Leo Rosas recently made a YouTube video for The Cooperative of Photography (TheCooph) that featured 7 little DIY photography mods, including a simple GoPro time-lapse setup, DIY creative effect filters, a flash diffuser and an ND filter. While it's not the first time we've seen many of these little projects (like the GoPro kitchen-timer), the video certainly got me thinking.
Last week Fstoppers and Peter Hurley hosted a free Illuminating the Face release party on Spreecast (view it here if you missed it). Since I had learned so much from Peter's tutorial I figured it would be exciting to use some of his studio lighting techniques for my own webcam session. What I didn't expect was all the emails, tweets, and live questions concerning my lighting setup. So in this post I'm going to share my lighting setup with everyone so you can reproduce it with your video sessions.
Known for it's top of the line outdoor adventure camera bags and backpacks, F-Stop Gear recently unveiled the Loka Ultralight, or "UL," a revision of the popular Loka backpack. In this review I’ll go over the differences between the UL relative to its older brother, and point out who this pack is and isn’t for.
Technicolour Alaska is an incredible time-lapse film of the Northern Lights by Alexis Coram. Not only did this once in a lifetime trip produce an amazing time-lapse video, the photos themselves are are incredible. Coram was born and raised in England and now resides in Northern California. She considers herself a consumer of life and adventure.
It's easy to dismiss the amount of difficulty involved in location shoots. A few years ago, Joey Lawrence (JoeyL) shot a personal project of portraits in Ethiopia. Whether traveling by van, boat or Indiana Jones plane, it's great to have the opportunity to see how hard the literal journey was on the way to the figurative photographic destination. Just handling the equipment was a pretty substantial undertaking.
Wired's Design FX has given us a great behind the scenes video of everything that was involved in the updated Helicarrier crash scene for Captain America: The Winter Soldier. The sheer scale of the project is astounding as FXGuide.com's Mike Seymour and ILM's Digital Models Supervisor Bruce Holcomb take us through the design of the crash and its scale to the actors on the green screen.
What happens when two filmmakers get together, fill a suitcase with camera gear and hop on a plane? In the case of Preston Kanak and Brent Foster, a great work of digital cinema. With only a rough idea of what they wanted, much was left to chance as these two spent 8 days in Havana, Cuba. Read on for the final film and some insight from the creators.
SPOILER WARNING. Listening to Vincent Laforet might leave you forever changed, never able to watch film or TV the same way again. The silver lining is he can also change the way you shoot, and engage, with your audience. With that disclaimer out of the way (you can't say I didn't warn you), join me as I talk to Vincent for this exclusive as we venture down the film and motion rabbit hole. How deep we go is really up to you...
One of the hardest parts of filming on moving sets such as moving cars or trains is to maintain perfect lighting in a way that makes sense to the viewer. There are many obstacles the filmmakers have to deal with when shooting on a moving set, like how to move the lights while keeping it on the same angle while the vehicle is moving and how to keep the camera shot steady and focused on the subject. Check out this great BTS video showing how filmmakers in China solved these problems.
Videographers and event photographers are all to familiar with the frustration of constantly switching out the tiny internal batteries of DSLRs. On a good day you can get a thousand or so still images or just a couple hours of video before switching the batteries. This simple little mod from Chris Winter shows you hot to build a hardcore external battery that boasts roughly 9x the capacity of the standard internal batteries.
"Here come the G's." Words that might not mean anything to you sitting at your computer, but if you're strapped into the back seat of an F-16, it means remember your breathing training and don't pass out. Blair Bunting, recent addition to the Nikon Ambassadors list, took to the skies with the United Air Force Thunderbirds in part to see if he could sustain 9 G's.
Most of the readers of this site I’d wager fall into the category of content creators, not content consumers. That being the case, rants about not being properly compensated for the hard work put in to producing images comes up every so often. But have you ever been on the other side of that situation?
For those who dabble in video but come from a photo background, you might not know the difference between a still lens and a video lens. If you do, you might not know why those differences exist. DSLR Video Shooter has this really informative video that breaks down the differences and shows you how to convert your still lenses into cinema glass.
Andrew Dean from HillBillyGripTruck.com posted his updated video shootout of the Gh4, Gh3, 5d3, 7d, and C100. The results were pretty cool and we were able to get a nice side by side view of quality from each of the cameras as they were all setup to be relatively close in settings. On top of making sure settings were close, all of the cameras shot at the same time in the same exact lighting situation to make sure they were all brought an equal scene to work with.