GoPro announced last month that it is working on bringing a drone to market in early 2016, and the go-to action-cam company just released the first video taken from their drone. Thankfully, the footage looks incredibly stable — so stable that some shots look incredibly similar to something that would come from a track-mounted or cable-mounted rig on the ground. Of course, the slight slow-motion nature of the shots help mitigate the perception of any small movements throughout the flights, but the footage is surprisingly smooth nonetheless.
Storehouse angered a number of power users in its big shakeup with the release of Storehouse 2.0 which ditched a number of features for a streamlined, more privatized system that made it harder to use the platform as a photographer’s social media marketing dream. But the numbers are out, and while it may not become the next Instagram of photo marketing and discovery, here’s why there’s a good chance it’ll find its way into your living room, regardless.
To be clear, STARVIS is a new sensor whose technology is mostly meant for applications in scientific, industrial, and security spaces. And Sony won't give out any "normal" number with respect to ISO yet, either. Part of that might be because actual ISO is difficult to determine, since the back-lit CMOS sensor places its photodiodes in front of other hardware components that, conventionally, would block a substantial portion of light information. But as unclear as the exact results are, here, the latest advancements in ultra-sensitive sensor trickery point to a new level of attainability.
It didn't take long for artists to realize they could literally paint with light once photography came around... but light painting was certainly popularized by Picasso. While you might find some painting specific subjects by hand, others have found endless variation in more geometric creations. Spirographs, even if you don't know them by name, are everywhere (but are mostly used as designs on wedding invitations). While people have been light painting them into their images for quite some time now, the process isn't always clear. Thankfully, Jason D. Page gives some great tips on how to set up a spirograph shot through his Light Painting Photography Vimeo channel.
I have mad respect for Swedish independent film outfit Crazy Pictures for their big-budget cinematography skills that are being utilized on a moderately small budget with rigs and labor that are within reach of almost any videographer. They've put together an incredibly informative behind-the-scenes video that covers in detail the massive amount of work that goes into such a short segment of film.
We’ve long passed the beginning of the end and are now certainly in middle-of-the-end territory with respect to the freedom to fly drones. The latest high-profile drone incident further ensures that drone piloting will remain a privilege and not a right, though rightly so, as some people apparently can’t exercise enough common sense to stay away from populated areas (i.e. Los Angeles) and critical city infrastructure (i.e. power lines).
Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
When people think of visiting the Everglades, wading around neck deep, alligator infested waters isn't exactly what most folks have in mind. For Florida-born photographer Mac Stone, this is what he calls his office. Stone has been steadily developing his work in conservation, particularly of wetlands. He recently gave a compelling speech at a TedTalks event, discussing not only his evocative work but importance of the wild areas he works in.
Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.
This week, Instagram released a new app called Boomerang in efforts to grow its need for world domination in the mobile market. This time, they took aim at popular GIF-like apps such as Phhhoto and Apple's New Live Photos. I am a huge fan of Instagram and it has helped me grow my love for photography into something far greater than I ever thought possible, but I have no idea why they keep creating exact copies of already existing apps. Are they trying to simply steal market share? Or, are their hopes to do what Twitter and Periscope did to Meerkat by creating something far better on a larger scale?
With over 40 years of portrait work under his belt, American Photographer Will Shively has become one of the most successful commercial fashion shooters in Columbus. Will found himself at a crossroads when he first decided to pursue his passion for photography. He got his BFA in painting from Ohio State University and was working for a design firm before being let go with a newborn on the way. But despite the risks involved, Will worked nights as a janitor at a local manufacturing plant while teaching himself the art of photography.
There are a lot of videos online, I mean a lot. The two words I hear out of clients that always make me cringe are "viral video." I want you to take a couple of seconds and expunge those words from your vocabulary... great! As many of you know SEO is the driving factor for long form content (such as this article.) Believe it or not, most of the principles that apply here are almost identical for video SEO.
Have you ever wondered how baby photographers (no, not babies that are photographers) pose newborns? Have you wondered how they got those little writhing, crying, flailing bundles of joy to stay the heck still for at least 1/200th of a second? Well, the crew over at Redhead Photography seems to have found the right combination. In fact, the babies in this video are so malleable that it's a little bit unnerving.