Fstoppers Original Articles

I have known Suren Manvelyan for more than 10 years. When I first met him, I was a graphic designer who was fascinated by photography and he was a physics teacher at school who was looking for opportunities to grow as a photographer. We used to gather with our small Armenian photographer’s community each Friday to share experiences, discuss photography, and develop our skills. Years passed, a lot of the enthusiasts gave up and only a few stayed faithful to their art. Suren, on his behalf, not only grew to a professional photographer, but also didn’t give up on his other interests.

I've always heard that Adobe Photoshop will not allow you to import pictures of U.S. currency because you could potentially be using the software to "copy money." Today I ran across a video that also claims that all current copy machines will not copy currency due to a hidden pattern on the bills. I decided to put this to the test.

Without composition there is just visual chaos with no beginning or end, no direction or cycle, no shape or difference between dark and light. This series is the go-to resource for compelling visual storytelling in landscape photography as it provides a condensed overview of all the elements that make up a stunning image. This week: Advanced tools that will nick the attention of the viewer and guide them carefully through your photograph.

When starting out in photography, one of the first things we hear about is the rule of thirds. We then venture out into the world, lining up our subjects onto imaginary intersecting lines. When we get home, we open our images into Lightroom and find that the crop tool is already set up to help us maintain this rule. But as we advance in our photography careers, we start to find that there are a lot more ways to compose an image. Luckily for us, there is a somewhat hidden option to change the overlay of the crop tool within Lightroom.

As a group, we photographers tend to like to do everything ourselves. I think it is something about depending on someone else that pushes against our most basic instincts. However, great portrait photography is always a team activity. This team can range from just you and your model all the way up to a full production, but one thing remains consistent: without a team, there is no photo.

Boudoir photography can be one of the most powerful ways to bring confidence back to an individual. Challenging their negative thoughts about themselves while repairing their body image is more rewarding to a boudoir photographer than the money itself (OK yes, the money is great but be honest — you love it when they cry those happy tears of joy seeing their images).

I was all set to write a completely different article. I think it had to do with film, maybe. Not anymore. Now I'm frustrated, so I'm going to write about that instead. I love Fujifilm. I love them until I hate them. The problem is, I never really know what sort of day it's going to be until I'm out shooting.

When you get to a new place you haven’t been to before, or, even if you have been there in the past, you often see something new. It’s what travel does, it lets you see new things in new ways you haven’t seen before. So when you’re walking down the street with phone in hand but you've left the camera at your hotel or apartment and you see something you’d like to shoot, how do you save the location so you can get back to it again?

Multimedia projectors have become so affordable in recent years that it is quite likely that you either own one or know someone who does. This is good news for filmmakers and photographers who are interested in achieving a unique range of eye-catching lighting effects in-camera.

Photographer Felix Hernandez has done it again. If the name doesn't ring a bell then you might know him by his amazing miniature photography such as "The Love Car" or his "The Crow & The Dove." These projects has been floating around on the Internet, and we have an exclusive on his new project called "The Wardrobe."

I've had a few months to play with the Phantom 4. I can say with certainty that it is better than the Phantom 3 in almost every way but it costs a good bit more and the Phantom 3 is still one of the greatest drones on the market today, especially at these incredibly low prices.

I was standing in a camera shop in the centre of Brisbane when the anxiety began to take hold. Lizzie and I have a shoot this afternoon, and from all accounts it should be awesome: rockin’ couple, engagement party, private boat, emerald green dress, and the big city lights of Brisbane as the backdrop. I have the tools, and I have the talent. So, why am I so nervous, and why do I love this feeling so much?

I love Fujifilm's X Series cameras. They're small, light, quick, and have wonderful image quality. The lens collection is at the top of the game, especially the primes. I went back and forth for quite some time in the lead-up to my recent personal work trip to Myanmar. I would be creating a book and needed to choose carefully. Which gear should I take? Should I take my DSLR system, or should it be the Fuji X system? In the end, I went for the Fuji X, as it allowed me to carry a couple of extra lenses and fit all of my flash system in the same pouch as well. But how would they perform?

