Behind the Scenes

I'm sure if you're reading this you are a Game of Thrones fan just like me!  Spin VFX has put together an amazing peek behind the visual wizardry that they do for the HBO series.

A few years ago we featured photographer Kevin Kozicki in a behind the scenes video using pointsettias for a beauty shoot. Kevin is back with an amazing glamor photo and video shoot with filmmaker Christopher Park in a beautiful pool location using the Phase One IQ180 that was featured in Sessions Magazine. We had the opportunity to speak with Kevin and get his insight on the shoot. 

It’s interesting times for those of us shooting photo and video. I enjoy highlighting photographers or videographers who are utilizing elements of both stills and motion work, and are pushing the creative envelope by integrating them so that the end result is more than just the sum of the individual parts.

Wolfe Air is a company that specializes in creating air to air footage for airlines, big-budget movie productions, the military, and private commercial clients, and they recently released their updated reel, which is absolutely mindblowing.

“Philly is Ugly” is a timelapse photography project by Philadelphia area photographer, Nathaniel Dodson. He took an impressive amount of time to not only create this short film piece, but also to extensively document his behind the scenes process. When he sent this to me, I couldn't help but share this with you.

Shooting aerial video for commercial purposes might be iffy in the United States, but the team at Helicam, based in Finland and Estonia, make some truly epic video using a quadcopter, a RED and a custom stabilizing gimbal.

Based on what we've published in the past, I think it's safe to say you guys really appreciate detailed tutorials showing how to make impressive composite scenes. My buddy at TutsPlus just showed me this amazing composition and I just had to share it. The artist combined 23 stock images to make one fantastic underwater scene.  

This behind the scenes video from Lars Schneider, would no doubt be a killer shoot to land.

The location for the outdoor catalog shoot took place in Jasper National Park in the Canadian Rockies last September for Ortlieb, a company that makes various bags for outdoor activities. 

You've all seen these images. It's the knob-and-hanger set up that has become the signature style for many kids retail sites such as Zulily. What you do not see, however, are all the tools that go into creating these minimalist images.

Sunday seems like the right time to tell a big fish story, so I was happy when I stumbled across director Kibwe Tavares's, "JONAH". It's a visually impressive fiction that begins with every photographer's worst nightmare (a stolen camera) and becomes the tale of how one photo changed everything.

When calling ourselves artists, we also inherently accept the title of “story teller”. We each use different mediums, but our goals are ultimately the same: Creating memorable and engaging content. We use art to tell stories in beautiful and unique ways, which in turn helps connect us together. 

Recently, Julia Kuzmenko has been putting together a wonderful tutorial on how to read lighting in photography to help better understand different lighting concepts (Seriously, read Part 1 and Part 2). Applying these to photos, you can reverse engineer different lighting diagrams.

Imagine a portrait photographer asking people to pose for a quick picture on the streets of a large city, nothing too out of the ordinary, right? Now imagine if he asked you to pose with a compete and utter stranger. That's what New York photographer, Richard Renaldi has set out to do. The series entitled, 'Touching Strangers' is an intimate look at how humanity could be. 

The music we use in our work, whether for videos or slide shows for stills images, is an integral part of the narrative and story we are trying tell. The genre, artist and music track we choose, sets the tone for the entire story we wish to tell.

This week Getty has opened its public domain artworks collection for free use to, modify and publish for any purpose. They will allow access to 4,600 high-res images with more to come. Getty does ask you for a description of your purpose for the image and asks that you cite. [Digital image courtesy of the Getty's Open Content Program.]

This is the second part of the article on how to learn to "read" lighting in photography. If you haven't read the first part yet, please start here: How To "Read" Light In Photography - Part 1.

And for those of you who have been waiting for the second part, let's jump right back in and see what other cues we can use to breakdown lighting in other photographers' work.

In the latest video from the "Life In Focus" series presented by F-Stop Gear, professional snowboarder turned photographer Jeff Curtes is interviewed about his beginnings in the world of photography, and he explains what he thinks is the key to his success. The video goes on to show Jeff hanging out of a car to shoot road bikers from mere feet away, while moving at a very fast speed. 

