Fstoppers Original Articles

Since the end of the Korean war, North Korea has been a closed nation. So closed, it is often referred to as the world's most reclusive nation. It shocks and delights the world almost every day with propaganda and anti-propaganda that peppers our news reports. It's a place that heavily regulates visits and the activities during those visits. Each tourist requires special permission and a guide that sticks to them like glue to visit anywhere in the nation. On top of that, you have to pick from a list of government approved locations, you can't just go for a walk or cycle the highways. So, what possessed Slovenian-born, London-educated, Matjaž Tančič to take his already difficult 3D workflow into a place that restricts movement and photography so much?

I love shooting on location and am passionate about deep blue skies. Usually I would use CPL and ND filters to get the best skies to my taste. A detailed article about how to get dramatic skies is described in my previous article, "The Ultimate Guide to Dramatic Skies in Portrait Photography." After the shot is taken I always play with the luminosity and saturation values of the blue tones. One issue I often face while darkening the skies via luminosity is having a white outline appear around my model. Today I will take you through a short tutorial of how to get rid of that quickly and effectively, without the need to compensate on your luminosity.

Well, technically it's economics but let’s be honest, proclaiming to the world “It’s Economics!” just doesn't pack quite as big of a punch. You probably haven’t heard that competition is good for business since (if I had to guess) your high school economics class, but most of us probably weren’t paying attention anyway. No offense Mr. Holt… The whole idea that competition increases your business is a super backward concept but when you break it down, it actually makes a lot of sense. As a photographer, I am going to explain this as it pertains to the photography, but the whole idea works for any industry out there.

In this simple lighting tutorial, I discuss three different ways to create softly lit and dramatic images with a single reflective umbrella.

Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.

Seems like protests are a pretty regular thing these days, and so there’s a lot of chances to photograph history in the making. So when you’re photographing a big news event, how do you get a picture while wading through the big-news crowds? Try using a monopod. I'll explain.

For those trying to balance their passion with their paycheck, here's a quick word on the joys of taking the leap, and the sweet taste of being unemployed. Well, sort of.

Apparently issues with memory cards are quite common, even among Mac users. Personally, I almost never have issues but I happen to also be the guy all my friends flock to each time they are having issues with photos on cards. In this post I will share a few strategies to help you avoid a headache when dealing with memory cards.

It’s time to answer the often-asked question I hear from many wedding photographers. Is it worth the money to advertise with online marketplaces for professional wedding vendors? I track everything in my wedding business. If you can record it, track it, analyze it, and summarize it, I’m aware of it. There’s nothing quite as satisfying as opening up a spreadsheet of raw, unrefined data and pulling out the hidden truths that lie dormant in the numbers.

One of my favorite setups for studio portraits of children was inspired by Jill Greenberg’s photos of crying babies. These portraits are fun, simple, and focus on teasing out a variety of natural expressions of children as they are being photographed. This tutorial demonstrates how to photograph and edit this particular style of a three-light children’s portrait.

If photography is an art, so is retouching. While there are school teaching photography classes, fewer offer retouching programs. Many photographers starting out seem to be looking at the same tutorials over and over again, without ever actually getting anything out of it. Frequency separation, dodging and burning, or curves will only get you so far before you hit a wall. In past the two years, I’ve been looking at other crafts to step up my retouching work. Here are five things I have spent time on that you should look into and why.

Buying the right gear for you is not only a question of money. Sometimes the wisest decisions are made within a tight budget, while the stupidest choices may be made when finances are abundant. In this article I'd like to share with you my process of buying new gear for my photography and video projects.

High-speed sync is a hot topic in the world of portrait photographers today and Francisco Hernandez is someone who has this technique dialed in.

Audio is arguably the most important facet of any film or video production. There is a saying that goes: “Audio is 70% of what you see,” which means that sound makes up more of the experience than the visuals do. So while we may spend a lot of time planning for what our shot looks like, it’s even more important that we mic it properly for the best audio recording possible.

Everyone and their Auntie seem to sell Photoshop action sets these days, as if they're the answer to something. I'm primarily referring to action sets which create entire "looks" for your image, but there are uses for actions which are less comprehensive and arguably more useful. For example, I use an action for sharpening my images which creates a layer I can lower the opacity of or mask until it is satisfactory. Actions like these are easy to create and can result in accrued time saved. This guide will ensure even people whom have just picked up Photoshop for the first time can create actions.

We live in times of turmoil. The old fixed orders of the post-World-War-II globe have lately been called into question in new and unexpected ways. People are more engaged in politics than ever before during most of our lifetimes. Photography has always been a very political art form, and not simply in the obvious ways. You may not think that your images are political because they do not showcase political issues. But even if they don't do that, they still say something in the political sphere. As we all struggle to be the best photographers we can be, none of us should forget that, when taking and making images, we always also make statements.

Last month, I wrote an article called Hacking Instagram to Grow a Huge Following and Build Better Engagement with "Instagram Pods" that was received far better than I ever thought possible. I received hundreds of direct messages within the app of people asking about Instagram pods as well as wanting to join one. I apologize to those I have not yet gotten back with but rest assured, the hack seems to work and has sparked new life into my social media experience on the platform. Not only has it doubled my engagement, likes, and blown comments through the roof in comparison to a few months ago but its become a new found way to connect with new creatives from around the world.

