Videography

Dynamic range tends to be an important feature for any camera and something many photographers either boast or complain about. Canon cameras aren't really known for their dynamic range performance, but in this "two-minute video," Peter McKinnon explains how you can use the built in Canon picture profiles, to improve performance for video.

DaVinci Resolve is a fantastic tool and has everything most videographers need to create perfect looking videos. However, the playback can be a bit slow and thus make the whole workflow a pain. But there is a one-click solution that will make your life much better. When I found out about it, my editing process became much faster.

If you’re making a film, obviously the focus needs to be on the story. It seems that’s become the popular counter to a lot of debates about the fine-tuning of an image. While Roger Deakin’s mentality of “the type of camera doesn’t matter” can hold true on most levels, if we’re going to take ourselves seriously as creatives we need to be actively making decisions about how and why we create. Why do you choose this over that? And how does it affect story? One of the most important decisions you make as a director of photography or cinematographer is about lenses.

London-based Director Oscar Hudson recently released a mind-boggling music video for Bonobo’s “No Reason,” and it's incredible. The music video, which is an homage to Hikikomori, a growing problem in Japan of adolescents and adults who withdraw from society and become increasingly isolated, was filmed using one continuous shot and only in-camera effects and no CGI.

Live streaming on Instagram, YouTube, and Facebook is nothing new in the age of social media. It’s a fantastic tool for marketing or just showing how much fun you’re having on a fun new adventure. What if you were able to completely immerse your viewers in the environment you're streaming? InstaAir 360 is one such a camera and I was given the opportunity to work with it.

In a world full of copycats and sequelitis, it isn’t always easy to be inspired. But every once in a while, mixed in among the sea of sameness, you will discover a true original. I am not the only person to be fascinated by the work of Russian Filmmaker Andrei Tarkovsky. His brief but spectacular canon of films, including the likes of “Ivan’s Childhood” (1962), “Andrei Rublev” (1966), “Solaris” (1972), “The Mirror” (1975) and “Stalker” (1979), stands among the most innovative cinematic careers in world history.

Here we have food tutorial videos inspired by Wes Anderson of "The Grand Budapest Hotel", Quentin Tarantino of "Kill Bill", Alfonso Cuarón of "Children of Men" and "Gravity", and Michael Bay who gave us "Transformers" and "Armageddon". Take yourself out of your regular industry and client mindset and envision yourself in another niche, shooting something you wouldn't normally do. How would you make a food tutorial? How can you use your influences and own unique style to make a video about something different to your usual niche?

Have you ever wanted to try your hand at dramatic macro shots of insects, but don’t have a studio setup or - let’s face it - the desire to cart strange insects back from your outdoor excursions? Entomologist Phil Torres has a neat solution. In this video, he takes us through his simple and elegant setup for shooting studio-quality macro photographs in the field.

When making films, we experiment with different camera setups, locations, times, and various equipment to try to nail that scene exactly how we see it in our head. Lately though I have been experimenting a ton with movement. It really immerses you into a location and gives you the feeling of being there yourself. It also is great way to piece a story together seamlessly. Now when I saw one of my favorite filmmakers make a video this specific subject I knew I had to share it.

Smartphone video is seemingly getting better by the minute. While they may still have a little way to go to match a $50,000 RED Weapon (though it's closer than you think), smartphones can be utilized to create videos of astonishing quality given the obvious limitations (small sensor, fixed focal length lens, noise issues created by limited ISO capability). In his latest video, popular YouTube photography personality Kai Wong discusses various tips to get the most out of your smartphone videography.

Ring lights used to just be a fun type of portrait lighting style, but now are becoming more and more popular for YouTubers and vloggers who need a soft, even light on their face for a camera that sits close to them. Caleb Pike from DSLR Video Shooter is a self-proclaimed do-it-yourself enthusiast, and made this tutorial on how to make a light that is similar to a ring light, but creates a triangle shape instead of a circle.

Recording in 4K is the rage these days. However, most of us and most of our clients will not be using a TV or monitor capable of displaying 4K resolution, so why bother? Peter McKinnon explains how you can use the large video size creatively and gives some tips, like how 4K footage down-sampled to 1080p looks much better that shooting 1080p.

Most of the successful photographers and videographers that I know are effective at constructing a plan and making it a reality. And for the most part, this works, and when it doesn’t they usually have a backup plan. This is the base expectation for most people that have actually put time into developing their career. If you've worked long enough, you know that the odds are pretty great that things won’t go exactly as planned, so you prepare for that. But what I find is overlooked so often is not necessarily the forethought to make a Plan B but the forethought to consider how you will handle yourself when things inevitably go wrong.

Long takes in films are always impressive because they show a continuous performance of the actors within the scene without any cut. This requires very focused work both from the actors and the people behind the camera. I say "people" because it's not only the camera operator, as you can see in this behind the scenes from the movie "Atonement." It shows how they achieved a spectacular five minute long take that involved hundreds of people, horses (even dead ones), and an abundance of historical props. I thought it was all shot by a steadicam operator walking with the actors but I was surprised that it wasn't that easy.

In the quest to achieve smooth panning shots for cinematographers everywhere, there are several different methods and tools to use. Usually, if you want to do a targeted curved panning shot around your subject, you would have to set up a track and dolly system. With the advancement in drones, you can now use those for outdoor shots, but what if you wanted something that didn’t require as much space and work indoors?

