Sometimes tattoos can add a lot to the character and the general feeling of your images. The problem is most models you'll work with wont have any tattoos, or won't have the type of tattoo you would like to have in the image. In this 15 minute video tutorial you can learn how to add any tattoo to your subject in Photoshop, and make it look real. The techniques used in this tutorial are very useful for many other uses, so if tattoos are not your thing, it's still a great video to learn from.
Photographer Tim Coburn takes us along on his commercial and lifestyle shoot in Ocean City, Maryland. View behind the scenes as he scouts locations before the shoot and how he troubleshoots with unexpected weather. Shooting a beach scene and don’t have a bright sunny day? See how to use clouds as your own natural soft box. Using only a 4x7 panel reflector, Tim demonstrates the advantages of simple lighting while incorporating shadows for texture while letting his model’s movement come alive on set. See the post below to learn more and see the final images.
My photographer-friend from Moscow Aleksey Dovgulya is visiting me in Los Angeles right now. We went to the same high school, but only met in 2008 after I got into photography. While I was studying in Australia Aleksey built an impressive list of commercial clients in Russia. In the past few years he has photographed for major brands such as Rolls-Royce, Renault, BMW, Schwartzkopf & Henkel, Benetton, Vogue, Christian Louboutin, and the list goes on and on.
I would like to wrap up my Secrets to Crafting Top-Quality Beauty Portraits series in a quick roundup on the most common mistakes I have been noticing beginner Beauty photographers make.
I will sure talk more about Beauty photography in the future, but I'd like to summarize a few things at this point.
Here at Fstoppers we featured both Brooke Shaden and Lindsay Adler countless of times for their great photographic work as well as their methods of working and handling business. Today they joined forces once again and did an hour and a half live broadcast answering questions asked by fellow photographers - from inspiration to business and struggles. Bring some snacks, sit back and enjoy!
Most people haven’t heard of Saul Leiter, yet he was one of the great photographers of the 20th Century. The reason you might not know him or his work is because he simply didn't care about pursuing recognition or a particular career path. With his passing last month, let’s use this opportunity to reflect back on his stunning work, and see what we can all learn from his artistic vision, his philosophies and his razor sharp eye.
This article is for those of you how enjoy beauty photography: from fashion and advertising beauty, to beauty portraits of non-models and even boudoir photography. And while there are always millions or rules, trends and opinions, I base my article on my own ideas and beliefs as to what's important to be aware of to successfully create attractive beauty images.
Rob Oechsle, a photographer and researcher, has compiled a series of photographs from the late 19th and early 20th century featuring Geishas. What makes these photos all the more striking is the fact that they feature these women in swimwear and against themed backdrops. It goes against our traditional views of how these women lived and dressed and gives us a deeper insight into the extent of Geisha influence on Japanese culture.
I've long been a big supporter of photographers that seek to achieve their look in camera and not rely much on post production. In this 2-D makeup series by photographer Alexander Khokhlov, he created optical illusions in camera with perspective and great makeup. Simply stellar work.
As the end of the year looms, we begin to look back and reflect on the previous year and think about aspirations for 2014. What will make this coming year successful for you? Getting paid to live and work as a photographer? Producing creative, fulfilling work? Being published? Teaching and helping other photographers? One photographer I've worked with this year did all of these and in this interview, she shares her insights on what success is for her - and importantly, what this could mean for you and your career in 2014.
I have been teaching retouching and photography for a couple of years, and I found that even my advanced students often didn't know some basic tools or techniques. Those gaps in knowledge are to be expected among self-taught photographers and retouchers, of course. However, I have just returned from my trip to Italy where the amazing Italian Photoshop guru and Wacom evangelist Marianna Santoni organized a series of educational events, in which I taught Beauty photography and retouching.
For the opening of the new Tate Britain art gallery, Miles Aldridge set out to reimagine the painting 'Merry-Go-Round' by Mark Gertler. The painting was originally created in 1916 while photography was still pretty much in infancy and hardly considered an artistic medium by many. Aldridge's approach was to take elements of the painting and create a series of photographs that hold the true form of the original while still delivering something definitively Miles Aldridge.
When you look at the new cover to WSJ's magazine you might suddenly be hit with a sense of Déjà vu. Certainly you've seen it before, but can't exactly remember from where. Don't worry you're not alone, it's because the new cover seems to be a spin to Vogue's August 2013 editorial spread photographed by Craig McDean . The kicker? The WSJ cover and spread was shot by none other than our favorite plaid wearing, controversial photographer Terry Richardson.
Be it with a camera or with a gun, a girl who shoots is unquestionably sexy. So what's that make talented commercial fashion photographer Dixie Dixon as she takes on the role of Director of photography for Magpul's 2014 Calendar? Hot, no doubt, but more importantly she adds professionalism and class to a genre that is traditionaly little more than string bikinis and thongs. Dixie's sophistication and style is a refreshing departure from a genre typically shot far too often through the male lens.