Fstoppers Original Articles

This entire summer for me has been hectic. Doing photography full time at the age of 23 is certainly awesome, but there is so much stress and hard work that comes along with it. Between work and my personal life, it has been extremely difficult to balance out my time to create my own content, but in no way have I let that slow me down. This summer alone, I have been out to so many places creating new content and I think that this is honestly the most important thing we can do as creatives.

As photographers, we may not always think about taking pictures of ourselves, but having a current headshot is extremely important. Think of it as your own personal little billboard that allows people to see your ability as a photographer. After all, if you don't have a good picture of yourself on your website, what would make anybody believe that you can take quality pictures of anyone else?

Today, I’d like to talk about three key elements that I feel make up each and every photograph we take. Of course they are not the only elements, but I feel that they are the most important. Specific shoots, like fashion or automotive commercials, require all sorts of preparation and specific skills. However, at the photographic level, three key elements still apply. If you consider your composition, light, and moment, you will be well on your way to making a successful photograph.

I've actually had quite a few people request that I create a tutorial for my production processes wherein I add background textures into my studio shots. I know, it has taken me forever to get around to actually putting it together, but it's here now! The tools that I will go over in this tutorial are quite handy for a variety of uses. But for this tutorial, we will specifically use them to select and mask the background in a studio portrait shot.

While Taylor Swift’s gorgeous looking revenge-fest music video to “Look What You Made Me Do” continues to break streaming records across the Internet, I’d like to shine a light on some of the lesser-known music videos that have stood out over the last few months that don’t demand the eye watering budget of a Swifty vid.

In the boudoir industry it is a main priority to help the client feel confident and empowered. Some clients prefer the high-key fashion look associated with strobe work and solid backdrops. For those clients who prefer the anonymous images, Chris Nelson guides you through how low key images highlighting just the curves while shadowing the mood can help your clients make the decision for that large fine art wall piece.

As a former computer scientist, I’m all about finding efficiencies in my workflow and making my life easier. Some people might call it laziness. Logically, after years of shooting with a traditional DSLR kit, I was ready to ditch it in favor of moving to a small and light mirrorless set up. However, no other camera body appealed to me as much as my Nikon bodies for professional shooting. The combination of the great grip and ergonomics, fast and accurate autofocus system, solid battery life, and great image quality makes them a delight to use professionally. I didn't want to let go of the camera bodies so I decided to try something else first…

Los Angeles photography studio Kremer Johnson has come up with a unique idea for their latest personal project. The series features such impressive portraits you will immediately think you should know the subject. The thing is you don't; the photos are just that well done. All the models are simply people who responded to a Craigslist ad titled "Characters Wanted," agreeing to be compensated $20/hour for their time. I reached out to Neil to find out more about this brilliant idea.

Nikon Ambassador Dixie Dixon got the chance to shoot with a pre-production D850 for a few days. She used a few fashion shoots to break in the D850 and shared some of those images with us here, explaining her experience "shooting in beast mode," as she called it in a recent live stream with B&H.

So I'm just going to come right out of the gates swinging and put it out there; dedicated Facebook business pages are not relevant anymore. The year is 2017 and Facebook has evolved into one of the most efficient advertising machines out there, giving users the opportunity to spend money at every glance. In doing so, it has become the same old commercial that everyone hates and has destroyed the need for a Facebook business page at all.

I’ve been to the New York State fair for more years than I can count. It’s a great time. There are carnival rides, animals, music, and lots to photograph. Oh, and of course, corn dogs. But in recent years, I’ve found myself carrying less and less photographic gear to the fair and just enjoying the moment. Except that I wasn’t really enjoying the moment because I wasn’t making photos. That's why this year I decided to challenge myself to make different photos of the same event.

Here we are, another year has gone by and we have just enjoyed the release of yet another camera that is "certainly" the most amazing thing since sliced bread. This new camera comes with promises of wondrous grandeur that are only cemented by the inevitable implication from its maker that it is the camera that will help you create truly better images than you did before. This is, of course, nothing more than marketing hype designed to get you to spend your money.

Do you remember when it was easy to trick search engines into ranking your website high for a search term? Or the time when it was sufficient to insert your keyword all over your website and you'd rank high in search listings? The good ol’ days of purchasing a domain name that was literally your top preferred search term to rank for, and stuffing your website with that same keyword and tricking Google into listing your website first are long gone and the rise of content marketing has taken over.

