They say necessity is the mother of invention, and when you want to film incredibly smooth footage of fighter jets at over 300 knots and pulling 2.5G's, you can't exactly get an off the shelf gimbal for that. Aerial film company Blue Sky wanted to do exactly that so they commissioned Gyro-Stabilized Systems to built them a custom 5 axis gimbal capable of such feats. Boy did they deliver!
We can learn so much about the art of storytelling through careful study of some of the pinnacles of the film. Blocking, subtext, shot framing: all of these and more are crucial to the conveyance of plot. Check out this video that breaks down some of film's most iconic and masterful scenes and provides great tips to incorporate into your own work.
Getting color consistency from your eye, to your camera, to your computer can be a real pain in the butt. Especially if you still haven't settled into a reliable, regular workflow. Color calibrating your monitor once a month and taking reference images with a gray card are invaluable when it comes to getting consistent color. If you are still struggling with getting your image colors to look right, then Freelance Photographer Gavin Hoey has the video for you. Watch as Gavin walks through a step-by-step process on how to achieve consistent color.
Artists struggle with many emotions throughout their day. One of the most typical emotions is a sense of inadequacy, both in business and creativity. How many times has budget, fear, and challenge stopped you from getting things done? Whatever your excuse is, it’s just that: an excuse. Here are three thoughts that are holding you back as a photographer and how to overcome them.
Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.
It seems like at least once a week I find myself having a conversation with a filmmaker or photographer who is struggling to understand the current state of rules, with regard to the commercial use of drones. And who can blame them? Digging through the FAA's website to get clear information is a painful exercise, and things continue to change every few months. This video features Chris Newman, a professional drone pilot, to break the current policies down in a clear language, and he tells us what to expect next from the FAA.
I'll be the first to say it, smoke bombs are usually too Tumblr for my taste. Generally you see them with a moody girl looking off into the distance in some backyard forest. I never got the point of those images. But I found myself mesmerized by "Chromaticity"; the smoke bombs were alive, more like wayward spirits hovering above the big blue. I was so entranced it took me half of the video to realize they were attached to drones, and the drones were nowhere to be seen.
For years, videographers shooting in dark situations frequently ran into the issue of a ton of noise in darks and shadows that would oftentimes make some footage difficult or impossible to use. Many have heralded the release of the a7S II with applause due to its power for video in low-light situations and even to record bursts of high frame rates in HD, so we took one into the deep recesses of an abandoned power plant in New Orleans to see how it did.
I'm not a landscape photographer, but I am a photographer. At the heart of all us 'togs is a deep-seated yearning to capture the rare and the beautiful. Another concept I find overly enticing about photography is that of being a nomad; a wandering explorer with only a camera as a companion. Or, in the case of this video, three cameras, a DJI Inspire 1, and presumably a helicopter. Whatever, stop watering down my poetic vision.
A few weeks ago, I had the pleasure of reviewing Syrp's awesome, affordable, perfectly executed Genie Mini time-lapse device. However, time-lapse photography and videography barely covers the beginning of what can be done with the New Zealand company's awesome devices. The Slanted Lens' Jay P. Morgan not only shares his entire lighting setup for a classic food shot, but also proposes some clever and welcomed case studies for how to use Syrp's devices to create better shots, not only around stars, but also around close-range subjects.
Who else is sick of hearing the same five Premium Beat songs in what seems like every advertisement on TV right now? Well, fear not, a new site is in town to help you with your short film or commercial projects, and there is plenty of variety. For $199 a year, Art-list gives you access to universal licenses and unlimited downloads for all of your music needs. Yes, you read that right, unlimited downloads.
Most photographers who learn the basics of lighting usually take light for granted. Lighting seems pretty simple at first: If there’s an absence of light, just add a strobe. Isn’t that why we all love on-camera flash?! I’m joking. Learning how to give light motivation is truly the easiest way to create cinematic lighting, and it’s a lot easier than you’d think.