I love my DJI Phantom 4. I've gotten some great shots that I could have only dreamed of before. And yet, a recent experience left me angry and surprised.

If you’re interested in drone photography and video, I’ve compiled a list of people and sites you need to go to for inspiration, tips, tutorials, and insight. Aerial photography has changed with the drone. When you put costs aside, the other advantages of flying a drone vs a helicopter are that it can get closer to the subject, it doesn't create the ripples in water as much, it doesn’t cause a wind force blowing out the leaves of trees and plants, and it can make for some great shots through mountain gorges that helicopters simply can’t fit through.

There may be no camera more eagerly anticipated than the Canon 5D Mark IV. The 5D Mark III is one of the workhorses of the industry, but it's definitely showing its age as of late, and many are clamoring for Canon to catch up. The 1D-X Mark II is certainly promising, but for many wedding and portrait photographers, the 5D series is their bread and butter. Here's everything we think we know about the forthcoming camera.

As a boudoir photographer for over seven years, I am always seeking new ways to keep the artistic appeal to my images. Sometimes we work so hard to create something so epic, that we forget about that simplicity is usually the key to greatness.

Our tutorial with Joey Wright on all things swimsuit photography and retouching is finally available, but we wanted to show you guys what goes into making a 20-hour tutorial. In this behind the scenes episode (number 6 of 7), we wrap up shooting in Curacao, and Joey travels to Charleston to start the retouching.

The question of whether or not to do free work is always pressing. The debate becomes a grey area of ambiguity with many people firmly on one side or the other, and the rest of us stuck somewhere in between questioning our self worth as artists. There are strong arguments on both sides of the arena. Over the course of my career I have wandered back and forth across the defining line only to lately land in the anti-free work position, and here is why.

Recently I bought a new Vizsla puppy named Leo. I decided to take a few portraits of Leo in the studio and I put them on Facebook. They became my most liked images of all time. Yesterday I went back to the studio to create a video on how I did it.

Point and shoot. That's how many people think about modern photography. A lot of things we take for granted today developed in the 1800s, including photography. Exposures took days until Louis Daguerre invented his daguerreotype process, which reduced days to minutes and produced clearer, more detailed images. At about the same time, the Victorian Period began with the ascension of Queen Victoria to the British throne. Disease was rampant and mortality rates were high, especially among children under five years old. Arguably, these were contributing factors to the unintended birth of portrait photography.

Awakening your creative mind can be a challenge, but from my previous article "Fstoppers Creative Photography Challenge (Part One)" I hope that these challenges are helping you overcome your creative rut. Sometimes it's hard to spot simple things and sometimes you just don't have that drive to take that photo. There are tons of options to sharpen you creative skills, but I find these challenges relaxing. Here are some more added challenges for you to continue.

Video is something I have begun to play with over the last few weeks in the form of a vlog on YouTube, but as you might know it's difficult to gain that organic reach you're used to on social platforms. That doesn't mean its impossible, but by using various other channels to advertise and push them to that new content is key in today's world. That is where vertical video comes in on Instagram! Yes, it might be annoying as hell to see yet another vertical video, but hold tight as I walk you through why this is a brilliant place to use it and also how you can do it yourself.

Landscape photography is the often stigmatized genre of it not communicating anything other than display of beautiful imagery at best. In this epic arc series, I strive to provide an integral resource for working on your own landscape images. We’ll cover planning, shooting, and post-processing, and talk about anything from composition to colour theory. And for the more advanced photographers, we’ll include the use of shapes, tropes, and negative space to aid in compelling visual storytelling. This week: A composition primer.

This is an article I've been on the cusp of writing for some time. I was first jolted into this area of discussion when I heard someone refer to the photography of poorer cultures and communities as "white middle-class photography." I say jolted because — perhaps naively — I had drawn no parallels between types of photographer and types of subject before that day. Unlike most criticisms about photography, this comment didn't glide past me; instead, I found myself plunged into an internal debate. Are the loose motivations of "raising awareness for" and "the documentation of" these communities disingenuous and moreover, are they doing more harm than good?