When I was starting out as a professional photographer, I felt I had to be all things to all people. Any work that came in, no matter what genre of photography, how boring or bizarre, I said yes. If a company came to me with a request and they said they couldn't afford my quote, I'd bend myself in to unnatural shapes to accommodate them, because some money is better than no money, right? I eventually came to the conclusion that this was unsustainable and I began to say no and to quote those awful click-bait titles, you'll never guess what happened next.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Primarily, I'm a NYC Wedding Photographer. However, I also photograph business headshots in my NJ Studio as well. I love doing this as a side-gig that brings me extra money for practically no work at all. To be honest, I wasn't really all about it when D.C. Headshot Photographer Moshe Zusman told me I should start implementing it into my business. Seemed a bit boring and I didn't get how it would make me more money than the $10,000+ High-End Weddings that I photograph now. I was wrong.

North Face athlete. National Geographic Adventurer of the Year. Painter. Cinematographer. Filmmaker. Whether climbing first ascents or hanging off cliffs to film hallucinogenic honey hunters, Renan Ozturk's bio reads like that of five people. Fstoppers was lucky enough to interview this talented creative. Find out all about him and his process here.

Vanity magazines are a popular place for photographers to submit images to when they are looking to take their photography to the next level. Eager photographers who want to shoot fashion or beauty will scour the Internet for fashion magazines that accept submissions in the hope that these publications will be a rung on their ladder to success. Unfortunately for many photographers, rather than climbing the ladder, they’re merely wasting time and money.

When first getting started, photographers often become mesmerized but also overwhelmed by the sheer scope of learning they must do to figure out all the various new gadgets and doohickeys that they have recently acquired. Usually, this focus tends to be towards more expensive photo-related tools, while some of the seemingly trivial tools end up being cast aside with the thought that they simply aren't worth the effort and can't possibly be all that important. When I was first getting started I wish someone had given me a good shake and simply told me to spend a few dollars and pick up the following tools as they would be invaluable for the indefinite future.

I find myself in a grateful mood this week. Well, to be honest, I find myself in a grateful mood every week. Through both times of feast and famine, it is impossible to escape the unbelievable good fortune bestowed on me to allow me live on this earth, to create art, and exist in a world where I am allowed to dream. Whether you win or lose, getting to play the game is a gift and shouldn’t be taken for granted. So this week, between crafting bids, fine-tuning cold calls, and assembling moodboards, I am taking time to do a different sort of brainstorming: how can I give back to a world that has given me so much?

Catchlights are those beautiful, almost imperceptible, reflections in the eyes of your model that bring their expression to life. When photographing portraiture every effort should be made to capture this light in their eyes, but sometimes they come out so faint the impact is simply not enough. Fortunately, there is an easy fix.

The Hasselblad X1D-50c is the company's most affordable medium-format camera and represented a major shift as the world's first mirrorless medium-format camera. Hasselblad released a new firmware update that brings two new features users have long asked for: electronic shutter capture and more, multiple, user-selectable focus points. How well do these features work? I'll tell you, firsthand. While you can look out for a full review of the X1D-50c in a bit, I took the liberty of loading the new firmware update onto the camera and took it for a quick test drive.

As my grandfather would have said, it’s better to be pissed off than to be pissed on. I guess he was right in some regards. For the most part, being rubbed the wrong way never becomes comfortable, and even photographers have a breaking point.

If you try to pinpoint a single reason that the D850 is creating as much buzz as it is, it would be nearly impossible. This isn’t an amazing camera that has a singular standout feature. It’s the precisely and perfectly juxtaposed array of many new features, big and small, that culminate in the D850's success as a standout camera. Here’s a quick dive into some of the top, more obscure tricks the sold-out D850 brings to Nikon’s top line, how much they’ll really help your photography, and what limitations these features have.

Being a professional photographer is an expensive game. Even really basic equipment is hard on the pocket. A lot of us (myself included) get this nagging doubt that our current kit is holding us back. I'm also guilty of getting gear envy when I see other photographers behind the scenes shots on instagram. However, professional photography is a business just like any other and it needs to make a profit, meaning spending on kit needs to be proportionate to your profit.

