Retouching and Post Production

Photoshelter is hosting a webinar featuring retoucher Kristina Sherk this week, and to advertise the webinar they posted an animated gif showing before and after Sherk got her hands on the image. I was shocked, as Sherk not only easily erased 10 years off the model, but even more amazingly did it without making it look fake.

I am always looking out for ways to help people in regards to the cost aspect of post processing. We currently have a few options out there, some of which includes free software such as Gimp or Paint. However, I recently stumbled upon another option.

Lightroom 4.4 is now available. The update will either automatically happen through the built in update system in the software the next time you open it or you can find it online at Adobe.com or in the links I have included below. The update includes additional camera raw support, lens profiles and addresses bugs in previous versions. Read on to see the specifics for the Lightroom 4.4 update.

The good people over at PHLEARN are at it again, this time with a great little tutorial on creating skin texture from scratch. I find that healing (or whichever method you use) under the eyes in particular tends to destroy the most texture, so this is a great way to put some back in.

As a type of person that loves to figure out everything I can about gadgets and software, I am always surprised by how often I meet up with photographers that really only use the powerful programs on their computers for the most basic functions. Typically we get comfortable with a few features and never really explore what else can be done. Maybe we run out of time, maybe we just have no interest. Either way, I hope to share some short, quick, easy to follow along videos over the next few weeks sharing some of my favorite tips and tricks in Lightroom.

As many of you know, Google+ has quickly become one of the top social networks for photographers. There is something beautiful about how the photos are displayed and how they scale as you roll your mouse across them.

We have featured Elena Jasic on Fstoppers a few times now. Most recently we featured a tutorial from her on how to utilize frequency separation. Elena's newest tutorial is on dodging and burning, and how she goes about doing it in her work flow. Dodging and burning can add dimension to your photos and take them to the next level.

When Google purchased Nik software in September, photographers were left wondering how the tech giant would assimilate Nik into its fold. It was clear that the company was lured by Nik’s mobile editing software Snapseed. Yesterday, Google, which had been mute on the subject since the purchase, unrolled a retooled suite of Nik software tools at a heavily discounted rate — $149 as compared to $499.

Lightroom is a great tool for photographers of all types, in addition to the powerful suite of editing tools at your disposal, there is a robust cataloging system to help you keep your collection manageable and easily navigable. But with the ability to create and manage an infinite number of separate catalogs, how exactly should one consider spliting up their collection, if at all?

In this behind the scenes video we follow the team over at Corridor Digital as they create a stunning and moving fanfilm after the video game mod of DayZ. Corridor Digital is made up of two friends, Sam Gorski and Niko Pueringer . Apparently, Sam and Niko are huge fans of the zombie video game mod and wanted to tip their hats to the creators of the game. In the behind the scenes video they talk about filming on location and the VFX process. Below is another video by Sam and Niko explaining their workflow while filming and editing.

There is no doubt Adobe Lightroom simplified the post processing workflow for photographers and retouchers since it came out. The simple layout, the easy to use sliders and the useful presets - all made post processing a much better experience. Then came Paddy, a personal code project by Dorfl, and made the process even easier. OK, not just easier - but way cooler. Paddy connects a MIDI Controller Desk to Lightroom, and lets you edit the photo directly from there.

Last week we posted about the new Autodesk's and filmmaker, Jeremy Hunt's, new short film, 'Fix It In Post' demonstarting Autodesk's Smoke for the Mac. In this behind the scenes video Jeremy explains on how he came about joining Autodesk and creating the short film and how much he enjoys the new editing software. He also remarks on using the RED Epic and his reasoning behind that certain camera choice.

*Edit* Since writing this article I have since moved from PASS to Pixieset as my online gallery of choice for my clients. You can read more about why I feel Pixieset is the best solution here, "Top 10 Reasons Pixieset Makes Sense for Professional Photographers."

I am a self professed tech nerd. I am always on the search for the latest innovations and products that will better my life and business. Over the last few months I have been using one that is a real game changer in my business. In a very short amount of time PASS has become an extremely valuable asset helping me book more clients and get my images in front of more faces.

Independent Filmmaker Tom Durham recently sat down with the folks over at Red Giant and gave some very great advice on filming your very own independent movie. Tom has spent the last several years creating his newest independent movie, 95ers: Echoes and has endured both the highs and lows of independent filmmaking. Why not learn from his mistakes and successes? His biggest piece of advice when making your own independent movie... 'Whatever you do, don't go into debt!'