As creative professionals, hobbyists, and tech nerds (myself included), we often find ourselves wearing many different hats in our day-to-day activities. The crafts of photography and cinematography, among others, remain heavily dependent on technology that needs to be reliable and largely up to date. Often, that means the technician hat comes out to perform RAM upgrades on computers, to replace internal batteries and hard drives, and, admittedly, to repair screens on mobile devices. Here are some tools and tips to make that process a bit easier for you.

Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.

Last year, my husband and I traveled to Greece. While we were in Athens, we could not avoid crossing paths with the same couple at every sightseeing location we went to. I must have seen the entire wardrobe of the girl during those hours we walked. Her eccentric wardrobe change was not the only thing that caught my attention. It was rather strange to witness an all dressed-up girl posing alone non-stop. To me, it was definitely meant for social media.

A few months ago, I started a passion project of mine: FilmObjektiv.org. Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need. It's this last part that still needs some work, but it's well on its way with this new pricing guide for film labs across the country. Still, I could use your help.

The imminent release of the Panasonic GH5 has caused quite a stir within indie filmmaking circles with it's powerful array of video recording tools built in, notably 10-bit 4:2:2 4k recording. Sadly, Panasonic will once again activate the V-Log L color profile recording capabilities as an additional purchase. So is it worth the additional cost?

We Photographers sure love our lenses! So much so that the previous article of a rather similar name received so much love that I couldn't help but write a follow up. The world is filled with amazing glass that doesn't have to completely bust the bank. Sure we all want that new Nikon 105mm f/1.4 and certainly the enormously priced brand new Nikon 70-200mm f/2.8E but do we really need them? I'd argue probably not, the market has an enormous selection of great lenses, many of which are cheaper and offer exactly what many photographers need.

I've been shooting corporate jobs since about 2010. At first, it was a little rocky. I didn't really know what I was doing, I hadn't shot enough with other photographers to learn the ropes, and I was just a self-taught photographer trying to make ends meet. Fast forward to 2017, and I'm shooting high-profile executives at Fortune 500 companies, and am expected to do it quickly. I'm shooting luncheons where half of the attendees flew in from another hemisphere on their private jets, and am expected to do it quietly. And well. So, here are a few quick tips for people who are just starting out in the freelance corporate photography world.

By its (fabricated) definition, “Great Light” is soft, of an orange tinge, preferably at an oblique vertical angle and coming from a direction that shapes the subject enough without causing harsh shadows. So we’re essentially talking about sunsets and sunrises. But must we only whip out the camera at golden hour? Or are there more photographic opportunities to be had?

Are you a photographer or videographer who loves to write? It's that time again! Fstoppers is looking to hire several creative professionals to write for us. If you enjoy reading Fstoppers and think you may have something to offer, we want to hear from you!

Our first Kid’s Photo Walk actually happened, and it was a success! Over 35 people showed up to participate in a nonprofit community event for children which encouraged kids to spend time with nature and whatever camera they have access to.

Whether it’s all a gimmick or not, photos in virtual reality are amazing. They’re easy to create, and throw your audience into a straightforward, immersive experience. If you haven’t tried making one yet, you should.

Instagram is known as the consensus favorite app by photographers in today's age, but even with its name implying posting photos instantly, it's still a pain sometimes to post photos on-the-go at times. For Part Three of my Instagram series, I'll be sharing the absolute fastest method any user can adopt to spend less time posting Instagram photos and more time shooting!

If you are a shooter or video producer, you know that there are many things that go into creating great video. Sure, using the right gear is key. Composition and lighting are key. But after the video is shot, shot selection, pacing, and color correction have to be considered for the edit. Then there are graphics. Titles, lower thirds, transitions, and the like have to be designed and animated. There are tons of parts that go into making one complete, great-looking video. And it’s hard to master every aspect of video production – not to mention the fact that time and budget constraints make things even harder.

We've planned for the aurora and captured a ton of images in the previous episode. We've left the arctic and are back at home under the soft glow of our calibrated screen. It's time to process these babies. Be aware that there's advanced editing stuff ahead. If this goes straight above your head, I recommend that you stick with processing in Lightroom until you've got that under control. We have a lot to cover, so let's get started.

I began my journey as a portrait photographer quite obsessed with the premise of blasting large studio strobes through giant modifiers. It was my workflow for years. In studio, I'd usually be washing my model with giant waves of light and on location I'd lug big, powerful strobes along with huge lengths of extension cords so that I could plug in and not bother with heavy battery packs. About a year and a half ago I stopped using my big strobes completely and eventually ended up selling them in favor of completely switching to small flash.

A while back, while on a shoot for Crystal Bridges Museum of American Art here in Northwest Arkansas, I was asked to get a shot of the museum’s executive chef and the Director of Culinary for their members magazine. Time was short, the kitchen was starting to prep for dinner service, and every second I was there I was inconveniencing someone. I had to get in and out quickly and create a dynamic image in the process. Here’s how it happened.

