Golden hour is the holiest of times for photographers of many genres, however, it takes some technical understanding if you want to get the most out of it in your portraiture. In this video, Irene Rudnyk takes you behind-the-scenes of her beach portraiture shoot at golden hour to give you some tips.
This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.
Many of us know what it feels like to have or want to do a strobed on-location portrait without the benefit of an assistant. In fact, many of the portraits that I believe to be my best were done without an assistant and only with one strobe. It's all about good strategy and proper planning gear/creative-wise. This video by the Slanted Lens does an excellent job preparing you on how to do this kind of shoot effectively. Read below to learn more.
Flying a drone indoors is always a challenge. You have to remain absolutely calm and collected, and generally, I highly recommend not flying a drone indoors, especially if you're new to them in general. That's also the warning that Filmmakers Guillaume Juin and Joris Favraud give anyone wanting to recreate this feat. They are a pair of rather brazen drone operators if I've ever seen any, coming together to form their company BigFly. Normally, the risk of flying a drone inside of a structure is already high, but usually, the highest risk is to the safety of your equipment, as the ease with which your drone could come into contact with any number of disastrous endings is increased exponentially.
About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.
After the honeymoon period, where we obsess over every new technological innovation the camera market has provided, what matters when we get to set?
As a type of person that loves to figure out everything I can about gadgets and software, I am always surprised by how often I meet up with photographers that really only use the powerful programs on their computers for the most basic functions. Typically we get comfortable with a few features and never really explore what else can be done. Maybe we run out of time, maybe we just have no interest. Either way, I hope to share some short, quick, easy to follow along videos over the next few weeks sharing some of my favorite tips and tricks in Lightroom.
Devin Graham, better known by his internet alias Devin Supertramp, recently created this video (and BTS piece) that utilized over 50 GoPro cameras to capture dogs jumping and playing as if they were Neo dodging bullets in the blockbuster film The Matrix. If this doesn't make you crack at least a tiny smile, I'm pretty sure you may be Scrooge himself. For a behind-the-scenes look at how this was made, check out the video after the jump.
We all know Red Bull photographers capture some amazing extreme sports photos, and Dan Vojtech is no exception. He recently photographed Extreme Pilot Martin Sonka, using a set up of 30 Fomei S600 DC strobe flashes. Watch the video for a quick behind the scenes look at how he got some amazing shots.
Patrick and I created Fstoppers.com about eight years ago and it's been a wild ride. We never planned any of this, we simply tried to steer this ship that seemed to be moving on its own.
Product photography is a great way to experiment with lighting and editing techniques. For me, it’s a chance to shoot in a relaxed environment where I have complete control over the subject, lighting, and camera. I can set up something small in the living room and find solutions that can be applied to my portrait work or professional product photography. It also requires a lot of creativity. Homemade items or DIY solutions are abundant on sets. From light-shaping tools to methods of creating parts of a composite, a lot can be created simply and at a low cost. You may be surprised to see how minimal of a setup can create some stunning photos.
It's a photo so ubiquitous that if you type "iceberg photo" into Google, it's the first two image results. And the sixth. And the tenth. Ralph Clevenger's iconic photo of an iceberg's tip peeking out from the water while the substantial body of it remains below has graced countless publications, from full-page magazine advertisements commissioned by major corporations to the ever-famous "Imagination" motivational poster. It's a photo that is so famous that it's been copied, stolen, manipulated, parodied, and imitated an innumerable number of times over its nearly twenty-year existence. It's even made rounds on the internet as a hoax that Snopes picked up.
High-speed sync is a hot topic in the world of portrait photographers today and Francisco Hernandez is someone who has this technique dialed in.
Shooting events is like running a marathon, it often feels like it's never ending. At the end of the day you are sore, dirty, and you may have blacked out for a portion of it from dehydration. Using an ergonomic camera sling for one or both cameras is a great solution for saving your neck and back and also keeping your cameras secure on your body. This is a no-brainer investment if you are an event shooter and may change your life if you haven't been using one.
As a wedding photographer I have learned that our shooting conditions are not always ideal. One of the places I dread most is the bride's dressing room. It is typically a hotel room with bags, shoes and every beauty accessory invented strewn across the floor. The lighting is never ideal and the decor just might be the straight out of your grandma's home. Read on below to see a simple lighting setup using two flashes that can help you create beautiful portraits even in not so flattering locations.
