Suicide Squad opened in theaters this month and pulled in a staggering $133 million while managing to barely break a 25% critical score on the much-lauded review site Rotten Tomatoes. What this seems to mean is that when it comes to the comic-book-born heroes and villains of our youth, we'll show up in droves even if we've been warned.
Lofoten, Norway has been getting a lot of attention in the last few years, and rightfully so. Known for its incredible mountains, open waters, and unspoiled lands, it has quickly become a favorite for photographers looking to capture dramatic landscape images. Australian filmmaker Michael Fletcher took two trips here recently and came away with a fantastic aerial film, captured during the season of the midnight sun.
It’s videos like this that inspire me to fly more and capture the beauty in this world. I myself haven’t done much traveling, but there are a lot of awesome places out there to see. Karim Iliya captured a lot of amazing content out in Pachamama and put together this video in a very fun and entertaining way.
Something Thomas Heaton does a lot of us taking incredible and breathtaking landscape photos. Something he doesn't do a lot is show the full creation of a photo from conceptualization to presentation, including post processing. The real story here, though, is the desire to stay close to home and try to create art out of the "normal" and "familiar." What do you do when presented with nothing truly remarkable at first glance?
Drive Like Maria just released a music video for their song "Deep Blue." What makes this unique is that every frame has been rendered with the "Dreams" effect using the Prisma App. This app uses AI to create effects that make your images look like paintings of famous artists. It has many effect options, and it really looks as though a lot of time, knowledge, and effort has been put together to create it. It looks like Waking Life, but instead of drawing each frame by hand, Drive Like Maria has taken every frame of their music video and run it through the app.
Photographer Greg Florent has made images that capture Budapest in a new light. The images are made by taking them at the transition of daylight into sunset and then nighttime until the lights come on and the city's evening starts. He spends around four hours at a location taking one shot, making sure he gets the whole transition and changes of light to produce the images in post.
The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.
The Nikon Coolpix P900 has one monster zoom lens. With a 24-2000mm 35mm equivalence, this hybrid point-and-shoot camera really opens up the possibilities of what we are capable of capturing. In a new video from Sci-Tech Universe, we are able to see just how astonishing the results can be when they record video of the moon at full zoom.
Last week, the team over at RocketJump Film School released this awesome video about sound production in film. Sound production is probably the most overlooked aspect of filmmaking, mainly because you don't notice great sound design; it seamlessly helps you submit to the willing suspension of disbelief. Check out RJFS's experiment to see how much sound actually does affect the audience.
As photographers we often get our visual references from film, and our ideas can originate from a single scene in a movie that blew you away. It's the combination of sounds, the anticipation and fear, and all the emotions that the director gets to capture and convey for the viewer to experience. But, it's also worth noting that most movies and series have visual cues that originate from older, classic movies too.
This Cinemagraph time-lapse was made using only 12 JPEG images. The software allows photographers to create motion within a static photograph. You need to upload each image to the website, and then you design the movement within each image. Once you get a moving image "flowing" you can render it out and import it into Adobe Premiere Pro to create the final time-lapse.
I’m a huge fan of gimbal stabilizers, and absolutely love how easy it is to get dreamy, floating footage with these relatively inexpensive accessories. A lot of attention has been on products like the MoVi and Ronin, but other manufacturers have stepped up their game and are making products that are just as competitive in terms of features and price. One such item is the Moza Lite II, which I’ve been reviewing for the last few weeks.
Macro photography make the unseen visible. It gives our eyes that extra zoom to get in close and see the detail we usually just take for granted. From the eyes of a fly to the droplet on a leaf, you most likely have seen some great macro photography. These macro lenses are generally of superb glass which gives sharp images that contain a lot of detail. There is a range of lenses for Canon and Nikon camera systems.