Action sport photography has always been something that I have been drawn to, but I just don't have the access and opportunity to shoot it very often. So when I got the chance to shoot some wakesurfing, I Instantly jumped at the opportunity. The one thing I wanted to do going into the shoot though, was come out with something different.
Toronto-based Destination Wedding Photographer Derrel Ho-Shing created a video demonstrating the difference of natural light, flash, and high-speed sync. This might seem trivial at first glance, but having the same model, same setting, and three lighting approaches makes it obvious which setup is the winner, at least to me.
There was a time early in my photography career that I bought into the idea of becoming a natural-light photographer. In secret this idea manifested because using off-camera lighting to help shape my images meant learning about all of this crazy lighting technology. I’d rather just stick to what I was comfortable with forever and just not use it. Sound familiar?
BBC Click shared a video that gives an in-depth look at the tools used by director Gareth Edwards at ILM London to better show computer graphics supervisor Steve Ellis his desired camera angles and movements throughout "Rogue One." Using just an iPad and an HTC Vive controller, Edwards was able to explore the virtual, computer-generated world to find the best shots, which were then communicated to the VFX team so they new exactly how to guide the virtual camera movements throughout the film.
While we are all talking about the Oscars I thought now would be a good time to share this fascinating blog with you. Not only are these images great fun but I actually think this website is incredibly useful for any photographers who are looking for cool locations.
"La La Land" seems to be Hollywood's favorite film of the year. From the extraordinary opening dance scene on a Los Angeles freeway junction to the final dream sequence, it is doubtless an example of some of the best cinematography this year. If you're wondering how some of it was pulled off, check out these short behind-the-scenes clips to see how Hollywood really works its magic these days.
Audio is arguably the most important facet of any film or video production. There is a saying that goes: “Audio is 70% of what you see,” which means that sound makes up more of the experience than the visuals do. So while we may spend a lot of time planning for what our shot looks like, it’s even more important that we mic it properly for the best audio recording possible.
Last year, my husband and I traveled to Greece. While we were in Athens, we could not avoid crossing paths with the same couple at every sightseeing location we went to. I must have seen the entire wardrobe of the girl during those hours we walked. Her eccentric wardrobe change was not the only thing that caught my attention. It was rather strange to witness an all dressed-up girl posing alone non-stop. To me, it was definitely meant for social media.
Polaroid is a brand many have forgotten, a true classic of yesteryear, but today they seem to continue to push out new and innovative products that can be used by any type of photographer. Last week I reviewed the Polaroid Snap Touch and today, I am checking out the latest BrightSaber. A powerful yet portable light in a form factor many find appealing to those on the go or wanting to simplify their gear.
Camera sliders are often one of the first accessories that independent filmmakers purchase, just after a tripod and microphone. The simplicity in their design and valuable ability to create subtle motion instantly add production value. Cinevate recently updated its Duzi slider to its fourth version, and I got a chance to review one this past week.
A while back, while on a shoot for Crystal Bridges Museum of American Art here in Northwest Arkansas, I was asked to get a shot of the museum’s executive chef and the Director of Culinary for their members magazine. Time was short, the kitchen was starting to prep for dinner service, and every second I was there I was inconveniencing someone. I had to get in and out quickly and create a dynamic image in the process. Here’s how it happened.