While it certainly wasn't my first time using one, a recent shoot I did for TEDx at the Ohio State University made me realize how much easier life is with a light meter. For almost all the time I've spent behind cameras, I've been creating portraits. And for most of that time, I've been using flash. Starting out, I would just shoot and tweak power settings and my aperture and the light placement until I got what I wanted. As an amateur, it worked. But once I decided that photography was a career for me and as I began picking up client work, this method became quite ineffective, forcing me to get the one tool I never realized I needed.

I remember when I first started photography, I'd try and find out what lens and camera had been used for every photograph I liked. I was convinced that if I had that combination of glass and mirrors I would be creating masterpieces. Unfortunately, that train of thought is closer to smoke and mirrors, and I soon knew better. Curiously, however, I now think there's some truth to it, and that truth was revealed to me by a lens that is now my secret weapon.

If you reside anywhere that’s similar to the sleepy little town I live in, you’re aware that there aren’t many opportunities for children to get hands-on with art; especially photography. In light of this fact, my wife and I decided to create an opportunity for youngsters living in our home town to spend a morning with us expanding their knowledge of photography.

Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.

It’s that time of year again, and no, I don’t mean last night's Super Bowl. Tax season is upon us and for many creative professionals it can either be a joyous occasion or one filled with dread.

Creating stunning portraits of our canine companions requires so much more than technical knowledge of photography. Understanding how to coax a dog into just the right spot while keeping them relaxed and happy is crucial to capturing genuine expressions with perfectly composed surroundings. Adding a few special items to your gear bag for those times when you venture out to photograph someone’s four-legged friend can have a much larger impact on your photos than choosing the perfect lens.

Is LinkedIn one of the most overlooked social media networks for photographers? With over 460 million users and growing, it’s not something you can just ignore. Yet, that's exactly what a lot of photographers do, myself included. We joined Facebook because everyone was already there, and Instagram just makes sense for visual professionals. LinkedIn started out as a tool for building a resume and finding a new job. As self-employed freelance individuals, do we really have a need for that?

Shooting portraits in large format film is extremely rewarding. There's a simplicity of the process, from the posing to the static camera position, that helps ground both the photographer and the subject in the moment. Beautiful images may be your reward for such patience, but it's not without its challenges. For me, the biggest challenge shooting portraiture is not working with the camera, but the insane amount of light you need to throw at it. For the uninitiated, here are some facts about the format and its light-eating characteristics that you may need to consider.

The thought process of skin retouching seems to vary between photographers. Many favor a smooth, glossy effect, some like it natural, and others don’t retouch at all. So, where do we draw the line? There’s no right or wrong answer, but what do most people prefer?

San Francisco, CA: A local man who recently brought his newly acquired DSLR to the Golden Gate Bridge has announced the founding of his photography business.

Ah, the crown of the (Ant)arctic. Known in the northern hemisphere as the Aurora Borealis (northern lights), and as the Aurora Australis in the southern hemisphere, these brightly colored bands of moving and waving light are a majestic display in the night sky. Who doesn't want to take a picture of this otherworldly phenomenon? Here's exactly how to do it.

I just picked up my Inspire 2 Monday and couldn't be happier to have it. After working with a Phantom 3 Advanced and Professional for about a year and a half, this new drone makes all the difference in the world.

Lately I've cottoned to the film beat quite a bit here. I've written about Super 8 and about film stock options for analog photography, about the revival of Ektachrome, and about instant photography. I love it all, but I'm also aware of the fact that we very much live in the twenty-first century. We live on computers and we live online, and if photos don't exist in these spaces, they may as well not exist at all. So what can be done about getting photos taken on film, old or new, into a form fit for such a universe? Let's talk about film scanning.

This past summer I dove deep into an article on the long time debate: does a photographer's gender alter the way in which he or she photographs a subject. Is there really a difference in how one gender sees the final image, or is it just artistic preference? Two artists decided to test this theory during a creative shootout to see if all the variables stayed the same, would the image turn out differently. Does the gender of the photographer really influence the final image, or simply the approach in which is taken during the shoot?

As a photographer who happens to live in Canada, shooting in the winter for me often means braving the snow. The problem with snow is that it means facing the cold. As the photographer you are more that free to bundle up in order to stay warm. However, the model often is much more limited by wardrobe which is an excellent recipe for hypothermia. Goose bumps are an utter pain to retouch so my best advice for you is to come prepared to keep your model reasonably warm.

Fstoppers is starting a new bi-weekly contest in our Community! Every two weeks, we will announce a new contest within a specific group. The newest contest can be found in the Wedding Photography Group.

Last year I got a chance to work with UNICEF on a maternity project where I had to work with a lot of moms-to-be and kids. I have been surrounded with kids all my life and was a new mom myself, so I instantly agreed to be part of it. This was a challenge I was happy to embrace. It is not hard to photograph your own child, a sibling, or someone you already know. Kid photography is probably one of the most difficult genres in the industry if you don’t have a proper approach. In this article I will share my knowledge and experience I gained during years of working with kids.