By now you've likely seen this crazy commercial that features a couple of stunt flyers taking to the skies in personal jetpacks, maneuvering around a giant aircraft above the city of Dubai. If you haven't the finished video is below, but you might find more interesting is just how this insane concept got off the ground.
In a recent video, DJI aims to capture what the future with drones may look like. Personal video recording with multiple drones, anyone?
As recently as yesterday, we've seen all kinds of articles comparing various cameras' qualities to one another, pixel-peeping to see which one edges out the competition by a razor-thin margin. You can put your magnifying glass away, however, and trade it in for a beer as you sit back and watch a real comparison. Photographer Jim Goldstein took the pleasure of comparing two of Canon's top-of-the-line DSLRs from different time periods: the 5DS R and the Canon D2000.
Here's something pretty cool. Canon Australia has created a thing they call The Lab, described as "a series of experiments that are designed to take you out of your comfort zone, and get you thinking — and shooting — in a different way." Their first experiment, DECOY, involves having six photographers shoot the same man, but they are each told a different story about the actor's background.
Working in the creative arts world has always involved the struggle of conveying value to clients and educating them that our time has value and that exposure doesn't pay the bills. It's nothing new, and it will likely continue, especially as the barrier to entry in the industry continues to fall, but we all have the power to change it.
In this latest installation of Format’s InFrame documentary series, the camera turns to fashion and beauty photographer Solmaz Saberi who speaks from her experiences in getting started with photography to how she conducts a photoshoot to why she founded her own magazine. Directed by Bas Berkhout, you’ll want to check out this short video for your daily dose of inspiration.
What do you get when you allow two random people off the street to write a movie on the fly? The amazing screenplay “Under Sixty Seconds.”
If you've been on Facebook or hopping around YouTube's popular videos lately, chances are you've seen the video advert for the "Squatty Potty," a step stool used to make, well, going poop much easier on your body. Sound like a tricky concept to sell? See how a team of creatives turned an ad about a dookie-easing product into an Internet sensation.
You know, I always thought that Chatroulette was a place you went to speak to random strangers in foreign lands and sometimes see the unwanted privates of strangers in distant lands. Well, one director from Realm Pictures has used the platform in a revolutionary way to create one of the craziest choose your own adventure zombie and space adventure films, in which the viewers give our hero orders that will hopefully save his life and those of his shipmates. Read below to see parts one and two as well as the full behind the scenes content!
It's hard to keep up with Casey Neistat's daily vlogs, but today's stands out in particular for its special ingenuity and because it's Halloween. Thanks to a little creativity with an electric skateboard, some red cloth, and an Aladdin costume, New York City has Neistat and his buddy, Jesse Wellens, to thank for a truly epic Aladdin and Magic Carpet sighting. Go behind the scenes and see how they filmed it.
South Africa native Matthew Rycroft creatively combined creepy music, a creepy-looking dude, and some dark, chiaroscuro lighting techniques to create a video that brilliantly mocks the cliché Instagram accounts with which we're all too familiar. The final result is a well thought-out piece that's short and sweet and definitely leaves room for more.
Stanislas Giroux gets it. All of his videos have a common thread of featuring fantastic soundtracks. This video, "Curves of Iran," celebrates modern Iran's rich visual textures and — you guessed it — curves. Fitted to great music, fun (but fitting) sound effects to every cut, and a great overall tempo, this video makes use of hyperlapse-like cuts, but spares your brain from the monotony of yet another time-lapse by letting the actual shots play in real time once you've "arrived" at your new destination. Truly imaginative. And at the Giroux's request, I'll remind you to listen with headphones.
Keith Ellenbogen is an underwater photographer whose work centers on marine conservation, while Allan Adams is a theoretical physicist whose work revolves around fluid dynamics inside black holes. When they met at a party in 2013, they realized they could combine their talents to produce gorgeous video of some of nature's most interesting marine life.
On Thursday, Visual Supply Company (makers of the immensely popular editing app, VSCO) announced the release of DSCO, their new app for creating short, GIF-like clips. I downloaded the app and spent some time with it today.
GoPro announced last month that it is working on bringing a drone to market in early 2016, and the go-to action-cam company just released the first video taken from their drone. Thankfully, the footage looks incredibly stable — so stable that some shots look incredibly similar to something that would come from a track-mounted or cable-mounted rig on the ground. Of course, the slight slow-motion nature of the shots help mitigate the perception of any small movements throughout the flights, but the footage is surprisingly smooth nonetheless.
