We posted a set of videos released by Pathé News, part of their 85,000 reels released, but this one really stood out to me- it's hilarious. I'll add that I've taught and taken quite a few photo workshops in my day, but I would kill to know what that instructor was saying to his students and the models. Let's break this video down shall we?
It's pretty easy to get caught up in the MoVI hype- it's an outstanding achievement in camera stabilization technology. Magnanimous Media, a large video rental house in Chicago, took some time to explain what the MoVI is really good at, while also tempering expectations on what it can do and what a traditional steady cam would better for.
Pathé News (AKA "British Pathé") was one of the biggest news agencies in the world in the 20th century. Maybe the biggest of all. The company was founded in 1896 and mainly focused on producing newsreels for movie theaters (before the TV took over). They stopped producing newsreels and documentries in the early 1970s as they couldn't compete with news broadcasts on TV. This week they uploaded the full collection of their films (85,000 of them) to Youtube, including un-aired materials.
Earlier this week, Gizmodo released a comparison of 6 action video cameras. The test included cameras from GoPro, Drift, JVC, Sony, Garmin, and Ion. The author of the original article, Brent Rose, decided it would be easier to make his own hilariously-large 6-camera head rig than to test them individually.
Monte Isom, NYC-based sports, entertainment, and advertising photographer just shared a look behind-the-scenes at his most recent shoot for the World Cup. The video takes you all the way through his preproduction and makeup, to shooting with a pretty good look at his lighting setup.
Many photographers try to take on cool on-going photography-related projects, and many break in just few days or weeks. You know what i'm talking about - 365 projects or 1 Second Everyday kind of projects. Dutch filmmaker Frans Hofmeester, took on one of these projects and took it to the extreme. He filmed his newborn daughter every week from the day she was born all the way until she celebrated her 14th birthday.
Cinescapes Collective is a Saskatchewan, Canada based production group that has been putting together unique documentary content that has a dramatic and cinematic aesthetic. Their most recent short tells the story of Kessler, the creators of popular video production gear like sliders, cranes, and now motion control products.
EOSHD shared this video shot with a pre-production Panasonic GH4 (now available for preorder) at 96 FPS. In our previous posts about the newly announced GH4 we've been pretty excited about a 4K video camera system with a sub-$2,000 price-tag. This camera is poised to give the more expensive systems a real run for their money and with features such as 96 FPS recording there's even more reason to consider adding this to your bag.
At the time of writing this post it is a gorgeous spring day and I have no doubt our readers are out shooting and enjoying it. If you have opted to stay in, these six videos provided by Lastolite and taught by the best-in-our-business Joe McNally are what you should be watching... no studying. Seriously. If you absorb every bit of information/advice in these videos you will be a better photographer than you are right now.
As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.
Photojournalist Jonas Ginter always wanted to take the idea of the still-2D spherical panoramas and somehow make them in video format. It took him 2 years to develop the idea and tools, but finally last week he achieved his goal. Jonas used a 3D printer to build a special mount that holds 6 GoPro cameras, and placed them as close as possible to each other to make sure they overlap. The result is simply great.
After working with lightweight, compact jib options for DSLR sized cameras, I decided to check out a more affordable and durable option. In this review I’ll show you a sample of the footage from the Taurus Jr. Heavy Duty Jib, and point out where it rocks and where it could be better.
Just after the Sony a7S announcement, Atomos has already announced a 4K recorder for use with the new video & low-light monster. The new Atomos Shogun can handle the full uncompressed YCbCr 4:2:2 video right out of camera. Just like the Atomos Samurai and Ninja Blade, the Shogun allows for 422 10-bit images straight off the camera recorded right to SSD (or RAIDed HDD) in 4K HD ProRes, Avid DNxHD, or RAW Cinema DNG.
Today Tokina released two new ultra wide zooms into their ATX Cinema line of lenses, a 11-16mm T3.0 and a 12-28mm T3.0 (both are modified versions of their popular 11-16mm f/2.8 and 16-28mm f/2.8). Both lenses have click-less aperture rings as well as 0.8 pitch gears on focus, aperture, and zoom rings.