to the director of the film, Stu Thomson, to ask a few questions about the making of this project.
In a recent article by Jaron Schneider about the Metabones Speedbooster on a Black Magic Pocket Cinema Camera, several readers had questions about the model designed for the GH4, whether this one would work with it or not, and other comments. I bought one of these a week ago and wrote this article to tell you what works, and what doesn’t.