Guest writer, Patrick Gensel is a photographer from Northeast PA with a passion for travel and adventure. He sent us this fun inspiration project on abstract macro photography. Hopefully this very thorough demonstration will spark your imagination for your own abstract macro project.

I have had quite a few people ask about my skin smoothing ways. Its really, really simple. I use Imaginomics Portraiture 2 and have figured out how to get it so it smooths the tones instead of all the texture. So if you use Portraiture, follow along and stop killing your textures!

I am a self-confessed gaming addict, so when I found out about the new 'Cullinator' I was beyond thrilled. Finally my insatiable thirst for all things gaming related will no longer derail me from editing my photographs. 'The Cullinator' is an impressive program created by Ed Pingol Photography that takes any gaming controller and transforms it to a photo editing controller.

Visual effects artists are very much like our cousins, in the sense that our industry is visually based much like they are. We felt that we had to post about this for the sake of awareness in case you aren't familiar with the news. Also, we wanted to create an open dialogue and hear from our readers about what they thought about all of this.

For anyone who might have missed it, I did a little review of VSCO 3 last week. VSCO Film emulsions are great at emulating an analog film look for your digital photos and also offers custom profiles for your camera manufacturer, if you are shooting Nikon, Canon, or now Fuji (just for Film 03), to further improve performance of the presets.

I have had quite a few people ask how I achieved this look. So I figured I would do a quick little photoshop tutorial on it to help you guys out! It is much much easier then you think. Hope you enjoy!

Here's a little cinematography humor to brighten up your lazy Sunday. From the people over at Autodesk and filmmaker Jeremy Hunt comes a coming of age story of a dude. A dude who just wants to go about his business and a visual effects editor who ruins said dude's day. We all know the importance of 'getting it right in camera', but this is what happens when post-processing runs amok.

I'm sure most of you have taken one look at the lens flare filter in Photoshop and decided to quickly over look it. Well I am here to say that you might want to reconsider and give it a chance. With the right steps and processing one can actually make it look decent. Now I'm sure there will be a few people that will still think adding flare is asinine, and to that I say to each their own.

I had to watch this video three times. It simply blew me away. For years movies have been created using green screens, as is the case here with the 2012 hit "The Avengers." The part that amazed me in this behind the scenes video is the amount of detail that is captured to perfection by the digital artists and how they team up with photographers to recreate reality spheres to insert the actors. Read on to check out some of the facts on how it was created.

"What If My Red Is Your Green?" is a question I ask myself for many years now. As a photographer this question/issue was always on my mind: I work so hard to get (what I see as) the perfect colors, and what I see as beautiful, but I have no way to know if the colors I see are the same colors you see. We all agree that red is red, and green is green. We all know that a lemon is yellow and a strawberry is red. But is it possible that you see yellow the way I see blue? Michael from VSauce did his best to answer the question.

The general idea of Photoshop is to help make someone look flawless, while still maintaining their unique and human qualities. It's a tactful technique that requires a keen eye and a good understanding of the human face’s shape. This basic concept was completely destroyed for the cover of Harper’s Bazaar China cover featuring actress Sarah Jessica Parker.

I'm kind of a huge fan of fantasy novels, and Game of Thrones (along with The Name of the Wind) is probably my favorite modern fantasy epic. I also greatly enjoy the television series on HBO. In this video you can see how the visual effects artists rendered the 3D for the final scene of Game of Thrones Season 1. Please note, this scene does have nudity. Also, SPOILERS.

Right now on creativeLIVE, photographer John Greengo is going over the fundamentals of Digital Photography. If you shoot primarily with film and are on the fence about switching to digital then this is a class you can't miss. John is going over all of the basics and much more. As with all creativeLIVE workshops, the LIVE event is FREE. This course will run live until February 22 but if you don't have time to tune in, you can purchase the video downloads for only $99.

I have been a fan of VSCO since their first film preset pack. Both VSCO Film 01 and 02 have a nice way of giving photos a subtle but believable film effect. This week I got the email that VSCO had released Film 03 and I was dying to check it out. It turns out that the effects seen in 03 are not quite as subtle as 01 and 02, because 03 emulates instant films. So I've decided to do a little review with some examples and share it with all of you.

Yesterday I posted a tutorial on frequency separation from Elena Jasic. In case you missed it you should go check it out! Well today she hit me up to tell me she had quite a few questions still regarding the preparation of the layers for frequency separation, so she made a handy little action, and asked me to pass it on to all of you. Who doesn't like free right?!

Frequency separation is an amazing technique used to retouch skin. It separates the color from the texture and allows you to work on them separately. In this tutorial, Elena Jasic goes over how she uses frequency separation in her retouching workflow.