The Maze Runner, a new film by Fox and Dayday Films, is a new film in what seems to be a trending list of young adult dystopian movies to be released recently. In these behind the scenes featurettes we can see a small glimpse at how they filmed the movie and how the special effects were created.
All this week at the Photoville NYC festival, Tyler Stableford is hosting a gallery exhibition featuring his work from "The Farmers" project. This Saturday there is a reception which is free and open to the public if you'd like to check out some of the amazing prints from Tyler's latest passion project. This behind the scenes video gives you a look at the photography as well as the printing process involved in making this work come to life.
We've shown you how the USAF Thunderbirds get their amazing imagery, but how do others do it? Go behind the scenes with aerial photographer Liz Kaszynski in this incredible video highlighting what goes into the process for the most epic military jet photos in the world. Liz explains where she travels along with the strenuous training that goes into shooting such an interesting subject matter.
Ever since the Sony a7S was released, the photography world has been abuzz about its incredible low-light performance. The folks at California based Carbon Studios were motivated to test just how well the a7S would perform under the dim natural lighting conditions of a full moon. Enter their latest short film, “Moonlight.”
Mountaineering photographer Robert Böesch stood at the ready, next to several cameras as he waited for the right conditions and timing, to capture an unbelievable exposure of the Matterhorn Peak, one of the most notable mountains in the Alps, if not the world. What made the image so special was the team of mountaineers already in place, each with red lights to illuminate the first route ascended on it 150 years ago. This video shows how it was done.
Austin Mann recently got hold of the new iPhone 6 Plus after Apple’s Keynote at the Flint Center in Cupertino, California. In partnership with The Verge, he set out on an amazing adventure through Iceland with the phone in tow. His reason? He wanted to put the iPhone 6 Plus camera through the test to see how much has improved since the iPhone 5s. His results? From focus pixels, focus control, time-lapse and slo-mo, Apple has made all the right improvements and innovations with their iSight camera. The new features are “enabling iPhone users to better capture and share life” says Mann.
The old photographers’ saying, “It’s not the camera, it’s the photographer” sounds like a self-serving flattery when it comes out of the mouth of a photographer, yet has never been more accurate than today. Its ironic how, as a professional photographer, I posses the knowledge of manipulating the most sophisticated gear and cameras available, yet when I shoot an image on the iPhone the resulting image is an embarrassment. Rushing to my defense I’ll utter each time, “I’m a terrible iPhone photographer…” So when I see amazing images, shot with the iPhone, I’m impressed with what can be achieved.
Ever since Benjamin Von Wong took a leap of faith and left his successful career as a engineer to persue his artistic passions, he has kept a legion of die hard fans enchanted by his ability to turn the ordinary into epic. Whether it be organizing complicated pyrotechnics, photographing surreal scenes of ultraviolet models, or chaining models to a shipwreck 25 meters below the surface in Bali, Benjamin has never been interested in being ordinary. In his insanely creative mind, his thought process of "If it's not epic, than what's the point?" has led to some of the most memorable photoshoots in the last several years.
The Austrailian based production company, Graetzmedia, may have just created one of the most inspiring, insightful, and incredibly entertaining behind-the-scenes videos ever! Have a look at how you can pull together a Hollywood level shot on a small-hometown level budget.
Incredible behind-the-scenes photoshoot with the one and only Simeon Quarrie as he takes us through his process and passion for a shoot involving over $100,000 in gear and a couple willing to gamble on his vision. With a shoot of this magnitude challenges are abundant including finding just the right couple that is open to a shoot of this magnitude and style.
Last year, Fstoppers interviewed photographer, and possibly one of the nicest people on the planet, Coty Tarr. Last week, Coty got not only his first cover ever, but THE cover for anyone that photographs anything remotely athletic - Sports Illustrated. What makes this story so great isn't just that it's the cover of SI, it's that Coty grew up just south of Pittsburgh. He's a diehard Pittsburgh sports fan. It wasn't just a cover for him... it was home.
This is one of those phone calls you always hope to receive from a photo editor, but you can never envision happening. Well, it finally happened to me - "One of the biggest pop bands in the world right now needs to be photographed for the cover of a music magazine, Alternative Press, and you have to fly from New York City to Amsterdam to do it." This is the story of my adventure and how I made my photoshoot happen.
Martin Melnick is a Portland-based director and colorist. His studio, Tree House Post, specializes in color, VFX, editing, and motion graphics. Recently he along with his team put together an amazing music video for the band Adventure Galley based on classic 50s and 60s scifi shows such as Men into Space, Destination Moon, and Dr. Strangelove. The video has already received quite a bit of attention from various film and music video festivals and Martin was kind enough to share a behind-the-scenes look at the creation of the video in a brief interview.
Throughout my career so far I have failed over and over again. Although it’s the successes that I'm remembered and known for, it’s the failures that are always the catalyst. At the end of the day, the key to success lies in failure. This improvisational beauty shoot was only a success because I set myself up to fail.
Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.