A few years ago, on one of my first advertising shoots, I was asked to take a photo of a condo building downtown. All I knew was that the client would be bringing props, that we’d be shooting on a balcony, and that it would be night time. From start to finish, I wasn’t really sure how the ad was doing to turn out… and it turns out, years later, that’s still what tends to happen on commercial shoots: things don’t turn out how I think they will.
In a world where flipping our images between color and black and white is as simple as the click of the mouse, photographers and cinematographers today aren’t often tasked with knowing the complexity of how those vibrant colors actually come into existence. But in the early days of cinema, when competing processes for color reproduction took turns as the next best innovation, one name reigned supreme: Technicolor.
If you grew up in a house with a football-loving father like I did, you probably had your young little mind blown every NFL Sunday by the yellow line darting under the players' feet. My dad's answer? "Hollywood Magic." Up until the moment I stumbled across this video that was the only answer I had ever gotten.
I recently spent three days in Ensenada shooting with the talented TEMPT Media crew during the Baja 1000. On the second night while unwinding at our Airbnb, in walks a guy with three beefy rigs with all the lenses wrapped in gaff tape, underneath what would appear to be a layer of dust that most normal human beings wouldn’t subject their Canon 1DXs to.
Ever wonder what happens during a boudoir photography retreat that is aimed to educate those to be the best in the business? The top photographers are the best for the fact that they never stop developing themselves on their craft. Attending workshops, retreats, and conferences are part of how you started out so why stop now?
NO SPOILERS HERE! Just in case you were worried. They say inspiration can come from anywhere, and I have to say that definitely couldn't be more true. For one photographer, it came in the form of one his favorite TV Shows. Commercial automotive photographer Pepper Yandell took his work with automotive photography and digital retouching, and combined it with imagery and concepts from the Netflix Series "Stranger Things" to make a truly unique photograph featuring one Lamborghini, and a monster from the show.
You've seen him dive the deep depths and hang off skyscrapers just to get the shot. This time, photographer Benjamin Von Wong takes it a little easy on the daring part of his latest project, but the passion and message are just as strong. Let's take a behind the scenes look at Von Wong's latest shoot, "Toxic Laundry."
Everyone's favorite nostalgic sci-fi series debuted its second season on Netflix just a few weeks ago, but if you're like me, you took just a few days to watch all nine episodes. Among the many compelling things the Duffer Brothers pull off in their show, using clever scene transitions is something any video editor will notice. This video pulls together 25 of the most creative edits from Season Two of Stranger Things.
Whether you are a full-time video editor or just occasionally edit some of your own projects like me, you have probably found yourself on Youtube at some point trying to learn. Tutorials are an amazing tool at our disposal and we share and create some great tutorials here on Fstoppers all the time. However, sometimes I just want to see how someone does what they do from start to finish. That's where Taran Van Hemert comes in with his newest editing video. It's not a tutorial at all. It is 4 hours and 20 minutes of a standard video editing job for the Youtube channel Linus Tech Tips from start to finish.
Tim Tadder is a man on a mission. One of the most prolific advertising photographer working today, his clients include the likes of New Era, Nike, Reebok, Under Armour, and a recent collaboration with the National Football League. In this video from an educational series Tadder produced in conjunction with RGG EDU, the photographer takes us through how to produce stunning underwater action images using only the natural light.