It’s almost a daily occurrence: you open Facebook or Fstoppers, and someone is telling you that it’s not okay to shoot for free. If you’re not getting paid for your work, you’re devaluing the entire industry. But chances are we’ve all done it at some point, we’ll probably all do it again, and If you don’t, you’re only hurting yourself.

In my last article, Adventures in Large Format: A Beginner's Perspective, I talked about some of the things I noticed upon purchasing and attempting to use my first 4x5 large format camera. As fun as fiddling with some knobs and taking a photo of a stool was, it was time for me to point my camera at some actual people. After lugging the camera upstairs and taking portraits of some of the awesome characters that work at the bar, it was time to see how I did.

Slowly but surely, I find myself shooting more film. It’s getting to the point where my digital cameras are almost strictly for video. They may offer better resolution and more versatility, but there’s a look to film and a fascination with the cameras that pull me to it. The one man that took me into the bottomless hole in my wallet that is film photography is Mat Marrash, a coworker and an avid large format photographer. It's some of the most gorgeous landscape photos of the Ohio Valley I've seen. A few weeks ago, Mat, myself, and the good folks at Rooted Content traveled to Hocking Hills, where Steve and Kyle from Rooted created this short of Mat’s work.

Photography is a game of emotions. Think about some of the most powerful images that you’ve ever seen. The ones that have left a lasting impression on you. Sure, they might have gorgeous tones, light, or composition, but the reason they have stuck with you for so long is probably the emotion or mood that the image evokes. Our job as a photographer is to control those moods and to decide which emotion we want our viewer to feel.

Two weeks ago, SkyPixel teamed up with DJI and launched an aerial photography contest that could win you a brand new DJI Phantom 4 and a Huawei P9 Plus smartphone, along with several other big prizes. Contestants have been invited to submit their best 360-degree aerial photos to the world's largest aerial photography community before noon on June 20, 2016. The submissions have been pouring in, but the best image has yet to be chosen. If you would like to join the fray and take home a brand new drone, check out the details below.

Some of us photographer types are rather notorious gear junkies. I'm as guilty of it as the next guy. We like our toys and love to collect as many gadgets and doohickeys as we can get our hands on. Few things grab our attention more than the spec sheet of the newest cutting edge camera. Our budgets, however, aren't as infinite as our eagerness to spend them, which often leads to the need to prioritize purchases. Despite what your eagerness is telling you, the most valuable update might actually be upgrading your computer rather than that shiny new camera body.

Freckles are in. As more and more brands and publications start opting to hire models with realistic “imperfections,” we’re bound to see more and more ads with speckled skin. Score one for realistic expectations! However, lighting freckles isn't easy, as most broad light sources will flatten the tone in the skin. Here’s a quick tutorial on how to bring back and enhance freckles in Adobe Lightroom.

In the age of the selfie, a truly well-crafted self-portrait can make us take pause. Courtney Emery's images are intriguing and multifaceted creations that draw the viewer in and offer a very interesting look at her identity.

Like I've said before, being creative or simply having to create, is one of the biggest assets you can have in this era. Being creative doesn't mean you always have the juices flowing in your body. Sometimes, we get into a rut. I know some of you have fallen into that black hole where it feels like you can't seem to get out. Trust me, we can all use a jump-start from time to time. Creatives can always use a new method to refresh their minds.

It might be tricky to be your own stylist, costumer, or scene creator on your own set, especially when you have never been into it. I have some good news! Imagination, some research, and dedication can solve this issue and bring bright results. Here are five handy materials and tips to use on your upcoming shoots to add a special touch when you need something more than a regular shot. The process is challenging, fun, and brain-training. You will have good practice for upcoming shoots and better coordination with different materials on set.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

I’m going to be traveling soon. I’m going to Paris for a project documenting the city, its people and exploring its intangible nuances that emit emotion. Travel photography. I enjoy traveling, and I love photography. Can we put these two together? Yes. There is no other reason but the enjoyment of moving though the city that's got me excited.