Storehouse angered a number of power users in its big shakeup with the release of Storehouse 2.0 which ditched a number of features for a streamlined, more privatized system that made it harder to use the platform as a photographer’s social media marketing dream. But the numbers are out, and while it may not become the next Instagram of photo marketing and discovery, here’s why there’s a good chance it’ll find its way into your living room, regardless.
To be clear, STARVIS is a new sensor whose technology is mostly meant for applications in scientific, industrial, and security spaces. And Sony won't give out any "normal" number with respect to ISO yet, either. Part of that might be because actual ISO is difficult to determine, since the back-lit CMOS sensor places its photodiodes in front of other hardware components that, conventionally, would block a substantial portion of light information. But as unclear as the exact results are, here, the latest advancements in ultra-sensitive sensor trickery point to a new level of attainability.
It didn't take long for artists to realize they could literally paint with light once photography came around... but light painting was certainly popularized by Picasso. While you might find some painting specific subjects by hand, others have found endless variation in more geometric creations. Spirographs, even if you don't know them by name, are everywhere (but are mostly used as designs on wedding invitations). While people have been light painting them into their images for quite some time now, the process isn't always clear. Thankfully, Jason D. Page gives some great tips on how to set up a spirograph shot through his Light Painting Photography Vimeo channel.
I have mad respect for Swedish independent film outfit Crazy Pictures for their big-budget cinematography skills that are being utilized on a moderately small budget with rigs and labor that are within reach of almost any videographer. They've put together an incredibly informative behind-the-scenes video that covers in detail the massive amount of work that goes into such a short segment of film.
We’ve long passed the beginning of the end and are now certainly in middle-of-the-end territory with respect to the freedom to fly drones. The latest high-profile drone incident further ensures that drone piloting will remain a privilege and not a right, though rightly so, as some people apparently can’t exercise enough common sense to stay away from populated areas (i.e. Los Angeles) and critical city infrastructure (i.e. power lines).
We've all heard the numerous stories of GoPros seemingly lost forever, only to resurface ages later, somehow still intact and functional. This one put quite a smile on my face (and a bit of a lump in my throat).
Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
When people think of visiting the Everglades, wading around neck deep, alligator infested waters isn't exactly what most folks have in mind. For Florida-born photographer Mac Stone, this is what he calls his office. Stone has been steadily developing his work in conservation, particularly of wetlands. He recently gave a compelling speech at a TedTalks event, discussing not only his evocative work but importance of the wild areas he works in.
Dixie Dixon has been a good friend of Fstoppers over the years, and she even came down to the Bahamas with us for the first Fstoppers Workshop. Lee and I have been preaching since the start of FS that photographers need to film behind the scenes videos their own photoshoots. I was absolutely thrilled to see that Dixie has produced this short video outlining exactly how you should incorporate video into your own business.
This week, Instagram released a new app called Boomerang in efforts to grow its need for world domination in the mobile market. This time, they took aim at popular GIF-like apps such as Phhhoto and Apple's New Live Photos. I am a huge fan of Instagram and it has helped me grow my love for photography into something far greater than I ever thought possible, but I have no idea why they keep creating exact copies of already existing apps. Are they trying to simply steal market share? Or, are their hopes to do what Twitter and Periscope did to Meerkat by creating something far better on a larger scale?
With over 40 years of portrait work under his belt, American Photographer Will Shively has become one of the most successful commercial fashion shooters in Columbus. Will found himself at a crossroads when he first decided to pursue his passion for photography. He got his BFA in painting from Ohio State University and was working for a design firm before being let go with a newborn on the way. But despite the risks involved, Will worked nights as a janitor at a local manufacturing plant while teaching himself the art of photography.
There are a lot of videos online, I mean a lot. The two words I hear out of clients that always make me cringe are "viral video." I want you to take a couple of seconds and expunge those words from your vocabulary... great! As many of you know SEO is the driving factor for long form content (such as this article.) Believe it or not, most of the principles that apply here are almost identical for video SEO.
