Videography

Over 56 million acres of land in the United States is owned and controlled by approximately 500 Native American tribes that received federal recognition and sovereign land from the U.S. government. Living on this land, although a blessing, has made us invisible to the public eye. In addition to the geographical invisibility, our history, modern culture, and social issues have been swept under the rug for decades by mainstream media and the U.S. government. They typically stay out of the reservations altogether, but unfortunately, people can't fix a problem unless they view it with their own eyes, after all, "seeing is believing." This is the reason our own cameras are crucial to healing our indigenous communities.

As a budding YouTuber myself, every time Peter McKinnon uploads a new video, I'm taking notes. His growth on YouTube has been nothing short of spectacular and a lot of this comes down to his ability to create videos that are visually engaging with great storytelling.

Freefly has spent the last several years making some of the most impressive handheld gimbal-based stabilization systems and high-end drones for use with cinema cameras and advanced DSLRs. Today, however, Freefly introduced the Movi, a small stabilizer for your iPhone that brings their gimbal tech to the masses.

With the advent of digital photography, more shutterbugs than ever have taken to calling themselves photographers and many have even gone into business for themselves. Now, with those same digital camera manufacturers offering better and better video options embedded into each iteration of their flagship still cameras, more and more photographers have added the word “filmmaker” to our business cards and taken aim at everything from short films to features. But being a real filmmaker requires more than the ability to just produce stunning images.

In a world where flipping our images between color and black and white is as simple as the click of the mouse, photographers and cinematographers today aren’t often tasked with knowing the complexity of how those vibrant colors actually come into existence. But in the early days of cinema, when competing processes for color reproduction took turns as the next best innovation, one name reigned supreme: Technicolor.

Everyone wants to shoot better videos, and as we all know, it doesn’t require the best gear and the production. You can even spice up your videos by using simple tricks during the shoot and the editing. The well-known YouTube Channel, Cooph, shares six simple tricks that will make your videos more interesting and professional looking.

A black rugged box that costs $50,000, has an "8K" label, sometimes it's called а "weapon," and it also shoots. What is it? A RED camera, of course. In this video, you will see the process of how these professional cinema cameras are manufactured.

While cameras haven’t yet caught up the standard, the HDMI forum has no problem pushing the envelope out and looking far off into the future.

Eric Flores Garnelo has made a short film using mainly cinemagraphs to create the scenes. The audio is well produced, and the production of the scenes are done with craftsmanship. Watching each of these shots with only one item moving opens up the capacity to contemplate. Being a photographer, the first phase was to think how he did it and what it must have taken to actually get the shot. Secondly, it takes you deeper, into the human condition and the small moments during the day that can seem insignificant, but holds so much beauty if we just opened our eyes.

Motorola has really done something different with their Moto Mod offerings. They have put out an entire line of products that are compatible with multiple Moto phones via a sturdy magnetic docking system. The idea is a genius one in that it finally does not have to live within the tight space requirements of today's wafer-thin phones. Taking the Moto 360 Camera Mod for a spin did not disappoint.

There are many things we have to remember to have with us while on set for a shoot, sometimes those things can be really questionable until you need them. Some of those things can be as simple as carrying extra screws with you, something you might not need but really helpful when you do.

Sound and image go together like chocolate and peanut butter, so if one is a little off, the whole concoction is spoiled. This helpful video will give you some very practical tips and tricks for creating realistic and effective sound design for your video work.

It's always a polarizing topic even from the time a new camera body is rumored. The 4K specification brings forward the passion of the most vocal in the video community. But for all the back and forth, will it alone actually make your video better?

As filmmakers and photographers, we tend to guess how other people shot specific scenes. Depending on our level of experience, we may be right or wrong. In this video we can see the approach of master DPs to deconstructing the cinematography of their favorite moments from "Blade Runner."

In the last few years, filmmakers all over the world have been expressing their creativity by shooting short and feature-length movies using their phones, showing that you should never be afraid to tell a story if you don’t own a $50,000 camera. Here are five great ones, shot on five different generations of iPhone, including one shot entirely on the new iPhone X.

Life as a videographer or photographer would be awesome if every shoot and subject had the time and patience to allow us to think through every shot and experiment with our creativity, but that's simply not the way things are. Even if you're not sure how to tackle a project, this helpful video will give you a list of shots that will help you get usable footage.

There’s nothing quite so frustrating to anyone in the business, as having your camera become outdated in less than a year. When I look at the current line up of camcorders, I’m beginning to think that they’re about to be replaced by the cameras that should have been released in the first place. The camcorder market is falling behind.

Sharp made a new camera—well, not a camera per se. It’s a camcorder. But that doesn’t really sum up what it is. Sharp made an 8k camcorder that’s decidedly not for cinematographers. Also, it’s $77,000. In short: I have many questions about all of this.

When grading videos, it’s not rare that we have to transition grades between different sequences or within one single shot. Using DaVinci Resolve 14, it’s quite easy to achieve a perfect transition from one grade to another. In this three-minute long tutorial, Casey Faris shows us just how to do this.

"Mindhunter" is one of the recent Netflix releases that has me hooked. It has psychology, mystery, analysis, and how the FBI and police went about training for the serial killers who didn't have a motive. It's based on true events, and because the series is set in in 1977, which has different cars and fewer people and buildings than we have now. In this video, you'll be able to see how these shots were altered in postproduction to give the story the 1977 setting. Buildings and trees are added, marks on roads replaced and colors changed to give the series its moody, raw film look.