I started using Syrp for time-lapse and motion control almost a year ago and I find the system very good for what it is; a way for photographers to step into motion control at a relatively low price point. The first piece of Syrp kit I purchased was their Genie Mini and having the ability to pan was a way to add more interest in any time-lapse I wanted to create. After a month I went ahead and purchased the rest of their 3-axis kit including the Syrp 5.2' Magic Carpet Long Track Slider which has been great to use. The only issue is if you want a longer slider, Syrp doesn't make a way for you to connect two of their metal sliders together. With very little ingenuity, you can connect as many metal sliders together as you'd like at a relatively low cost.

Scrolling through my Facebook newsfeed this week brought up something interesting. Dan Fable, a Manchester musician turned photographer/videographer, was offering an insane deal for bands. What’s more insane is that people weren’t taking him up on the cheap offer.

Since the beginning of time, humans have been drawn to the mountains. Naturally, if you’re a photographer and have a taste for adventure, the mountains seem like the best place to go shoot. Dramatic landscapes, beautiful colors, and natural majesty of the great outdoors is the perfect recipe for compelling imagery. However, we must prepare properly and to be aware of the dangers in these places because a mistake in the mountains could be fatal. If you take the time to research and know the variables that Mother Nature presents there is no reason your shoot won’t go as planned.

In 2013, a small quadcopter flew close to German Chancellor Angela Merkel who was attending an outdoor political meeting. A year later an inebriated federal agent crashed his Phantom in the White House perimeter. Fortunately, the drone did not damage Michelle Obama’s vegetable garden, but following this event DJI implemented the no-fly zone feature on its entry-level drones. However, this measure is not completely effective to prevent rogue flights and authorities are looking for solutions to counter drones from flying in restricted areas. Let’s review the current anti-drone solutions and challenges associated with neutralizing a small UAVs.

When you rely on creativity for work, a battle with the absence of these abilities can be detrimental, especially when you’re freelance. No matter what type of creative work you do, there will come a time when you feel like your powers have dried up and you are no longer capable. It will seem like the ability to do anything is gone forever, everything you make is crap, and no good ideas seem to be coming to you. To understand this problem as universal and cyclical is a step towards understanding what it is that drives your creative abilities. There are ways to elevate past these woes and continue creating your best work. Here are five easy practices that can help you in your woes next time you are met with a creative block.

I absolutely love flying my DJI Phantom 4 Pro. This is my first quadcopter, and from talking with other pilots, the Phantom 4 Pro clearly evolved from previous generations. I am continuously implementing my Phantom in my still photography work and by no means is this a desire for obsolescence. The Phantom 4 hasn't been on the market that long and there are a ton of great accessories available that make it even better, too. This is part review of the Phantom 4 Pro and part feedback for what I hope inevitable future updates bring for so many pilots. While there is still time ahead of the next release, here is my wishlist for features that the Phantom 5 Pro might carry.

We all wonder what Nikon or Canon’s next camera is going to be like or how will social media channels that affect our business evolve in the near future. But what about the distant future of photography? Let’s see some predictions about the photography, gear and business.

There are often things that are helpful to workflow, no matter how minor they are. One of my favorite customizations to a new install of Photoshop is the cursor customization. When watching a tutorial and I see the instructor clicking through a menu instead of using a shortcut key for something as simple as duplicating a layer, I can understand the reason why. When demonstrating to people, it's valuable to slow things down and make sure they understand. It may seem subjective to flat out say that changing the cursors is the best thing to do, however I believe that once you try it you will agree.

Do you have images or films that are sitting on your file servers and nobody, except for your team and the client, knows you did them? Even if you don't, you will eventually have a few some day. How would you handle such requests to not publish images and can you take any advantage of that?

Super recognizers are people with extraordinarily good face recognition ability. It is estimated that less than 2 percent of the population are super-recognizers. Are photographers any more likely to possess this superpower?

Cleveland, OH: A local shooter recently switched from Canon to Sony and was pleased to discover that he awoke the next morning as a master photographer.

Daniel Dean knew the total solar eclipse would be an incredible opportunity for him to capture something amazing. A few months prior to the eclipse, the idea of being able to photograph the celestial event became a blip on his radar after seeing in the news that the first solar eclipse crossing the U.S. since 1979 would be happening again in August. Here is the story of how this awesome time-lapse solar eclipse video came about and how it was made.

