Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
This has been discussed several times before and, by the way, spoiler alert: The answer is no. However, there are many of us in our field who eventually figure out that traveling (out of town, out of state, out of country, even) is often the key to their success. Or at the very least, more success.
Recently, SmugMug featured the amazing artist Renee Robyn, based in Canada in a touching tribute video called "Dream Of A Digital Artist', and I recommend you take the 3 and a half minutes and check it out. If it doesn't leave you in awe and full of inspiration, then you must not have a pulse.
It's surprising how many friends I know that live in wine country. And yet not surprising how many of them have taken up the camera. They all ask me the same thing. "Do you know of any good resources for how to photograph wine bottles?" Well now I feel like I can say that I do, as I point to this video by instructional photographer Karl Taylor and Broncolor photographer Urs Recher.
Oh the world of high end retouching. This week cosmetic company Dior released a new video and ad campaign featuring their hot spokeswoman, Jennifer Lawrence. With a not so subtle nod to Sharon Stone in Basic Instinct, this new lipstick commercial isn't so bad upon first watch. Social media has gone ablaze however once screen grabs from the video have been making their way across the internet. Where are Jennifer's eyelids! We have the behind the scenes video to see where things went wrong.
It's Monday so it's time for another speed retouch and episode of Retouching Mondays. This week image comes courtesy of last weeks winner, Ben Scott. If you would like me to retouch your image and send you back the full-high res final image, all you have to do is post your image in the comments and wait to hear back. I will email the winner on Thursday morning, so post your newest favorite image that you want retouched. It can be any genre, beauty, fashion, landscape, wedding! I'll record the retouching and send you the final image to use as you wish! Take a look at the speed retouch of Ben's image and let me know in the comments if you have any questions, I'm happy to answer them. Now lets take a look at the before and after and the challenges for this week's Monday Retouch.
Philadelphia based Director of Photography Mitch Martinez thought the world needed access to more 4K footage for free. So, he collected clips he shot from all over the United States and created a catalog with over 35 different categories of footage on his website just for that. An even cooler aspect of this collection: it's free for commercial use as well.
In this tutorial I will show you how to setup your studio strobes for full length portraits as we shoot an editorial style lighting setup. First we will look at the entire gear list we used and you can use for a similar setup, from the backdrop to the studio heads. I will breakdown our lighting. with lighting diagrams and explanation of WHY we are placing our lights where we are. Also, in this video tutorial we share some Behind The Scenes from our shoot day.
Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at RGG EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.
Here in 2015, everyone and their grandmother has a smartphone with a camera. Subsequently, almost every interesting second of life on Earth is, for the most part, captured digitally on said devices, or so it would seem. Every now and then, it takes more than dumb luck to catch a one-in-a-million snap of something seldom seen close up. In the case of professional stormchaser Hank Schyma, this lightning strike near downtown Houston was a project 20 years in the making.
Erik Almas is one of my all time favorite photographers. His work mixes equal parts clever advertising and personal vision in a way that makes each image intriguing to study. But behind all of his brilliant images is a businessman who works diligently to get his brand in front of art buyers and advertising agencies. Today RGG EDU has released a free section about marketing from Almas' Composite Photography tutorial, and this advice is something every photographer should hear.
Last week I made a list of 10 of my favorite photographers to follow on Fstoppers and a few people complained that too many of them were "portrait" photographers. I've scoured the community again and today I've created a new list with 10 incredible, additional photographers who shoot much more than your average portrait.
Recently, a fellow photographer (who shall remain nameless) posted a rather beautiful image on his social media, and added "Shot a little bit of boudoir this weekend..." as the caption. This made me take pause and ponder about what boudoir is, or rather is supposed to be, and how it could very well be the most misunderstood labels in portraiture.
Its Monday so as promised here is the completed retouch for last weeks winning submission by Mitchell Flores. For only being the first week of this regular segment we had an great number of submission and it was hard picking, can't wait to see what you guys submit this week. In this post I'll go over some of the steps of the retouching process and talk about the challenges for this particular image. If you would like your image to be selected for next week, post your low-res image in the comments below by Wednesday of this week.
Most amateur photographers assume that they need to buy a ton of expensive gear in order to compete or reach the level of most professional photographers. I’m quite guilty of doing the same. As a matter of fact, I spent the first couple of years studying the work of photographers that I admired and I was quickly intimidated by their level of production. I didn’t think that I could possibly afford to invest in the type of equipment they used. It wasn’t uncommon to see these photographers use 3+ studio strobes on set, along with a seemingly endless list of modifiers they had access to. Their level of production just didn’t fit my personal budget at that time.