It didn't take long for artists to realize they could literally paint with light once photography came around... but light painting was certainly popularized by Picasso. While you might find some painting specific subjects by hand, others have found endless variation in more geometric creations. Spirographs, even if you don't know them by name, are everywhere (but are mostly used as designs on wedding invitations). While people have been light painting them into their images for quite some time now, the process isn't always clear. Thankfully, Jason D. Page gives some great tips on how to set up a spirograph shot through his Light Painting Photography Vimeo channel.
I have mad respect for Swedish independent film outfit Crazy Pictures for their big-budget cinematography skills that are being utilized on a moderately small budget with rigs and labor that are within reach of almost any videographer. They've put together an incredibly informative behind-the-scenes video that covers in detail the massive amount of work that goes into such a short segment of film.
Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
When people think of visiting the Everglades, wading around neck deep, alligator infested waters isn't exactly what most folks have in mind. For Florida-born photographer Mac Stone, this is what he calls his office. Stone has been steadily developing his work in conservation, particularly of wetlands. He recently gave a compelling speech at a TedTalks event, discussing not only his evocative work but importance of the wild areas he works in.
Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.
With over 40 years of portrait work under his belt, American Photographer Will Shively has become one of the most successful commercial fashion shooters in Columbus. Will found himself at a crossroads when he first decided to pursue his passion for photography. He got his BFA in painting from Ohio State University and was working for a design firm before being let go with a newborn on the way. But despite the risks involved, Will worked nights as a janitor at a local manufacturing plant while teaching himself the art of photography.
As Fstoppers' resident virtual reality content creator, I'm excited to share our most recent project we did for AOL. A few weeks back, the Autoblog/Translogic team flew my business partner and I to southern California and rented out a race track so we could film an awesome 1980s Ferrari that was converted to an all-electric high-performance sports car in virtual reality. They also wanted to interview us on what we are doing in the VR field and where we see the technology going. Learn more and see the actual VR film below!
How many times have you seen that popular meme that inaccurately says today is the "Back to the Future" day? Well today, October 21, 2015, is in fact the true date Marty McFly set as his future destination in his time traveling DeLorean from "Back to the Future II." To help celebrate this iconic date as well as the 30th anniversary of the original film, the production company Full Frame did this awesome photoshoot where they explore the capabilities of time travel. Check out the full behind the scenes video in the post below.
Have you ever wondered how baby photographers (no, not babies that are photographers) pose newborns? Have you wondered how they got those little writhing, crying, flailing bundles of joy to stay the heck still for at least 1/200th of a second? Well, the crew over at Redhead Photography seems to have found the right combination. In fact, the babies in this video are so malleable that it's a little bit unnerving.
Whether you’re a photographer, filmmaker, video editor, first assistant, or even just starting out as a PA, you’ve got to work to survive. There are many lengths of time where the work might seem to be non-stop; you work so much that when you do have free time, you might not even know what to do with yourself. The winds of fate can change quickly though, and you might find yourself all of sudden not having any new jobs lined up. After doing this dance for over ten years as a video producer and photographer now based out of Lexington, Kentucky, I’ve learned a few things about dealing with the stresses of when business is slow.
The ME20F-SH is Canon's latest, crazy-high ISO camera, able to record clean video at over ISO 4 million (not a typo). Early footage was lackluster in content, and early media stated the natural security-field uses for such a camera. But the latest video suggests the ME20F-SH could be used to shoot incredibly beautiful footage of our world that wouldn't have been able to be captured the same way in the past.
Having seen plenty of Apple iPhone 6s reviews and comparisons over the last few weeks, including the newly famed Lee Morris iPhone fashion shoot, it could be said we have had enough. Though as primarily a mobile shooter myself, I was looking for something a bit more in-depth and something that got down to the very details of the phone's camera capabilities. Thanks to the ever so talented travel photographer Austin Mann we have what I have been waiting for and it's the best iPhone review I have seen yet!
“Star Wars” fans around the world are patiently awaiting the arrival of “Star Wars: Episode VII The Force Awakens” on December 18. That being said, the hype train has been running full steam ahead since the initial trailer for “The Force Awakens” was released almost 10 months ago. Since the release of “A New Hope” in 1977, “Star Wars” has created a fanatical fan base, with an expansive universe and many stories to be told. Fan films have been a part of that universe for many decades now, and they have gotten so big that “Star Wars” has an entire section of their site with awards dedicated to them.
I've always been a big fan of Dave Hill's photography and creative vision. If you're familiar with his earlier commercial work, you probably know him for his progressive digital and composite techniques. Well, in recent years, Hill has been growing and changing as an artist and he's been exploring different techniques and mediums (not just super rad composites) and shooting a lot more automotive ads. Here is an example of a great Jeep Wrangler ad campaign he captured with — Gasp! — 645, 6x7, and 35 film.
In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit. What I found interesting was how he actually builds torches out of strobes and gels, which provide the rim light and the glow that would be thrown off from actual torches.