We've all had that moment. You're out shooting on location, the shots are looking great, the weather's perfect, and then CRASH... a rogue gust of wind tears through your set and blows over your light stand. Bummer, but there's one piece of gear you can take on a shoot to prevent this kind of catastrophe, and it's not a sandbag. 

There are many factors to success in the creative industry. Of course a big chunk of it has to do with the quality of the work, but we know quality isn’t the only factor to being successful as a photographer, otherwise, there would be a lot more of us.

Earlier this week, I stumbled upon Eskimo’s latest passion project “Wonderland”. At first, I expected a step-by-step guide to finding success with commercial work. But in fact, what I watched felt more reminiscent of a support group.  

The short documentary highlights a handful of creative professionals giving transparent insights into creative commerce.

Just recently Zach posted a guest article on 3 Nightmare Lighting Environments and How to Photograph Them with tips from top shooters Lindsay Adler and Erik Valind. This simple behind the scenes video takes a look at some amazing tips not only covered in the article, but in their book, Shooting in Sh*tty Light. You can catch their creativeLIVE workshop starting tomorrow.  

We can often get swept up in the world of digital video. Topics like 'What it will mean for the future of photography when we can pull stills from video?' occupy a lot of time and thinking.

A few weeks ago, I flew to Los Angeles to shoot a commercial project for Mitsubishi. They had a custom Outlander built by RIDES Magazine and were in need of press shots. Studio shooting can be among the most challenging of all types of photography, but with a little patience and some care, its really not that difficult. Here's how we did it. 

“Dress for the job you want, not the job you have”. I’m sure we’ve all heard this saying at one point in our lives. Even though I never took the advice (In your face Mom!) it can easily be reworked into something I firmly believe. “Film for the job you want, not the job you have”. 

One of the first very important skills I acquired in my Australian Photography course was the ability to breakdown lighting and determine approximate camera settings in images taken by other photographers.

Where we’re going, we don’t have roads. The North Face sent photographer Celin Serbo on assignment to an area near Canyonlands National Park to capture stills of Alex Honnold, Daniel Woods, and Matt Segal establishing new climbs in a place called Labyrinth Canyon. In this post, Celin reveals the challenges of shooting a 10 day expedition, and shares his amazing images. 

There have been many books written on the subject of face anatomy and how it impacts not only our perception of someone but our reaction to them as well. There are features we deem as authoritative, feminine, funny, somber, and so on.

7 years of shooting Automotive Editorial Photography has taught me to streamline as much as possible. One area I've simplified to fit my needs is my lighting kit. I used to rent gear wherever I could, but after you use your own gear long enough you almost develop a relationship with it and now I definitely prefer to use my own lights. 

Yesterday, I showed you the process of pre-producing a successful photoshoot and used a recent session as an example on all the steps it takes to put together a successful session with a large team. Today, I put together a breakdown of the entire production and post production process on creating a successful portrait session and a behind the scenes look into what all goes into it. 

"Trevor, I see that a lot of people are visiting my site, but no one is contacting me for business. What can I do better?" I get this question quite a bit either via email or at the workshops I teach and while there is no magic solution that will work for everyone, I'd love to share what has been the biggest game changer for me in my business.  

Recently, a duo by the name of Cruz + Jacob released an short documentary about a niche of concert photography known as EDM Photography. EDM, short for electronic dance music, has swept up the top music charts and its popularity is spreading quickly.

Looking on photography groups and forums, you'll quickly find a reoccurring problem among photographers. No Call, No Shows. It’s going to happen regardless of your location and the seriousness of the industry, and security deposits sometimes scare clients away all together. So how do you counteract this and ensure that your talent and team are timely, and even show up? 

Pye from SLR lounge shows us how he used light painting and a strobe to get this amazing engagement photo. Pye booked an engagement session where the couple were both into track racing and had very nice cars. They decided to incorporate the couple's hobby with their shoot.

Before we get into the meat of this video, I've got to warn you...it's long. Like nearly 20 minutes long. That said, if you'd prefer not to gawk at the model and get to the parts that will truly help you with your photography, I have them listed out below. Despite it's length this may be one of the better BTS videos I've come across in a while.