In August 2015, I quit all working commitments and took the leap in to full-time photographer. In March 2016, I wrote an article of advice about being a photographer I wish I'd known earlier after I began to scrutinize my performance under the new, professional microscope. Well, time has elapsed, shutters have shut over 100,000 times, and more things have been learned. My photography business has grown in this interim and I found myself thinking about this aforementioned article again. Here are seven of the most important things I have learnt about being a professional photographer that I wish I'd known earlier.

In case you aren't tired of looking at photos from Monday's incredible solar eclipse, I've put together another list. This time I tried to some find photos that maybe everyone hasn't already seen. The eclipse was not only a spectacular natural event with worldwide attention, it was also one of the most covered events via the photo community itself. Browsing the popular hashtags for the solar eclipse produced results from professionals, amateurs, hobbyists, families, and a ton of everyday people armed with nothing more than a capable cell phone excited to share what they had witnessed.

I think most photographers understand the desire to continuously acquire piece after piece of equipment. Looking back at my trip to Yellowstone, of course there are several lenses and at least one other camera body I wish I would have had for that trip. However, at the same time, I am pretty pleased with the images I was able to capture with the gear that I had while out exploring that beautiful place.

A little over a year ago, I came to a point of wanting to take the next step in growing my photography business. To me, opening a studio space made the most sense. The ability to have a dedicated place to work, meet clients, and sell prints out of, as well as wanting a way to make my business appear more legitimate, all factored in to why I believed a studio space was the next step. I recently finished up my first year of having a studio, and although it has been successful and definitely worth it, I wish I would have had a better idea of the costs you can forget about when budgeting for a space.

If there is anything photographers can agree on, it’s that we are obsessed with quality. This is a good thing when dealing with business, clients, and even personal projects. How many times though has this caused a glitch in documenting your personal life? I can personally say that I’ve let this get the best of me.

If there is one type of photograph that you could call universally appreciated, I would say a properly executed cityscape ranks right up there at the top. While New York City often comes to mind when you think of skyscrapers and iconic views, Dubai in the United Arab Emirates now makes a very strong case for being the most amazing city to photograph in the world. Of all the photos coming out of Dubai on a regular basis, I'd say Daniel Cheong's are hands down the best of the best. He is ready to share his skills in an upcoming class on September 8 put on by 500px called "Shooting and Stitching Vertical Panoramas." Best of all, the class is free for 500px premium members.

Picture the scene: you’re at a party and end up chatting to a stranger. In amongst the friendly chitchat, your ears prick up as you realize this could be a potential photography client. But you don’t want to pull out the full sales pitch, you’re at a party after all. This is where having a premium business card can go to work for you.

If you touch my hair I will hurt you. In life, we take many chances. Like, riding our bike with no hands, getting minimum coverage on our car insurance and petting stingrays. However, for the chosen few who have the superpower of catching our eye with their beautiful hair, there is no chance to be taken. The following is meant only for a lighthearted fable for this Friday.

When it comes to photographers, there seem to be those that dabble in a bit of everything and there are those that shoot one and only one genre. It's a difference of mindset and of perspective, but is either better than the other or does it boil down to a matter of preference? Is there a clear cut benefit for either stance? I'm a one-track mind type of guy and I'm here to tell you that it doesn't bother me one bit.

One of my biggest pet peeves is working with wedding videographers that treat their craft like it’s photography. In doing that, a lot of talented people sell their art form, and the art form of their peers, short. So what can you do to focus your videography and cinematography skills and make your wedding videos more refined? Think like a filmmaker.

I often think back to what it must've been like being a photographer before the birth of the Internet, the social media craze, and the hunt for likes, shares, and follows. Photography was less convoluted before the dawn of the digital age, with specialist magazines and museum and art gallery submissions showcasing only the cream of the crop. Browsing through old magazines and reading the articles, it's clear that the top-tier photographers stood out amongst the rest of the crowd for their raw skill in their art form. Their images meant something to many of those who took the time to stop and look at it for longer than two seconds.

A good portfolio is never finished. Portfolios, books, albums, or websites, however a photographer's body of work is contained, it should be ever-evolving and developing even after a photographer has started working on professional projects. Any perception that a photographer can leave a portfolio static once work starts flowing in is a dangerous one. For a number of reasons, developing and improving is an on-going process.

As photographers, we’re often on the bleeding edge of technology, and these days, the bleeding edge often includes an app for that. However, manufacturers are increasingly relying on apps to control their hardware at the expense of dedicated physical controls — and it’s a practice that must stop.