You've likely seen Lee Morris's iPhone fashion shoot by now. One of the common critiques had been the use of expensive lighting. Well here is yet another prime example, by Philippines-based portrait photographer Laya Gerlock, that creative use beats expensive toys. That's not to say an iPad, iPhone or D3 equivalent are inexpensive but you have those already, right?
Corey Rich's work spans both photography and video, often using Nikon DSLRs to capture both. His projects take him to hard to reach places, and being able to manage his gear in both modes quickly, enables him to come away with great images. In this video, Corey explains his choices for gear and shooting style on a climbing trip in Pakistan.
It's no secret that I love the music phenomenon of EDM or electronic dance music, and it seems I'm not the only one with fans ranging from all ages across the globe its popularity only seems to be spreading. With so much new music and artists coming into the scene it's interesting to see how the music can be visually interpreted into music videos.
Working with a child is a lot like dealing with the weather. It’s unpredictable, temperamental and has the potential to wreck your entire shoot. At the same time, huge risk can mean huge reward. Children add an undeniable “cute” factor that will always have a place in advertising or event videos/photography. Unlike the weather, there are a few steps we can take to increase our chances of success when working with children.
When I first started incorporating DSLR video into my photography business, I quickly realized that having smooth movement was paramount in creating great footage. In our quest to find the perfect DSLR slider, the Fstoppers team was excited with the announcement of the Redrock Micro's One Man Crew. But would this be the end all be all for sliders...we put it to the test.
Stock Photographer Yuri Arcurs definitely went big with this experimental photoshoot, to see if it would be possible to shoot a fast moving fighter jet, and actually light it up with flashes. This behind the scenes video shows us how difficult it was to pull off, but that the end result justifies the elaborate and at times frustrating work.
Michael Belcher is a young New York-based cinematographer who is creating beautiful and compelling work, with a rich and varied visual vocabulary. Come behind the scenes on his latest shoot with this Fstoppers exclusive, and find out what we can all learn from his philosophy, experience and insight.
In this video tutorial, learn how to perform an interesting video shot without expensive rigging or accessories. Stock music website Premuimbeat has an a whole collection of videos on their Vimeo page with information on cinematography, motion graphics, and lighting, all for helping out the budding video shooter or editor.
I’m calling it. It’s nearly impossible to skim through your newfeed without being barraged by stories about Toronto Mayor Rob Ford’s latest antics or Volvo Truck’s commercial featuring Jean Claude Van Damme. So, what is the logical step? Combining the two in a perfectly executed parody entitled #VANFORD.
When a movie or video aims to make the viewer truly feel, it can be a tough mountain to climb. Emotion is difficult to compress into a visual and auditory experience but when it's done right, it can really make viewers think and share in a cohesive moment. This short video about the soul of Leica is one of those short films that excels at that experience, and now I'm going to shut up so you can enjoy it.
There is something magical about having your 2D photos seem like they're actually 3D. It brings them to life in a way none other method can. The depth, the complexity and the subtle movements give your regular 2D photos more meaning and context, and it makes the viewer focus on the image much more than normal. Joe Fellows is a master of the 2.5D (Parallax) Effect and in this short video he shows you everything you need to know to make this effect yourself on your own images.
I’m calling it. This commercial for Volvo Trucks that came out today is the best commercial of 2013. What makes it – or other commercial shoots - so successful? Beautiful, simple ideas, a great concept, seamless execution, a bit of good old nostalgia and a pinch of the unexpected all mix beautifully to give us 70 seconds of pure brilliance. With four eight twelve twenty four thirty million views and counting, let's take a look and see why this ad has been so successful.
In this video Canon Australia challenges singer-songwriter Guy Sebastian and Canon Master photographer Graham Monro to change the story of three different scenes simply by changing between lenses. Specifically the macro Canon EF-S 60mm f/2.8 Macro USM Lens, the portrait Canon EF 50mm f/1.4 USM Lens , the landscape Canon EF-S 10-22mm f/3.5-4.5 USM Lens and the sports Canon EF 70-300mm f/4-5.6L IS USM Lens.