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10,000 Photos Go Into Making These Stunning Three-Meter Insect Prints

10,000 Photos Go Into Making These Stunning Three-Meter Insect Prints

London-based Sports and Portrait Photographer Levon Biss wanted to see how he could take his commercial lighting techniques into the world of macro photography. After attaching a microscope assembly to the end of his DSLR lens and getting some samples from the Oxford University Museum of Natural History, Biss was able to achieve extremely detailed, high resolution three-meter prints of 10 mm insects.

Marine Correspondent Photographs Star Wars Stormtroopers in Real-Life Combat Situations

Marine Correspondent Photographs Star Wars Stormtroopers in Real-Life Combat Situations

Take a look behind the scenes as Photographer, Producer, and Marine Gunnery Sergeant Joseph DiGIrolamo documents the work of Photographer Matthew Callahan. Callahan is a U.S. Marine Combat Correspondent, who, when not telling the stories of the men and women who serve, is working on his personal fine art project, "Galactic Warfighters." This riveting photo essay is aimed at humanizing the fictional, faceless stormtrooper characters of the Star Wars galaxy.

Two Fun and Funny Filmmaking Canadians Want to Teach You How to Be a Filmmaker

Two Fun and Funny Filmmaking Canadians Want to Teach You How to Be a Filmmaker

Vancouver-based filmmakers, Jason Lucas and Matt Dennison, are all about trying to make quality videos. They're also all about trying to help you make quality videos! In this seven-minute video the IFHT (I Focking Hate That) crew run down 32 steps on, "How To Be A Filmmaker". Even though this is actually a tongue-in-cheek comedic short, rather than educational guidelines, it totally falls in the the realm of, it's-funny-cause-it's-true.

Lighting and Retouching Tutorials for Recreating the Styles of Some of the World's Best Photographers

Lighting and Retouching Tutorials for Recreating the Styles of Some of the World's Best Photographers

In this video, Guadalajara-based Photographer and Retoucher Sid Vasandani, shows us how to recreate that classic Steven Meisel vibe, used in his controversial campaigns for Vague Italia's, "Makeover Madness" and "Supermodel Enter Rehab". Watch as Sid walks us through a behind-the-scenes shoot, where he runs down the lighting set up, before going into an in-depth explanation of the retouching and color grading workflow in Photoshop.

The Power of Portraits: Clay Cook's Look at Ethiopian Youth

The Power of Portraits: Clay Cook's Look at Ethiopian Youth

On one side, we have advertising photography, where everything is contrived and meant to look a certain way. It might as well be a painting with how planned out each step is. On the other, we have photojournalism. As the opposite, true photojournalism should never be staged, posed or "created." The idea is to capture what is and has happened. Unlike a painting, photography has the power to show real time exactly how it is with no artistic interpretation. What captivates me is when those two worlds collide to create art with purpose, and that is exactly what Clay Cook has done with his portraits of impoverished youth in Ethiopia.

Meet Lytro Cinema: 755-Megapixels, 300 FPS, Refocus and Change Depth of Field in Post

Meet Lytro Cinema: 755-Megapixels, 300 FPS, Refocus and Change Depth of Field in Post

Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.

How Commercial Photographer Erik Johansson Creates Some of the World's Most Impactful Images

How Commercial Photographer Erik Johansson Creates Some of the World's Most Impactful Images

It's been said that Prague-based Photographer and Retoucher Erik Johansson doesn't capture moments, he captures ideas. To him, photography is a way to actualize complex, surreal concepts that are in his head. So, when you think about it, it wouldn't be a stretch to say that Johansson is kind of like our generation's Ansel Adams, as they both heavily employed previsualization techniques while pioneering unique solutions to achieve their visions. The end results are images that match the exact ideas they had in their minds' eyes.

The Syrp Genie and Genie Mini Are Perfect for Food Photographers and More

The Syrp Genie and Genie Mini Are Perfect for Food Photographers and More

A few weeks ago, I had the pleasure of reviewing Syrp's awesome, affordable, perfectly executed Genie Mini time-lapse device. However, time-lapse photography and videography barely covers the beginning of what can be done with the New Zealand company's awesome devices. The Slanted Lens' Jay P. Morgan not only shares his entire lighting setup for a classic food shot, but also proposes some clever and welcomed case studies for how to use Syrp's devices to create better shots, not only around stars, but also around close-range subjects.

How to Easily Shoot High-End Product Photography Using Light Trails

How to Easily Shoot High-End Product Photography Using Light Trails

I've never been one for artificial light in my photography, and it's an issue that many photographers come across when leaving that oh, so beautiful natural light. The struggle of having a budget to put towards lighting equipment can be daunting but shouldn't limit you in finding the best way to create the shot. In this behind the scenes look, I will go into how I created a high-end product shot using light trails, all while on a budget. Remember, this can be recreated with any camera, including an iPhone, that allows for long exposures.

Do Lighting Tests: A Behind the Scenes Look at Lighting for Live Music Sessions (Part 1)

Do Lighting Tests: A Behind the Scenes Look at Lighting for Live Music Sessions (Part 1)

All too often in our business, we are thrust into a job in which we either have no time for or cannot afford lighting tests. I find that these gigs force me to fall back on my old tricks and techniques. This can lead to the dangerous place of shooting stuff that all looks the same. Sure, you can try out new ideas on personal projects, but sometimes, the job calls for stuff that you don’t own or cannot afford to get. Usually, when planning a shoot, I have great theories and fantastic ideas on how to pull off a look. However, the idea of winging it in front of a client is stressful...

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