Adobe Lightroom was a game changer for me when it was introduced. I used to spend hours in Photoshop tweaking this and that, creating actions to batch a set of images I had shot, and output different resolutions from the giant PSD files I was working in. Lightroom gave me 90 percent of the control I use in PS anyway, and allowed me to do it quickly, easily, and without an ever-growing collection of PSD files. I was in love.

Well known video bloggers, such as Casey Neistat and the likes, have raised the vlogging standards in recent years. How they manage to post captivating content so regularly is astounding. Many try to emulate their successes, and as a result, YouTube is crammed full of filmmakers trying to be the next viral vlogging sensation. These vlogs vary in content, style, and quality, and while there is a niche space for almost anything these days, some people are “nailing it,” and others aren’t.

Magic Lantern played a phenomenal role in using DSLRs to shoot video content. However, while it's benefits are obvious for Canon photographers, how does it stack up against the cameras of today?

It happened. After years upon years of drooling over large format photographs in books and on the internet, I finally pulled the trigger. I got a 4x5 camera. Many of the masters I've looked up to used large format for their portraits and I've always wanted to try my hand. Here are my first observations of trying to tame the beast. First thing I noticed: this isn't easy.

Shooting in a photography studio can seem a bit daunting. A lot of photographers choose to shoot outdoors due to budget constraints and the fear of stepping into a studio. There are, however, some real benefits to shooting in a studio and they apply to both new and experienced photographers. If you have not had a chance to try shooting in a studio I highly recommend the experience.

Photography, at its core, is a tool for communicating meaning between human beings. We use it to advertise, share memories, and occasionally Photoshop an aeroplane in to add to the meaning we've already captured. In the right hands, photography can be an extremely powerful tool to do good in the world. It can bring about change, help people, and communicate ideas we couldn't otherwise communicate.

In November 2015, my mom came up with some old photos of my deceased grandfather, which were negatives printed on film. She said that she had asked several photography studios if it was possible to get normal prints from the printed negatives, but the answer was always no. As those were some of the only photographs left of him, she had kept all of them with a hope. Years after, it was my turn to try. The process to get some decent prints and move my mom to tears was ever so easy.

I love going out to shoot landscapes and finding new places that I think will look really cool at night. However, sometimes it’s hard to get to these places because of how far you actually have to go to get there. Here is my story from the night of May 25.

The jump from hobbyist or part-time to full-time photographer can be a daunting experience. About three years ago, I took the plunge into full-time photography. Overnight, I dropped my career as a teacher and decided to pursue this creative art. It was one of the most difficult decisions I have made and one of the most rewarding.

Four years ago I purchased my first set of studio strobes in an attempt to learn how to shoot portraits like the ones I saw in my favorite print magazines. Having shot most of my portraits using available light at f/2 and under, I thought this would translate over easily when I switched to shooting with strobes. As I snapped my first frame and realized that even at the lowest power setting on the strobe the image was overexposed, I set out to find a way to be able to accomplish the effect. The answer was high-speed sync.

As long as I can remember, I've adored summer and heat, and when the season comes, my head starts exploding with ideas that I can realize outdoors without the limitations the cold weather brings. The usual scenario is generating an idea and seeking locations to make it real, but my most outstanding shots were done when I got inspired by the location. I have already described how that inspiration happens in my previous post on my "unLimited" shoot. It was the same was with "Summertime." When my sister moved to her new apartment, I started looking around, and the moment I looked down from her balcony, located on the 5th floor, I knew something would happen there.

Your online portfolio is one of the most critical tools you have at your disposal when looking to make a sale. Clients are looking to your website as a sign of both your skill and professionalism. The customer wants to find a photographer who is the perfect fit so your website needs to be built to enable that feeling. Below are four priorities that photographers often overlook when designing their websites.

I attended the Canon Roadshow, held once a year, where Canon gets to show off their latest gear. We got to have lunch with the Canon people, and we also had great keynote speakers who told their story and presented their work and how they do what they do. One of the speakers, Laura McCullagh, shoots live music events. She's shot acts like Die Antwoord and Mumford and Sons, to name a few. We were fortunate to get some pointers from her on how to get great shots.