Last summer, Conceptual Photographer Erik Johansson spent a calm, pleasant evening shooting his charming photo project “Full Moon Service.” Almost instantly going viral as soon as it touched the Internet today, here’s a behind-the-scenes look of how it all came together from hand drawn sketch to fine art print.
While it certainly wasn't my first time using one, a recent shoot I did for TEDx at the Ohio State University made me realize how much easier life is with a light meter. For almost all the time I've spent behind cameras, I've been creating portraits. And for most of that time, I've been using flash. Starting out, I would just shoot and tweak power settings and my aperture and the light placement until I got what I wanted. As an amateur, it worked. But once I decided that photography was a career for me and as I began picking up client work, this method became quite ineffective, forcing me to get the one tool I never realized I needed.
One photographer has set out to prove you don’t need a beautiful location to take amazing snaps by holding a photoshoot inside a Lowe's store.
I thought this was a cool retrospective video that DigitalRev put together using clips from their old episodes of Cheap Camera Challenge. This piece essentially shows how some veteran shooters keep composed when faced with on-set challenges. Everything from face-planting onto concrete while trying to take a photo to dealing with deadly snakes just inches away
Canon's RF lens range has been expanding but some of their earlier lenses are closing in on early classics for Canon mirrorless. One that has been particularly well-received, is the 50mm f/1.2.
When people think of high end commercial automotive photography, they’ll sometimes call to mind images of cars with that distinct light streak down the side. That light streak that so many automotive photographers lust after is actually not a product of black magic, as it seems to be when you’re starting out, but actually incredibly easy to replicate with a technique called light painting.
Canon and Nikon, after a slow start, have both been consistently releasing excellent mirrorless bodies. Their respective newest cameras are more or less direct rivals, so how do they compare?
Have you ever tried to recreate an iconic image? It could take days of preparations to get anywhere close to the original. The location needs to be perfect, the makeup and wardrobe need to be spot on and the lighting needs to be accurate. In this incredible video created by "US" (Christopher Barrett and Luke Taylor) for The Sunday Times Culture, they managed to re-create 6 iconic images, in camera, in one seamless shot. Check out the final result and the BTS showing how they shot it.
Alexis Cuarezma is back again sharing the "hows" and "whys" behind one of his latest shoots: fitness portraits of IFBB bikini professional Ashley Pfaff. He has graciously included a very in-depth video where he explains how he set out to accomplish these shots, and he also provided his mood board, gear list, and lighting diagrams along with extensive commentary on the "whys" and "hows" of it all. You absolutely don't want to miss any of what he has to say! Start with the video and then dive in below!
If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.
Hey Fstoppers, this is Kanye West. I was gonna let the media finish but I heard everyone loved my photo so much that they wanted me to show how I edited it. I mean, it took four days and once we got the flowers the right color, I definitely think that I surpassed Annie Leibovitz's work and I could break into the wedding photography business.
Whenever we see an amazing image, the first thing that pops into our heads is "that's an amazing shot! It must be Photoshopped!" In this behind the scenes breakdown, see how Alexis Cuarezma created these dramatic colorful portraits using effects that were all done in camera.
The iconic Windows XP wallpaper "Bliss" is widely considered to be the world's most viewed image. Though most of us are familiar with the beautiful image that has graced our computers at one point or another, not many are familiar with the story of how it came to be, and fewer yet that it is in fact a real image captured on film! Photographer Charles O'Rear shares with us the story behind how he created the image with nothing more than his Mamiya RZ67 and a roll of Fuji Film.
When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).
There are dozens of cool effects that one can achieve when mixing ambient light with controlled lighting, but today I would like to talk about mixing lights in studio - impulse (i.e. strobe or flash) and continuous. I love this technique and hope my article inspires you to try it out too.
Trevor Sherwin recently traveled to Kenya, and decided to use this opportunity to create some amazing images for his portfolio. Most people who travel to the area tend to focus on the wildlife, but Trevor wanted to focus on something else - people. He wanted to create dramatic portraits of the local tribes in a way that shows both the people and the location. Check out his great video explaining his method of shooting.