A Sumatran tiger at a United Kingdom zoo strolled up to a Nikon KeyMission 360 camera, swatted it down from its perch on the fence, and chewed it up a bit. Needless to say, the KeyMission survived and safely protected the memory card with the footage in the process.

In preparing to shoot a travel video when I travel to Vietnam in October, I came across this great video by travel videographer Brandon Li. In this video, Li gives some great tips on how to plan your video practically.

Adam Hamwey has all the skills a videographer ought to living and working in New York City. However he doesn’t work for a production house, or in a marketing department — he follows somebody around all day and vlogs for them. That’s right, he’s the personal camera crew for one John Henry, a young entrepreneur based out of NYC.

If you've ever been swiping through Instagram and noticed that certain black and white images had a particularly dramatic, vintage, or even sharp look to it, chances are there was a bit more going on than simply selecting a basic filter. In this in-depth video walkthrough, Sean Tucker shows several techniques he uses to really pull the most out of Instagram images in black and white.

When I first started in filmmaking, I didn't want anyone in the world to know how I made my first video because I knew filmmakers usually have expensive tools and expensive software. At that time I didn't have either but I made that video anyway. Today I'm going to share the details with you.

It’s always good to know several different editing techniques to add visual effects to your project, as you will never know when you'll need them. Adding visual effects to your videos can make your amateurish video look more professional, just as long as you don’t go overboard with them. One effect you may have seen before is the glitch effect, in which you purposely cause your frames to mess up to give the look of a technical issue in the film.

Best idea ever? The crew over at Droptree Productions took every chance on breaks and in between takes to capture clips for a ridiculous (and amazing) music track, just for funsies. And we love funsies. It's not just a lip dub of a popular track either, it's all about film production and has everything from a fresh beat to a rippin' guitar solo from a dude with a giant beard. Stop what you're doing and watch this.

The best photographs and films don’t just bring beautiful visuals to the table. They also place story right at the center of their very make up. “Killing The Rock” (KTR) is a five minute demonstration of this, and reminds us of how commitment to our craft combined with small collaborative like-minded souls can tell stories that go deeper and reach further than we ever could going at it alone.

Interviewing interesting people can be an awesome experience that when done right, will provide impactful insight to your next video project. When done wrong however, you may find yourself asking the client for a do-over or spending hours in the editing room cleaning up mistakes.

Every time I’m on a set or grabbing coffee with another local filmmaker, we always end up talking gear for a bit, and inevitably the question comes up of “What camera would you buy if you had to buy right now, and why?” I decided to research things a bit and put together an article that explains what I’d buy if I absolutely had to right now, and the answer might surprise you.

Earlier this year, the Japanese Experiment Module (KIBO) on the International Space Station (ISS) installed Sony's a7S II mirrorless camera on its exterior. The a7S II is known for its gorgeous 4K video capabilities and wide dynamic range. Sony released video transmitted back from space as the module made its way up the east coast of the United States; The results are truly incredible.

Makeup artists and hairstylists are as much artists as we are as photographers. However, when starting out, they often lack quality content to promote their work. Even later on when well established they sometimes require content to keep their social network feeds regularly updated. While working for free all the time for everyone isn’t sustainable, helping out people we work with may be beneficial for everyone. Here are two simple things you can do while on set to help your team out with their social presence and marketing. Best of all, it may even boost your social engagement and followers base as well as your work.

Does your choice of editing software matter? Are style and substance mutually exclusive? Is film school necessary? Starting out in filmmaking generally predisposes one to having a veritable plethora of questions ranging from what gear to buy to borderline existential crises. This helpful video answers most of them (they can't help you with that existential crisis).

Transitions can be very useful in your video to move between scenes instead of just having the end and inserting the new one. There are several different transitions to use, some are very creative and some involve some great skills behind the computer. There’s a few transitions that can be done all in camera and can help you change them up.

Dancing on treadmills, zero-gravity choreography, laser-beamed toast, and extreme dominoes — this is a list of some of the wonderful and wacky ideas OK Go have turned into music videos. Every one is wonderfully executed, but how do they devise and develop such elaborate and complicated ideas during their creative process?

There’s a quiet 360-degree battle being fought behind the scenes at Apple and Adobe when it comes to your favorite non-linear video editing tools, Final Cut Pro X and Adobe Premiere Pro. Some recent hires hint at an expanding 360-degree video portfolio at both companies.

I'll start with a rather obvious warning: this video and article may contain spoilers for anything that happens up to and including episode 2 of season 7 of "Game of Thrones." With that out of the way, we can look at how the incredible fight scene of that second episode was created.

Flying a drone often enables the possibility of getting some really unique and arresting shots, but it also takes a fair amount of skill or even a second operator on a dedicated camera controller to pull them off. These five simple shots will give you similarly excellent results with minimal effort.

The summer box office is a very complex orchestra of films. Filled with independent dramas, giant cast comedies, and huge blockbuster franchises all vying for a spot at the top to profit big on their investments. Sadly for "Valerian," that did not happen over the weekend even though they spent over 180 million to create it. Here is why it flopped and how you can learn from it as a creative.

Cranes are quickly becoming a staple in the bags of many videographers and for good reason. It has a smaller footprint, lower cost of entry, and has a relatively low learning curve than most gimbals on the market. Even though most users can pick up and go without ever opening the manual. There are still fundamental crane movements that you need to learn to take a good scene and make it a great scene.