Have you ever wondered how baby photographers (no, not babies that are photographers) pose newborns? Have you wondered how they got those little writhing, crying, flailing bundles of joy to stay the heck still for at least 1/200th of a second? Well, the crew over at Redhead Photography seems to have found the right combination. In fact, the babies in this video are so malleable that it's a little bit unnerving.
The ME20F-SH is Canon's latest, crazy-high ISO camera, able to record clean video at over ISO 4 million (not a typo). Early footage was lackluster in content, and early media stated the natural security-field uses for such a camera. But the latest video suggests the ME20F-SH could be used to shoot incredibly beautiful footage of our world that wouldn't have been able to be captured the same way in the past.
I'm not even sure they existed five months ago but since then the prolific crew over at RocketJump Film School have pumped out some really great educational (and often funny) content, quickly becoming one of my personal favorite crews out there. In this humorous short, "Droneward Bound," Ashly and Lauren (both adored) have to chase down a super sexy Inspire 1 drone as it takes on a life of its own. From there, director Kevin Senzaki jumps in on the second video to show us how they went about repairing the audio for the video. Senzaki jumps in on the second video to show us how they went about repairing the audio for the video.
YouTuber Michael Delaney found a pit full of rattlesnakes and, despite anyone's best suggestions, didn't turn back. Instead, armed with a GoPro on the end of a stick, Delaney recorded the scene, most of during which the only audible audio was the collective rattling of the bunch. Eventually, repeated strikes from multiple snakes knock the GoPro off of its mount and into the middle of the pit (good luck getting that one back). Put it some headphones, put the video on full screen... I dare you not to flinch at the first good strike...
Thank god for the interwebs right? Not just because it brings us badgers and cat videos but because sometimes it allows us to be places we couldn't other wise go. I'm of course talking about the 2015 Adobe MAX conference that just went down in Los Angeles. If you, like me, were not one of the "5000 most creative minds" fortunate enough to make it, then you may appreciate this glimpse from the conference floor. Adobe set up a display consisting of several mock bedrooms. Each room being representative of a time period and pivotal moment within Photoshop's 25 years.
Cinema5D founder Sebastian Wöber's latest three-part tutorial on drone shooting starts off with quite the introduction in Part I. Wöber could honestly be saying anything to accompany his to-die-for footage, but what makes it so fantastic is how great the information in this video is. From safety to beginner tips on getting started and how to get that cinematic shot you have in your head (don't worry, Wöber has plenty examples if you don't), Part I has you covered. And there's more to come...very soon.
A few weeks ago, I shared the second episode of the video series "Off the Beaten Track," where photographer Chris Schmid visited the land of the Maasai people, photographing their culture and the wild animals of the National Reserve in Kenya. Chris recently released the third episode where he explores a much cooler climate. Svalbard is one of the most remote places in the Northern Hemisphere. This episode is beautifully shot with the DJI Inspire 1 and DJI Zenmuse X5, giving you a new look into the quickly melting ice and the polar bears who live there.
Story & Hart's Academy of Storytellers just put out this wickedly informative video that not only highlights five great drone shot techniques but also breaks down their uses and how to actually achieve them.
Many people that want to get into filmmaking believe you need to attend film school to have a successful career. Many also believe that by purchasing a Red Epic Camera you will instantly become a filmmaker. Neither are true. After watching Casey Neistat's Guide to Filmmaking video, you learn that gear doesn't matter. Neistat does own expensive gear, such as the Canon 70D and the Canon 5D Mark III, however, he became a successful filmmaker and youtuber with dirt cheap equipment.
In a great example of practical visual effects, DIY Filmmaker Joey Shanks created a short video that at first glance appears to be some sort of cosmic time-lapse, but in reality is nothing but a clever, small-scale setup using household products that naturally react and create motions and colors in unique ways.
They say that the ability to still be surprised is the key to happiness. It's growing knowledge of the world around us that informs our expectations of behaviors of all kinds of entities that in turn ruins the surprise in our lives. It's the reason that we're not interested in our boring childhood toys. And it's the reason that it's so easy to stay glued to shorts like the Vimeo Staff Pick, "INPUT/OUTPUT," which juices our bored minds with just enough excitement and surprise to, at the very least, smile on the inside.
Over the summer, photographer Mike Olbinski spent an astounding 48 days on the road chasing storms during the monsoon season in his home state of Arizona. His epic new video, “Monsoon II,” is a captivating collection of the best of the best time-lapse footage he captured during his extended time on the road witnessing these giant storm systems. This is one time-lapse video you need to check out.
