For most people in the industry, the name "Hasselblad" is synonymous with quality and high resolution. The company has been around since the 1940s and whether you remember it or not, many moons ago, a lot of cameras did not shoot the familiar rectangular format so many of us are accustomed to. They in fact shot in a square format, and that's exactly what Hasselblad is doing with this new camera concept, going back to a square format with a 75-megapixel back.
A few days ago MIOPS posted their new project up for funding on Kickstarter, the MIOPS Mobile DSLR/mirrorless camera trigger system. Fundamentally, it's an enhanced version of their previous trigger, the MIOPS Smart Trigger. It has all its same modes plus a cool brand new feature that is the central idea behind the new trigger system, which is the ability to use your smartphone as a triggering sensor.
I've always seen SanDisk and Lexar as the two main companies when it comes to camera media. Having used Lexar for some time now, I'm always excited to see what the company releases given my success with them in the past. This week they have shown a few new products for a variety of uses from CCTV to action cameras, to still photography and filmmaking.
Printing photos is a technical and complicated process, especially when it comes to getting accurate colors on paper. If you want to print your own photos, your monitor, the software you use, your printer, and the paper type should be in harmony to get the same colors and depth you create on screen. To make the color matching process easy and hassle-free, EIZO has created a software solution in collaboration with Adobe, Epson, and Canon: EIZO Quick Color Match.
As Photokina is kicking off, almost every brand is releasing new products. The Danish medium format manufacturer is no exception and is introducing a new digital back, the IQ1 100MP, along with two new Blue Ring lenses and Capture One 9.3. One might wonder why Phase One decided to have two 101-megapixel backs in its product line, so let’s dive into the specs and see what the reason(s) may be.
Today, Adobe has announced the public beta of the Adobe Stock Contributor Site. Meant to integrate deeply with its Creative Cloud platform, the new service allows photographers, videographers, and illustrators to directly upload and sell their work with a high degree of efficiency and automation.
Lately it’s been a road of uncertainty for A-mount system users, as Sony remained quiet on specific plans for their DSLR line while making leaps and bounds in the mirrorless world. Today Sony has made their intentions clear by announcing the new Alpha 99 Mark II, a 42.4-megapixel camera with 12 fps continuous shooting, internal UHD 4K video, 399-point autofocus, and 5-axis in-body image stabilization.
Photographer Paul Nicklen recently released a two-hundred page ebook titled "Photographing Wild: Techniques of a National Geographic Photographer." Mr. Nicklen has been taking photographs for the magazine for over twenty years now in some of the most remote places on earth. He is also one of my personal favorite photographers out there today, so buying it for myself was an easy decision to make. His underwater images are always fantastic, and just seeing all of his wildlife photos come across my social media feeds is always inspiring to me.
GoPro has brilliantly teased us with its careful, controlled releases of Karma drone videos. Today, they've launched the new Karma alongside a pair of Hero5 cameras that are as wonderful to see as the Karma itself. Advanced stabilization looks impressive in the videos (see the mountain biking scene at 1:53), but something to note is how cinematic the image quality now looks. It won't be as easy to tell GoPro footage from other high-quality cameras. And about that Karma: does $799, remote, backpack case, and gimbal handgrip included get you excited?
"The world does not fit conveniently into the format of a 35mm camera." Fujifilm quoted W. Eugene Smith as they unveiled their first digital medium format camera system. Featuring a custom-designed sensor and a complement of six new lens, Fuji is dead serious about turning the medium format market on its head.