In April 2016 I featured a video of one of my favorite places on Earth: Lofoton, Norway by the brilliant filmmaker, Dennis Schmelz. Well, Schmelz is back at it again, this time with The Beauty of Greenland in glorious 4K.

Being involved with video more and more recently, I have been wondering this myself, why choose a cinema lens over a regular photography lens when it comes to video? Photography and Videography are similar in many ways, however, video seems to be a whole different world when it comes to codecs, shutter speed, lighting, lenses, aperture, focus, and so on. In this video, Greg and Caleb share some knowledge on what lenses should be used where.

Philip Bloom is a world-class filmmaker with an impressive body of work in broadcast TV, feature films, and independent productions. Most recently he has been the cinematographer on the acclaimed CNN show “The Wonder List.” When I found out that he was partnering with MZed to create an immersive course on filmmaking, I jumped at the chance to review it and also had the opportunity to speak to him about the project.

If you've seen our latest comparison between the iPhone X and the Panasonic GH5, you see that the iPhone suits the run-and-gun type of shooter who makes videos on the go where you want the gear to get out of the way with a small and light form factor. In this video, the team at AmnesiArt made a professional video for Elise Lepinteur, the protegee of Christopher Adam, a worldwide famous pastry chef based in Paris, France.

Snap Inc. is still alive and well but they begin to look at new ways to revive its social presence with Snapchat. Snapchat has been getting some bad press for months in the wake of Facebook and Instagram essentially stealing their entire platform and adapting it to their own social networks just over a year ago. Though Snapchat still continues to grow, every so slightly, each quarter with monthly active users they are no match for Facebook and Instagram Stories. Their answer, to begin paying top contributors to the app like YouTube has done with their biggest creators.

When you get in the video world, you soon realize that editing can go pretty far, but it’s not as easy as Photoshop. It tends to take more time to get to a decent result, and a tremendous patience to achieve perfection. In this short tutorial, Steve from MiesnerMedia shows us how to smooth out skin in our videos using DaVinci Resolve 14.

Outdoor Adventure Photographer Chris Burkard has spent much of his career documenting the harmony of man and nature around the world. Best known for his surfing photography, Burkard recently directed a documentary called "Under an Arctic Sky" about a group of surfers venturing to Iceland in the dead of winter in search of waves. This recently released behind the scenes showcases the daunting and treacherous production.

The HERO6 is the latest action camera from GoPro. Although it boasts some pretty cool features and specs, it's missing some much needed optical stabilization. Currently, it only has digital stabilization available which crops the footage slightly, and even then this feature is only available when shooting at 4K 30fps. If you intend on shooting at 4K 60p, which to be fair is the main attraction of this camera, then, unfortunately, there is no internal stabilization available, meaning the footage from the camera can be very shaky and not pleasant to look at. This can be corrected in post with some potential adverse effects or, you can use a 3-axis gimbal.

Every video project is different. You can have a client looking over your shoulder at every instance, or you can have a client not giving you any direction of what they want, which leads to multiple re-edits to produce a video they like and need. This means that where you can save time, you should. And one of the areas you can cut down is to know your NLE (non-linear editing system) and optimize it to suit you and the project you are busy with. In this video, Pond5 shows how you can streamline your editing and speed up your workflow.

Whether you are a photographer looking to get into video or a professional video editor, these small changes can change the time you spend editing in Adobe Premiere. I enjoy editing, don't get me wrong, it's just that I would like to speed up the mundane parts that make sense when you want to focus on the creative storytelling aspect of your video.

When the Panasonic GH5 came out, it was intended to be targeted towards video people. This camera tops out the GH4 by far with its in-body stabilization and variety of frame rates and recording options. However, when the GH5 first came out, it seemed that it still needed a bit of work. Now with the V2.0 firmware upgrade, these problems seem to be solved and this camera has been beefed up pretty good when it comes to video.

Video is so hot right now. If you are a videographer, you are doing very well with the number of opportunities at your disposal on the freelance and commercial front. If you are a photographer, you have an entire world of chances to jump into the scene quickly, cheaply, and with access to high-quality equipment across the board. What about 360-degree video though? That is where Rylo comes in, a 360-degree camera that claims ultra-smooth cinematic footage for the everyday creative.

"Fight Club" and "Se7en" Director David Fincher's distinct camera work has polarized film critics throughout his career. But with the release of "Mindhunter" on Netflix, this video delves into the nuts and bolts of Fincher’s style, and what this means to the audience.

As our phones get better with taking videos, it makes sense why there's an explosion of filmmakers hitting the industry and more and more YouTubers starting off in their new journeys into creating film every day. Hundreds of videos are uploaded to YouTube every minute, and it's only getting bigger. With more people using their phones, GoPros, and mirrorless cameras, the need for gear to make smoother, more professional looking gear has increased. Enter InMotion digital slider.

The Sony RX0 is the brand’s most ambitious jump into the action-cam style atmosphere to date, but even that is difficult to say without adding in, “Well, it’s not really an action camera.” With Cinema5D’s sample footage and review of the camera, we get a closer look as to what this camera actually offers.