Automotive Editorial Photography will teach you many things. Mostly though, it'll teach you how to make something out of nothing and how to operate quickly and efficiently. I can't tell you how many times I've shown up to shoot a car only to be told it can't be moved from where it sits.

When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).

Sometimes the greatest tool for creating unique movement is your own body. Using human-powered camera moves, an aggressive color grade, and high-speed cameras, the final video in the full post is definitely worth a watch. In this behind the scenes video, Sebastian Linda explains how his vision came together using a high speed camera to create a fascinating 'dream world' of skateboarding.

Casey Neistat was approached with an unusual proposition from Mercedes Benz. They wanted Casey, a successful Youtube filmmaker to make a car commercial for the new Mercedes Benz CLA, even though Casey has never filmed a car commercial or anything close to resembling one. The following set of the three videos is his rather interesting journey so far.

When people think of high end commercial automotive photography, they’ll sometimes call to mind images of cars with that distinct light streak down the side.

Melissa Rodwell is easily one of my favorite fashion photographers. It's not even because of her work, although it is phenomenal for sure. She is at the top of my list due to how involved she is with us mortals. If you're unfamiliar, she runs FashionPhotographyBlog.com, a site so popular it holds the number 1 spot on google when you search for fashion photography. That's not an easy feat.

During the film era people would often use different tools, such as prisms, to create new and interesting images. Without the use of tools like Lightroom and Photoshop, camera malfunctions, such as light leaks could be very valuable in creating unique art. Perhaps its time to remanufacture these ideas, and use them to help create something truly interesting. 

If you've ever wondered what it would be like to work with a retoucher on a concept you've had in mind, this may be just what you're looking for. Photographer Justin Bettman wanted to create a concept but didn't have the ability to do so on his own, so he teamed up with creative retoucher and manipulator Krzysztof Rejek to bring his idea to life.  

As many of you know, I earn my living as a wedding photographer, It’s a job that I wouldn’t trade for the world, but occasionally I get the opportunity to do something a little different. In this case, it's about as far removed from wedding photography as you can get.

Night photography is a very broad category, open to many different approaches and techniques to create a unique image of the world, or universe around us. The team at Walley Films has done a great job in this video, documenting the night/light painting photo workshop led by  Scott Martin and Lance Keimig in Texas.

I've been working on a personal photo series capturing movie and television cars (real and replica) for about 5 years now under the title "The Unicorn Project". I've posted about this before on Fstoppers (here, here, & here), as you may recall. Most recently, I had an opportunity to photograph a replica A-Team Van and KITT from Knight Rider while I was in Los Angeles.

Not too long ago we featured a tutorial that showed you how to make a fantasy desert kingdom out of tourist images, and thought I would share with you another amazing project by a talented artist. Alexander Koshelkov has quite an impressive resume of outrageous Photoshop compositions that excellently use real world items to create fantastical scenes.

Today my Facebook Newsfeed has been bombarded with posts about people going to see 'The Conjuring'. Released today, the supernatural thriller is getting great reviews from critics and viewers alike. Check out  this b-roll and behind the scenes footage of the movie. With James Wan behind the helm the camera work is nothing short of amazing.  

Fro Knows Photo received an email from Fred Dingelhoff, a blind photographer in the Netherlands. Fred lost his right eye when he was 9 months old to a tumor and then when he was 21 years old a tumor in his optic nerve took his sight in his left eye.  Fred worked quickly and hard to learn to live without sight and not let it stop his life. He does not believe anything should hold him back.

I've seen a lot of DIY setups over the years, but every now and then one comes along that's so unstable it's scary and yet way too cool not to try. You can tell by the title that this isn't going to be some amazing setup with a hundred cameras arrayed. This is what it sounds like...A GoPro on a ceiling fan whipping around your subject while  it films at high speed.

It seems utility companies are looking for more creative ways of bringing their message across to television viewers in their commercials. Ontario Power Generation has recently come out with two commercials using miniature sets in their commercial production.