Nine-time Emmy award-winning TV producer and writer John Marshall found himself on Maine's Frye Island with too much time, talent and imagination. The result photo series, which he calls Sunset Selfies, is creative, whimsical and inspiring. I'd be ridiculously surprised if this doesn't spawn a whole slew of creative projects within our community, as enthusiastic shooters start cutting out their own cardboard silhouette to use during magic hour.
Canadian Designer, Photographer, and Cinematographer Tom Kucy doesn't sleep. Less than two days after we reported on NASA's huge release of over 10,000 never-before-seen photos from the Apollo space missions, Kucy decided to work them into a project that involves taking these almost half-century old two-dimensional film images and converting them into moving, stereoscopic 3D photographs.
Kai and friends at DigitalRev TV have got their hands on the very new and very exceptional Milvus lenses from Zeiss. Their test includes the 21mm f/2.8, 35mm f/2, 50mm f/1.4, and 85mm f/1.4 models that make up the core of this new lens system. These new lenses were designed from the ground up to keep pace with the insane resolving power that modern digital camera sensors are capable of.
Lately it seems that DJI has been releasing innovative video tools every single month. Known primarily for their ultra popular Phantom and Inspire 1 drone systems, DJI just announced today that they are releasing their own handheld 4K camera and gimbal called the Osmo. Together with the Ronin DSLR stabilizing system and the Micro Four Thirds Inspire 1 Pro, the Osmo is yet another product that will change the way photographers and videographers can capture stabilized footage on a budget.
“Star Wars” fans around the world are patiently awaiting the arrival of “Star Wars: Episode VII The Force Awakens” on December 18. That being said, the hype train has been running full steam ahead since the initial trailer for “The Force Awakens” was released almost 10 months ago. Since the release of “A New Hope” in 1977, “Star Wars” has created a fanatical fan base, with an expansive universe and many stories to be told. Fan films have been a part of that universe for many decades now, and they have gotten so big that “Star Wars” has an entire section of their site with awards dedicated to them.
Freelance videomaker and visual artist Julianna Thomas did something unique recently: she shot an entire series of black and white subjects, but in color. As a response to one of her greatest pet peeves, Thomas created "Black & White In Color" as a "personal response to treating black and white as an editing afterthought."
In this video we see Antwerp, Belgium-based commercial photographer Andy Van den Eynde tackling color correction on location. Andy starts by dropping his base temperature down to a cool 2800K and then recreates the warm glowing effect of torch light using gels from his Rosco Color Correction Filter Kit. What I found interesting was how he actually builds torches out of strobes and gels, which provide the rim light and the glow that would be thrown off from actual torches.
This is one of the best lighting tutorials I've ever seen, being both educational and entertaining. The German-based production company, Dugly Habits, has created this lighting tutorial for the Dedolight International Competition 2015. Using the Dedolight SPS5E Lighting Kit and a handful of other lights they construct three entirely different atmospheres in one room along with a wide variety of lighting tricks to create the illusions of car headlights, candle flicker, lightening and more. What's even cooler is how they deliver this educationally rich tutorial.
I'm definitely NOT a studio photographer, but I respect and understand why for a urban running photoshoot like this one, it can make things a whole hell of a lot easier by doing it in the studio. Steve Brown shares some insight into his process in this behind the scenes video.
No doubt you are familiar with some of Lewis Wickes Hine's work. He is the guys who took the iconic photographs of the workers who constructed the Empire State Building in New York City. But what you may not know is that he first shot for the National Child Labor Committee, documenting the child workforce of America during the industrial revolution. And that his work went on to influence politicians and law makers by drawing national attention to the harsh realities of child labor.
It can be daunting to try to think of a completely new, never-been-done-before concept for a shoot. But sometimes, the answer is surprisingly simple. In an age in which everyone is touting shooting on the latest equipment with 4K video, while begging for ever-greater bit rates, Japanese designer Dan Tomimatsu took pause to give us something refreshingly simple and beautiful. Using a water droplet "stuck" inside a five-yen coin as a lens on an iPhone, Tomimatsu shot "O (eau)" with the intention of reminding the world that beauty can be found outside of razor-sharp 4K imagery.
