Have you ever tried to remove an object from a photo, but just couldn't get it to look right, whether it be because of the lighting, color, or actual selection? This tutorial provides a handful of tips for perfectly removing objects in Photoshop.
We recently filmed a video on the validity of Peter Lik's newest "photograph" of the moon, and it got us thinking: how far is too far when it comes to Photoshop?
Turns out you don't always need to be an amazing photographer to create photographic art. I came across graphic designer Bashar Hjooj's work on Instagram, where he combines two to three photographs shot by complete strangers to create art full of imagination with his own take.
For months, I’ve been looking for presets that would work in most apps I use to edit my videos and photos but couldn’t find one. That was until I discovered Lutify.me and its LUTs made compatible with Capture One and Lightroom.
Quick Masks in Photoshop are used while making selections within your image and can help speed up any local adjustments needed. Here’s a jump start at getting familiar with the tool and its potential.
Some nice bokeh balls can be a great way to add a little something extra to a portrait. This quick tutorial will show you how to take almost any nighttime photo and create your own bokeh overlays using Photoshop.
When you're working in Photoshop, it's easy to stare and stare at an image for hours and somehow still miss some little detail; we get tunnel vision, our eyes get tired, etc. This is when check layers can be an incredibly useful way to ensure you don't miss a thing.
Despite the veritable multitude of options offered by the program, most photographers can get through their entire careers only using six or so of Photoshop's blending modes. Nonetheless, there's a lot of hidden power in the lesser used modes, and this great video shows you how to take advantage of two of the quirkiest of all: color dodge and color burn.
Some days, the light just doesn't cooperate to give you that beautiful blue sky in the background of an image. But your subject may be so compelling, you know you have to fix that sky to make elevate your image from mundane to impressive. You could always replace the sky in Photoshop, but there may just be an even easier way to do it using the Black and White Filter.
I have always loved shooting in ugly places such as gas stations and abandoned buildings, but it took me a while to learn how to make these places look magical in my images. You can't just put a beautiful woman in front of these places and expect it to work.
Newborn babies tend to have different skin than their older counterparts and thus different retouching requirements. This helpful tutorial will show you everything you need to know about retouching newborn skin quickly and effectively in Photoshop.
I'm no painter. In fact, if we ever play Pictionary together, do your best to get on the other team. So, when I wanted to make my own custom backdrops, I knew I was way out of my depth. Like many photographers, I've drooled over Sarah Oliphant's hand painted backdrops for years. When I saw Jeremy Cowart draw his own backdrop on an iPad Pro, I thought I may have something within reach. While I continued trying to decide exactly what Oliphant backdrop I want to start with, I thought maybe I could experiment with some digital painting of my own.
Adobe Lightroom and Camera Raw house some solid color and toning options. These can be applied in a non-destructive way, and in general will get the job done, our photos finished and out into the world. However, for many others, Photoshop with its plethora of adjustment layers is hard to best when heavy color work is applied.
The Pen Tool elicits a range of emotions, most commonly fear and love. If you've mastered it, post-processing life is good. For everyone else, learning the Pen Tool always seems to be put off for a rainy day that never comes. This quick and easy tutorial has five great tips to help you better use this essential tool.
Hidden within the heart of Adobe Photoshop is a filter that many are familiar with, yet most fail to use to its full potential. It is a powerful, all encompassing workhorse, and its abilities may just change the way you approach your Photoshop edits. Ladies and gentlemen, let's explore the often ignored Camera Raw Filter.
The “Blend If” function in Photoshop is usually skipped by most photographers and retouchers. However, it is an efficient color channel-based tool for quick masking and creating smooth transitions when blending different elements. While it is a technique commonly used by architectural photographers for quick sky replacement or smoothing out the shadows, it can be implemented for different purposes in Photoshop and can save great amount of time.
At the core of any image editor is the brush tool, and although many of us don't give it a second thought, it really is one of the most important features to master. Density, opacity, hardness, and flow all affect how the brush works in very different ways. Make sure you know the difference between these settings so you can work smarter when editing your images.
A group of students have helped restore photos for families that had their property destroyed by the storm of Hurricane Harvey.
Adobe touted much faster speeds with the release of Lightroom Classic CC (essentially, Lightroom 7). However, results seemed inconsistent. Even so, these early inconsistencies seem to have gone away with subsequent updates and bug fixes. And thankfully, Adobe will soon release another update to Lightroom that promises even better speed increases. We’ve been playing around with it for a few days to get a better idea of what to expect.
This week, Adobe released an update to Photoshop CC that features a new selection tool capable of automatically selecting the prominent subjects in an image with only one click. This video does an excellent job of revealing exactly what you get with this new technology and how to use it to its full potential.
The latest major Photoshop blunder comes from Vanity Fair, who have unveiled their new issue’s cover complete with Oprah Winfrey having three hands, and Reese Witherspoon sporting three legs.
Have you seen those recursive photos where the image seems to continue in an endless loop, mostly commonly found where the subject is holding a frame or photos and inside that areas is the same photo appears in itself repeatedly? This is known as the Droste effect, and it might be a lot simpler to achieve than you thought.
Juhamatti Vahdersalo gives us another glimpse in to how he creates scenes in one of his latest projects “Too Much is Never Enough.” With studios potentially spending thousands of dollars to bring sets alive, Vahdersalo walks us through how this setup cost a mere $75. If you don’t remember, we featured his creations in November when he showed everyone what cardboard and a little imagination can do.
If you’ve ever wondered how photographers can create such dreamy images of newborns, this is the perfect tutorial to watch. Newborn photography is an art that can require a great deal of patience and creativity. The post-processing workflow is no different. There are several steps to take when editing a newborn photo well and this tutorial does a great job of explaining them all.
Today, Adobe has released Photoshop CC 19.1 with some major improvements and new features that are sure to please a lot of photographers. Check out what's new!
A 20-year-old New York-based photographer takes a stance against the practice of using Photoshop to edit and retouch blemishes from portraits.
Thanks to Instagram's incessant commitment to regularly changing various features on the photo-sharing app, it's more than understandable that you may not know the current image specifications for the platform. After a quick Google search brought up a host of conflicting answers, I decided to do some tests of my own and create several free Photoshop templates to make all our lives much easier.
Selecting and masking hair on a solid background isn't too terribly difficult, but doing it over a non-uniform, complex background can be very hard. This great tutorial will show you how to select and mask a subject's hair and convincingly composite it into another image.
When shooting landscape, I’m sure there have been times when you wished you had a wider lens to capture the reflection of the view in a lake. Don’t be full of regret, and try to look for another solution. One way could be to capture multiple shots and the other to rely on Photoshop. In this article, the guys at Tech Genie will show you how you can create a stretch of water from scratch.
The Clone Stamp Tool is probably my favorite thing in Photoshop, as it's a simple, straightforward, versatile, and most importantly, powerful tool for editing a wide range of images. This helpful video will give you five tips for getting the best results out of the Clone Stamp Tool.
